Song | Talk Shows On Mute |
Artist | Incubus |
Album | Monuments And Melodies |
Download | Image LRC TXT |
[00:00.00] | 作词 : Boyd, Einziger, Kenney ... |
[00:20.64] | Take a bow |
[00:21.20] | |
[00:22.70] | Pack on powder |
[00:23.45] | |
[00:24.70] | Wash 'em out with buzzing lights |
[00:27.14] | |
[00:28.64] | Pay an audience to care |
[00:31.45] | |
[00:32.77] | Impress me personality |
[00:33.95] | |
[00:37.52] | Still and transfixed |
[00:38.20] | |
[00:39.33] | The electric sheep, |
[00:41.13] | |
[00:42.33] | Are dreaming of your face |
[00:44.01] | |
[00:45.26] | Enjoy you from the chemical |
[00:47.83] | |
[00:49.70] | Comfort of America |
[00:51.26] | |
[00:54.33] | Come one |
[00:54.83] | |
[00:56.20] | Come all |
[00:56.83] | |
[00:58.58] | Into 1984 |
[00:59.20] | |
[01:02.64] | Yeah, three, two, one |
[01:05.14] | |
[01:06.83] | Lights, camera, transaction |
[01:08.20] | |
[01:19.08] | Quick, your time is almost up |
[01:21.83] | |
[01:23.27] | Make all forget that they're the moth |
[01:26.08] | |
[01:27.58] | Edging in, towards the flame |
[01:30.33] | |
[01:31.77] | Burn into obscurity |
[01:33.33] | |
[01:36.14] | Still and transfixed |
[01:37.02] | |
[01:37.58] | the electric sheep |
[01:39.14] | |
[01:41.64] | are dreaming up your fate |
[01:43.20] | |
[01:44.20] | We judge you from |
[01:45.39] | |
[01:46.26] | the card castle |
[01:47.14] | |
[01:48.83] | comfort of America |
[01:50.33] | |
[01:53.20] | Come one |
[01:53.64] | |
[01:55.02] | Come all |
[01:55.58] | |
[01:57.39] | Into 1984 |
[01:58.08] | |
[02:01.58] | Yeah, three, two, one |
[02:04.27] | |
[02:05.70] | Lights, camera... |
[02:07.08] | |
[02:10.33] | Come one |
[02:10.89] | |
[02:11.77] | Come all |
[02:12.64] | |
[02:14.20] | To 1984 |
[02:14.76] | |
[02:18.39] | Yeah, three, two, one |
[02:21.14] | |
[02:22.64] | Lights, camera, transaction |
[02:24.28] | |
[03:00.96] | Come one |
[03:01.71] | |
[03:03.40] | Come all |
[03:04.34] | |
[03:05.03] | To 1984 |
[03:05.77] | |
[03:09.21] | Yeah, three, two, one |
[03:11.40] | |
[03:13.09] | Lights, camera, transaction |
[03:15.34] | |
[03:25.34] | The foundation is canyoning |
[03:27.84] | |
[03:29.71] | Fault lines should be worn with pride |
[03:32.27] | |
[03:33.77] | I hate to say it |
[03:34.96] | |
[03:35.78] | You're so much more |
[03:36.78] | |
[03:38.15] | You're so much more |
[03:39.02] | |
[03:41.21] | Endearing with the sound turned off. |
[00:00.00] | zuo ci : Boyd, Einziger, Kenney ... |
[00:20.64] | Take a bow |
[00:21.20] | |
[00:22.70] | Pack on powder |
[00:23.45] | |
[00:24.70] | Wash ' em out with buzzing lights |
[00:27.14] | |
[00:28.64] | Pay an audience to care |
[00:31.45] | |
[00:32.77] | Impress me personality |
[00:33.95] | |
[00:37.52] | Still and transfixed |
[00:38.20] | |
[00:39.33] | The electric sheep, |
[00:41.13] | |
[00:42.33] | Are dreaming of your face |
[00:44.01] | |
[00:45.26] | Enjoy you from the chemical |
[00:47.83] | |
[00:49.70] | Comfort of America |
[00:51.26] | |
[00:54.33] | Come one |
[00:54.83] | |
[00:56.20] | Come all |
[00:56.83] | |
[00:58.58] | Into 1984 |
[00:59.20] | |
[01:02.64] | Yeah, three, two, one |
[01:05.14] | |
[01:06.83] | Lights, camera, transaction |
[01:08.20] | |
[01:19.08] | Quick, your time is almost up |
[01:21.83] | |
[01:23.27] | Make all forget that they' re the moth |
[01:26.08] | |
[01:27.58] | Edging in, towards the flame |
[01:30.33] | |
[01:31.77] | Burn into obscurity |
[01:33.33] | |
[01:36.14] | Still and transfixed |
[01:37.02] | |
[01:37.58] | the electric sheep |
