| 作曲 : Pepper | |
| So here I go with the bass line low | |
| And there's nothing you can do we blew out of this town | |
| So lock it up lock it up because were on our way now and if we see one light on | |
| this town is going down. | |
| Now do you see what I see this place is lookin so very tasty | |
| and I think I smell yes I smell a golden opportunity. | |
| So when the dance gets hot | |
| don't look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don't look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| And there's nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there's nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| And there's nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there's nothing you can do we blew out of this town | |
| I don't know how far we came, but it's time to leave. | |
| That's always a shame. | |
| The pleasure was all mine if its all the same. | |
| Were on the road you see were not on MTV | |
| But when we get there we won't shave our hair or be fags like Creed. | |
| So when the dance gets hot | |
| don't look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don't look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| nothing you can do we blew out of this town | |
| (continue until fade) |
| zuo qu : Pepper | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So lock it up lock it up because were on our way now and if we see one light on | |
| this town is going down. | |
| Now do you see what I see this place is lookin so very tasty | |
| and I think I smell yes I smell a golden opportunity. | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there' s nothing you can do we blew out of this town | |
| I don' t know how far we came, but it' s time to leave. | |
| That' s always a shame. | |
| The pleasure was all mine if its all the same. | |
| Were on the road you see were not on MTV | |
| But when we get there we won' t shave our hair or be fags like Creed. | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| nothing you can do we blew out of this town | |
| continue until fade |
| zuò qǔ : Pepper | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So lock it up lock it up because were on our way now and if we see one light on | |
| this town is going down. | |
| Now do you see what I see this place is lookin so very tasty | |
| and I think I smell yes I smell a golden opportunity. | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| And there' s nothing you can do we blew out of this town | |
| So here I go with the bass line low | |
| Yeah, and there' s nothing you can do we blew out of this town | |
| I don' t know how far we came, but it' s time to leave. | |
| That' s always a shame. | |
| The pleasure was all mine if its all the same. | |
| Were on the road you see were not on MTV | |
| But when we get there we won' t shave our hair or be fags like Creed. | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So when the dance gets hot | |
| don' t look for reasons why not | |
| Come on in its time to begin | |
| whether your ready or not | |
| So here I go with the bass line low | |
| nothing you can do we blew out of this town | |
| continue until fade |
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