Song | The Adventures Of Greggery Peccary |
Artist | Frank Zappa |
Album | Studio Tan |
Download | Image LRC TXT |
作词 : Zappa | |
Frank zappa (guitar, vocals) | |
George duke (keyboards, vocals) | |
Bruce fowler (trombone) | |
Tom fowler (bass) | |
Chester thompson (drums) | |
The adventures of greggery peccary! | |
Oh, here comes greggery, | |
Little grecgery peccary | |
The nocturnal gregarious | |
Wild swine | |
A peccary | |
Is a little pig | |
With a white collar | |
That usually hangs around | |
Between texas and paraguay | |
Sometimes ranging as far | |
West as catalina | |
Catalina, catalina, catalina! | |
This particular peccary | |
Is part of that bold (bold), | |
New (new) breed (breeding) | |
That extinguishes itself | |
By markings which resemble a | |
Wide tie | |
Directly below the | |
White collar | |
If it's white enough | |
Everyone will know | |
That the tie i'm wearing | |
Is a symbol | |
Of how nimble mv mind will know | |
Ooh-ooh! | |
(swine suave!) | |
Look out! | |
Here he comes again! | |
Oh here comes greggery peccary. | |
Yes it's cravv, cravy, veah... | |
Every morning, greggery drives | |
His little red volkswagen to the ugly | |
Part of town where they keep the government buildings. | |
Voodn, voodn! | |
Boy it's so hard to find a place to park around here! | |
Greggery peccary takes the elevator | |
Up to the eighty-third floor of a grim, | |
Gray, evil-looking building | |
With a sign on the front reading: | |
'big swifty associates. trend-mongers'. | |
And what, might you ask, is a trend monger? | |
Well, a trend monger is a person | |
Who dreams up a trend | |
(like 'the twist' --- or 'flower power'), | |
And spreads it throughout the land, | |
Using all the frightening little skills | |
That science has made available! | |
And so it was, one fateful morning, | |
Greggery peccary made his way through the steno pool . . . | |
Hi mildred! | |
Hello gladys! | |
Wanda! | |
Yes, from the moment they laid | |
Eyes on him, | |
All the girls in the big swifty | |
Steno pool | |
Knew . . . | |
Here was a | |
Nocturnal, | |
Gregarious | |
Wild swine | |
On his way up! | |
A peccary of destiny, | |
Adventure | |
And | |
Romance! | |
Is there any mail for me? | |
Swifty's! | |
This is big swifty's! | |
At big swifty's we all know-ow-ow | |
You'll go | |
For any gimmick or gizmo! | |
Wouldn't you rather be involved | |
In a series of colorful | |
Time-wastinc trends? | |
Air hockey . . . biff . . . dush-h-h! | |
La-la-la-la-la-la-la-la, youp youp youp youp | |
Is your wife snoring by the sink? | |
La-la-la-la-la-la-la-la, youp youp youp youp | |
Ain't your life boring, don'tcha think? | |
Youp youp youp youp youp youp youp | |
Life is so much better | |
When there's some little something | |
To do! | |
Does it matter that this waste of time | |
Is what makes a life for you? hmmmmm? | |
I must plummet boldly | |
Forward | |
To my ultra-avant | |
Laminated, | |
Simulated | |
Replica-mahogany desk, | |
With the strategically-placed, | |
Imported, very hip water pipe, | |
And the latest edition of the | |
Whole earth catalog, | |
And rack my agile mind | |
For a spectacular | |
New trend, | |
Thereby rejuvenating our limping | |
Economy, | |
And providing | |
For bored & miserable people | |
Everywhere | |
Some great new | |
'thing' | |
To identify with.! | |
We have got the little answers | |
To the things | |
That might` be bothering you! | |
We have got your little toys! | |
(we're busy makin' 'em!) | |
Busy makin' 'em, | |
We're busy makin' 'em, | |
Busy makin' 'em | |
Just for you! | |
Yoo-hoo-hoo! | |
Very efficient. miss snodgrass! | |
And with that. | |
Gregcery turned | |
And strode nonchalantly | |
Into his dinky little office | |
With the desk and the catalog | |
And the very hip water pipe. | |
And proceeded, | |
With a vigor and determination | |
Known only to piglets | |
Of a similarly diminutive | |
Proportion, | |