[01:39.14] | |
[01:41.64] | are dreaming up your fate |
[01:43.20] | |
[01:44.20] | We judge you from |
[01:45.39] | |
[01:46.26] | the card castle |
[01:47.14] | |
[01:48.83] | comfort of America |
[01:50.33] | |
[01:53.20] | Come one |
[01:53.64] | |
[01:55.02] | Come all |
[01:55.58] | |
[01:57.39] | Into 1984 |
[01:58.08] | |
[02:01.58] | Yeah, three, two, one |
[02:04.27] | |
[02:05.70] | Lights, camera... |
[02:07.08] | |
[02:10.33] | Come one |
[02:10.89] | |
[02:11.77] | Come all |
[02:12.64] | |
[02:14.20] | To 1984 |
[02:14.76] | |
[02:18.39] | Yeah, three, two, one |
[02:21.14] | |
[02:22.64] | Lights, camera, transaction |
[02:24.28] | |
[03:00.96] | Come one |
[03:01.71] | |
[03:03.40] | Come all |
[03:04.34] | |
[03:05.03] | To 1984 |
[03:05.77] | |
[03:09.21] | Yeah, three, two, one |
[03:11.40] | |
[03:13.09] | Lights, camera, transaction |
[03:15.34] | |
[03:25.34] | The foundation is canyoning |
[03:27.84] | |
[03:29.71] | Fault lines should be worn with pride |
[03:32.27] | |
[03:33.77] | I hate to say it |
[03:34.96] | |
[03:35.78] | You' re so much more |
[03:36.78] | |
[03:38.15] | You' re so much more |
[03:39.02] | |
[03:41.21] | Endearing with the sound turned off. |
[00:00.00] | zuò cí : Boyd, Einziger, Kenney ... |
[00:20.64] | Take a bow |
[00:21.20] | |
[00:22.70] | Pack on powder |
[00:23.45] | |
[00:24.70] | Wash ' em out with buzzing lights |
[00:27.14] | |
[00:28.64] | Pay an audience to care |
[00:31.45] | |
[00:32.77] | Impress me personality |
[00:33.95] | |
[00:37.52] | Still and transfixed |
[00:38.20] | |
[00:39.33] | The electric sheep, |
[00:41.13] | |
[00:42.33] | Are dreaming of your face |
[00:44.01] | |
[00:45.26] | Enjoy you from the chemical |
[00:47.83] | |
[00:49.70] | Comfort of America |
[00:51.26] | |
[00:54.33] | Come one |
[00:54.83] | |
[00:56.20] | Come all |
[00:56.83] | |
[00:58.58] | Into 1984 |
[00:59.20] | |
[01:02.64] | Yeah, three, two, one |
[01:05.14] | |
[01:06.83] | Lights, camera, transaction |
[01:08.20] | |
[01:19.08] | Quick, your time is almost up |
[01:21.83] | |
[01:23.27] | Make all forget that they' re the moth |
[01:26.08] | |
[01:27.58] | Edging in, towards the flame |
[01:30.33] | |
[01:31.77] | Burn into obscurity |
[01:33.33] | |
[01:36.14] | Still and transfixed |
[01:37.02] | |
[01:37.58] | the electric sheep |
[01:39.14] | |
[01:41.64] | are dreaming up your fate |
[01:43.20] | |
[01:44.20] | We judge you from |
[01:45.39] | |
[01:46.26] | the card castle |
[01:47.14] | |
[01:48.83] | comfort of America |
[01:50.33] | |
[01:53.20] | Come one |
[01:53.64] | |
[01:55.02] | Come all |
[01:55.58] | |
[01:57.39] | Into 1984 |
[01:58.08] | |
[02:01.58] | Yeah, three, two, one |
[02:04.27] | |
[02:05.70] | Lights, camera... |
[02:07.08] | |
[02:10.33] | Come one |
[02:10.89] | |
[02:11.77] | Come all |
[02:12.64] | |
[02:14.20] | To 1984 |
[02:14.76] | |
[02:18.39] | Yeah, three, two, one |
[02:21.14] | |
[02:22.64] | Lights, camera, transaction |
[02:24.28] | |
[03:00.96] | Come one |
[03:01.71] | |
[03:03.40] | Come all |
[03:04.34] | |
[03:05.03] | To 1984 |
[03:05.77] | |
[03:09.21] | Yeah, three, two, one |
[03:11.40] | |
[03:13.09] | Lights, camera, transaction |
[03:15.34] | |
[03:25.34] | The foundation is canyoning |
[03:27.84] | |
[03:29.71] | Fault lines should be worn with pride |
[03:32.27] | |
[03:33.77] | I hate to say it |
[03:34.96] | |
[03:35.78] | You' re so much more |
[03:36.78] | |
[03:38.15] | You' re so much more |
[03:39.02] | |
[03:41.21] | Endearing with the sound turned off. |