| Song | Infinite Regression |
| Artist | Quantic |
| Album | The 5th Exotic |
| Download | Image LRC TXT |
| 作曲 : Holland | |
| Here is the painting of a landscape. | |
| But the artist who painted that picture says, | |
| - Something is missing. What is it? | |
| It is I myself who was a part of the landscape I painted. | |
| So he mentally takes a step backward | |
| - or 'regresses' -- and paints... | |
| ...a picture of the artist painting | |
| a picture of the landscape. | |
| And still something is missing. And that | |
| something is still his real self | |
| painting the second picture. So he | |
| 'regresses' further and paints a third... | |
| ...a picture of the artist painting a | |
| picture of the artist painting a | |
| picture of the landscape. And because | |
| something is still missing, he paints a | |
| fourth and fifth picture... | |
| ...until there is a picture of | |
| the artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting the landscape. | |
| So infinite regression is-- | |
| --It is the moment when our artist, | |
| having regressed to the point of | |
| infinity, himself becomes a part | |
| of the picture he has painted and | |
| is both the Observer and the observed. | |
| Well, in that peculiar condition, | |
| what would he be observing if he were observing | |
| Time? | |
| He would perceive, Mr. Bonds, that Time is like | |
| a freeway with an infinite number of | |
| 'lanes' | |
| -- all leading from the past | |
| into the future. But not into the | |
| same future. A driver in Lane 'A' | |
| may crash, while a driver in Lane 'B' | |
| survives. It follows that a driver, | |
| by changing lanes, can change his | |
| future. | |
| Mr. Bonds, i think that time can | |
| fully be understood by an observer | |
| with the Godlike gift of infinite | |
| regression | |
| Do you believe that? | |
| Absolutely! I think it is the only explanation. |
| zuo qu : Holland | |
| Here is the painting of a landscape. | |
| But the artist who painted that picture says, | |
| Something is missing. What is it? | |
| It is I myself who was a part of the landscape I painted. | |
| So he mentally takes a step backward | |
| or ' regresses' and paints... | |
| ... a picture of the artist painting | |
| a picture of the landscape. | |
| And still something is missing. And that | |
| something is still his real self | |
| painting the second picture. So he | |
| ' regresses' further and paints a third... | |
| ... a picture of the artist painting a | |
| picture of the artist painting a | |
| picture of the landscape. And because | |
| something is still missing, he paints a | |
| fourth and fifth picture... | |
| ... until there is a picture of | |
| the artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting the landscape. | |
| So infinite regression is | |
| It is the moment when our artist, | |
| having regressed to the point of | |
| infinity, himself becomes a part | |
| of the picture he has painted and | |
| is both the Observer and the observed. | |
| Well, in that peculiar condition, | |
| what would he be observing if he were observing | |
| Time? | |
| He would perceive, Mr. Bonds, that Time is like | |
| a freeway with an infinite number of | |
| ' lanes' | |
| all leading from the past | |
| into the future. But not into the | |
| same future. A driver in Lane ' A' | |
| may crash, while a driver in Lane ' B' | |
| survives. It follows that a driver, | |
| by changing lanes, can change his | |
| future. | |
| Mr. Bonds, i think that time can | |
| fully be understood by an observer | |
| with the Godlike gift of infinite | |
| regression | |
| Do you believe that? | |
| Absolutely! I think it is the only explanation. |
| zuò qǔ : Holland | |
| Here is the painting of a landscape. | |
| But the artist who painted that picture says, | |
| Something is missing. What is it? | |
| It is I myself who was a part of the landscape I painted. | |
| So he mentally takes a step backward | |
| or ' regresses' and paints... | |
| ... a picture of the artist painting | |
| a picture of the landscape. | |
| And still something is missing. And that | |
| something is still his real self | |
| painting the second picture. So he | |
| ' regresses' further and paints a third... | |
| ... a picture of the artist painting a | |
| picture of the artist painting a | |
| picture of the landscape. And because | |
| something is still missing, he paints a | |
| fourth and fifth picture... | |
| ... until there is a picture of | |
| the artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting a picture of the | |
| artist painting the landscape. | |
| So infinite regression is | |
| It is the moment when our artist, | |
| having regressed to the point of | |
| infinity, himself becomes a part | |
| of the picture he has painted and | |
| is both the Observer and the observed. | |
| Well, in that peculiar condition, | |
| what would he be observing if he were observing | |
| Time? | |
| He would perceive, Mr. Bonds, that Time is like | |
| a freeway with an infinite number of | |
| ' lanes' | |
| all leading from the past | |
| into the future. But not into the | |
| same future. A driver in Lane ' A' | |
| may crash, while a driver in Lane ' B' | |
| survives. It follows that a driver, | |
| by changing lanes, can change his | |
| future. | |
| Mr. Bonds, i think that time can | |
| fully be understood by an observer | |
| with the Godlike gift of infinite | |
| regression | |
| Do you believe that? | |
| Absolutely! I think it is the only explanation. |