To single-handedly invent | |
The calendar! | |
With his eye rolled heaven-ward. | |
And his little shiny pig-hoofs on the | |
Desk, greggery ponders the | |
Question of eternity (and fractional | |
Divisions thereof), as mysterious | |
Angelic voices sing to him from a | |
Great distance, providing the | |
Necessary clues for the construction of | |
This thrilling new trend! | |
Sunday | |
Sunday? | |
Wow! | |
Sunday, | |
'monday | |
Sunday, | |
Saturday. . .tuesday through | |
- monday'! | |
Saturday. . . | |
And thus the calendar, | |
In all of its colorful disguises | |
Was presented to | |
The bored & miserable people | |
Everywhere! | |
Gregcery issued a memo on it. | |
Whereupon the entire contents | |
Of the steno pool | |
Identified with it strenuously, | |
And worshipped it as a way of life, | |
And took their little pills by it. | |
And went back 'n forth from | |
Work by it. | |
And paid their rent by it, | |
And before long they were even | |
Having | |
Birthday parties in the office | |
By it, | |
Because now. at last, | |
Crecgery peccary's exciting new | |
Invention | |
Had made it possible | |
For everyone | |
To find out | |
How old they were! | |
What hath god wrought? | |
Unfortunately, | |
There were some people | |
Who simply did not wish to | |
Know, | |
And that's why, | |
On his way home from the office | |
One night, | |
Greggery was attacked | |
By a rage of hunchmen! | |
Making his way through the | |
Evening traffic, greggery notices | |
That the other vehicles which | |
Crowd and bump his little red car | |
Are all inhabited by slowly-aging | |
'very hip young people', | |
They appear to be casting | |
Sinister glances toward him | |
Through their glinting acid burn- | |
Out eyeballs, trying to run him | |
Off the road, or make him bump into | |
Something, giving strong evidence | |
Of hostile aggression! | |
To elude them, greggery takes the | |
Short forest exit off the express- | |
Way. they zoom after him in all | |
Manner of cars. trucks, | |
Garishly-painted buses, and | |
Motorcycles. | |
Greggery takes a bumpy trail | |
Off the main short forest road, | |
Which leads him up the side | |
Of a famous (and convenientlv | |
Placed) mountain, and into a strange | |
Cave on the edge of a cliff, not far | |
From a little twisted tree. . .with | |
Eyes on it. | |
Meanwhile, the enraged hunchmen | |
(and hunch-'women) rumble | |
Through the short forest until | |
(realizing the little swine has | |
Escaped, they decide to park their | |
Steaming vehicles in a circular | |
Pseudo-wagon train formation. . . | |
And have a love-in! | |
Under the influence of a fantastic | |
Amount of trendy chemical amusement | |
Aid, they proceed to perform lewd | |
Acts, rip each other off for small | |
Personal possessions, and dance | |
With depraved abandon in the vicinity | |
Of a six-foot pile of transistor radios | |
Each one tuned to a different station). | |
What? | |
The hunchmen finally expire | |
From exhaustion, | |
And greggery, | |
Who has viewed the proceedings | |
From a safe distance, | |
Breathes a sigh of relief. . . | |
Phew! | |
Only to be terrified once again | |
By a roar of immense laughter. . . | |
Ho! ho! ho! | |
Which seems to be rumbling up | |
From the very depths of the cave | |
In which he has hidden his car! | |
(good lord! what was that!?) | |
Grecgery doesn't realize | |
He has concealed himself | |
Inside the very mouth of | |
Billy the mountain! | |
Ho! ho! ho! | |
And, as you all know, | |
Whenever billy laughs, | |
Rocks and boulders hack up, | |
And the air for miles around | |
Is filled with tons of dust, | |
Forming a series of huge | |
Brown clouds! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Ho is making those new brown clouds? | |
Better ask a philostopher 'n see what he says! | |
Greggery stops at a gas station | |
And makes a mysterious phone | |
Is this the old loft | |
With the paint peelin' off it | |
