|
[ti:Reel To Reel] |
|
[ar:Hugh Dillon] |
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[al:] |
[00:16.92] |
No way to complicate it |
[00:19.36] |
It's just how I feel |
[00:21.50] |
No way to overstate it |
[00:23.64] |
Hit playback and seal the deal |
[00:25.83] |
Nothing's gone undetected |
[00:27.97] |
Nothing to with hold |
[00:30.01] |
I was searching for the answer |
[00:32.01] |
It turns out its rock and roll |
[00:34.00] |
It's open for discussion |
[00:36.04] |
My heart's on that machine |
[00:38.48] |
You can turn it up or down |
[00:40.22] |
Delete or let it bleed |
[00:42.61] |
The choice is simple |
[00:44.30] |
What's there to see |
[00:46.84] |
I think I've seen it all |
[00:48.68] |
Up on that marquee |
[00:50.72] |
With all this sold out inspiration |
[00:55.01] |
Up there for us to see |
[00:59.49] |
I'd rather be down in my basement |
[01:03.57] |
With the reel to reel |
[01:05.41] |
And bow out gracefully |
[01:16.80] |
No way in hell I'd trade it |
[01:18.94] |
It's just how I feel |
[01:20.99] |
No way to complicate it |
[01:22.93] |
Hit playback and seal the deal |
[01:25.17] |
I've learned how to correct it |
[01:27.36] |
When that fuse is blown |
[01:29.45] |
Electrically connected |
[01:31.44] |
Can turn off that rock and roll |
[01:33.73] |
It's open for discussion |
[01:35.42] |
My heart's on that machine |
[01:37.56] |
You can turn it up and down |
[01:39.56] |
Receive or let it be |
[01:42.15] |
The choice is simple |
[01:43.59] |
What's there to see |
[01:46.33] |
I think I've seen it all |
[01:48.07] |
Up on that marquee |
[01:50.11] |
With all this sold out inspiration |
[01:54.74] |
Up there for us to see |
[01:58.97] |
I'd rather be down in my basement |
[02:03.20] |
With the reel to reel |
[02:04.94] |
And bow out gracefully |
[02:13.96] |
Gracefully |
[02:24.69] |
With all this sold out inspiration |
[02:28.82] |
Up there for us to see |
[02:33.00] |
I'd rather be down in my basement |
[02:37.28] |
With the reel to reel |
[02:39.02] |
And bow out gracefully |
[02:41.66] |
With all this sold out inspiration |
[02:45.64] |
Up there for us to see |
[02:49.87] |
I'd rather be down in my basement |
[02:54.00] |
With the reel to reel |
[02:55.30] |
And bow out gracefully |