By the chinese police | |
Here the dogs roll by? | |
Is this here they keep | |
The philostophers now, | |
With the rugs & the dust, | |
Where the books go to die? | |
How many yez got? | |
Say yez got quite a few, | |
Just sittin' around there | |
With nothin' to do? | |
Well i just called yez up | |
'cause i wanted to see | |
A pilostoper be of assistance | |
To me! | |
Gregcery receives information | |
That | |
'the greatest livin philostopher | |
Knon to mankind' | |
Is currently in possession of the | |
Very information | |
In question, | |
And, furthermore, this information | |
Could be his, | |
If only greggery would attend a | |
'special therapeutic group | |
Assembly' | |
(classes now forming), | |
And available at a special | |
Low introductory fee. . . | |
And now, here he is, | |
'the greatest living philosto- | |
Pher known to mankind', | |
Quentin robert denameland! | |
Take it away! | |
"folks, | |
As vou can see for yourself. | |
The way this clock over here | |
Is behaving, | |
Time is of affliction! | |
Now this might be cause for alarm | |
Among a portion of you, as, | |
From a certain experience, | |
I tend to proclaim: | |
'the eons are closing'!" | |
Make your checks payable to | |
-25.8- | |
'quentin robert denameland, | |
Greatest livin philostopher | |
Known to mankind'! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Who is making those new brown clouds? | |
If you ask a pilostopher, he'll see | |
That you pays! |
zuo ci : Zappa | |
Frank zappa guitar, vocals | |
George duke keyboards, vocals | |
Bruce fowler trombone | |
Tom fowler bass | |
Chester thompson drums | |
The adventures of greggery peccary! | |
Oh, here comes greggery, | |
Little grecgery peccary | |
The nocturnal gregarious | |
Wild swine | |
A peccary | |
Is a little pig | |
With a white collar | |
That usually hangs around | |
Between texas and paraguay | |
Sometimes ranging as far | |
West as catalina | |
Catalina, catalina, catalina! | |
This particular peccary | |
Is part of that bold bold, | |
New new breed breeding | |
That extinguishes itself | |
By markings which resemble a | |
Wide tie | |
Directly below the | |
White collar | |
If it' s white enough | |
Everyone will know | |
That the tie i' m wearing | |
Is a symbol | |
Of how nimble mv mind will know | |
Oohooh! | |
swine suave! | |
Look out! | |
Here he comes again! | |
Oh here comes greggery peccary. | |
Yes it' s cravv, cravy, veah... | |
Every morning, greggery drives | |
His little red volkswagen to the ugly | |
Part of town where they keep the government buildings. | |
Voodn, voodn! | |
Boy it' s so hard to find a place to park around here! | |
Greggery peccary takes the elevator | |
Up to the eightythird floor of a grim, | |
Gray, evillooking building | |
With a sign on the front reading: | |
' big swifty associates. trendmongers'. | |
And what, might you ask, is a trend monger? | |
Well, a trend monger is a person | |
Who dreams up a trend | |
like ' the twist' or ' flower power', | |
And spreads it throughout the land, | |
Using all the frightening little skills | |
That science has made available! | |
And so it was, one fateful morning, | |
Greggery peccary made his way through the steno pool . . . | |
Hi mildred! | |
Hello gladys! | |
Wanda! | |
Yes, from the moment they laid | |
Eyes on him, | |
All the girls in the big swifty | |
Steno pool | |
Knew . . . | |
Here was a | |
Nocturnal, | |
Gregarious | |
Wild swine | |
On his way up! | |
A peccary of destiny, | |
Adventure | |
And | |
Romance! | |
Is there any mail for me? | |
Swifty' s! | |
This is big swifty' s! | |
At big swifty' s we all knowowow | |
You' ll go | |
For any gimmick or gizmo! | |
Wouldn' t you rather be involved | |
In a series of colorful | |
Timewastinc trends? | |
Air hockey . . . biff . . . dushhh! | |
Lalalalalalalala, youp youp youp youp | |
Is your wife snoring by the sink? | |
Lalalalalalalala, youp youp youp youp | |
Ain' t your life boring, don' tcha think? | |
Youp youp youp youp youp youp youp | |
Life is so much better | |
When there' s some little something | |
To do! | |
Does it matter that this waste of time | |
Is what makes a life for you? hmmmmm? | |
I must plummet boldly | |
Forward | |
To my ultraavant | |
Laminated, | |
Simulated | |
Replicamahogany desk, | |
With the strategicallyplaced, | |
Imported, very hip water pipe, | |
And the latest edition of the | |
Whole earth catalog, | |
And rack my agile mind | |
For a spectacular | |
New trend, | |
Thereby rejuvenating our limping | |
Economy, | |
And providing | |
For bored miserable people | |
Everywhere | |
Some great new | |
' thing' | |
To identify with.! | |
We have got the little answers | |
To the things | |
That might be bothering you! | |
We have got your little toys! | |
we' re busy makin' ' em! | |
Busy makin' ' em, | |
We' re busy makin' ' em, | |
Busy makin' ' em | |
Just for you! | |
Yoohoohoo! | |
Very efficient. miss snodgrass! | |
And with that. | |
Gregcery turned | |
And strode nonchalantly | |
Into his dinky little office | |
With the desk and the catalog | |
And the very hip water pipe. | |
And proceeded, | |
With a vigor and determination | |
Known only to piglets | |
Of a similarly diminutive | |
Proportion, | |
To singlehandedly invent | |
The calendar! | |
With his eye rolled heavenward. | |
And his little shiny pighoofs on the | |
Desk, greggery ponders the | |
Question of eternity and fractional | |
Divisions thereof, as mysterious | |
Angelic voices sing to him from a | |
Great distance, providing the | |
Necessary clues for the construction of | |
This thrilling new trend! | |
Sunday | |
Sunday? | |
Wow! | |
Sunday, | |
' monday | |
Sunday, | |
Saturday. . . tuesday through | |
monday'! | |
Saturday. . . | |
And thus the calendar, | |
In all of its colorful disguises | |
Was presented to | |
The bored miserable people | |
Everywhere! | |
Gregcery issued a memo on it. | |
Whereupon the entire contents | |
Of the steno pool | |
Identified with it strenuously, | |
And worshipped it as a way of life, | |
And took their little pills by it. | |
And went back ' n forth from | |
Work by it. | |
And paid their rent by it, | |
And before long they were even | |
Having | |
Birthday parties in the office | |
By it, | |
Because now. at last, | |
Crecgery peccary' s exciting new | |
Invention | |
Had made it possible | |
For everyone | |
To find out | |
How old they were! | |
What hath god wrought? | |
Unfortunately, | |
There were some people | |
Who simply did not wish to | |
Know, | |
And that' s why, | |
On his way home from the office | |
One night, | |
Greggery was attacked | |
By a rage of hunchmen! | |
Making his way through the | |
Evening traffic, greggery notices | |
That the other vehicles which | |
Crowd and bump his little red car | |
Are all inhabited by slowlyaging | |
' very hip young people', | |
They appear to be casting | |
Sinister glances toward him | |
Through their glinting acid burn | |
Out eyeballs, trying to run him | |
Off the road, or make him bump into | |
Something, giving strong evidence | |
Of hostile aggression! | |
To elude them, greggery takes the | |
Short forest exit off the express | |
Way. they zoom after him in all | |
Manner of cars. trucks, | |
Garishlypainted buses, and | |
Motorcycles. | |
Greggery takes a bumpy trail | |
Off the main short forest road, | |
Which leads him up the side | |
Of a famous and convenientlv | |
Placed mountain, and into a strange | |
Cave on the edge of a cliff, not far | |
From a little twisted tree. . . with | |
Eyes on it. | |
Meanwhile, the enraged hunchmen | |
and hunch' women rumble | |
Through the short forest until | |
realizing the little swine has | |
Escaped, they decide to park their | |
Steaming vehicles in a circular | |
Pseudowagon train formation. . . | |
And have a lovein! | |
Under the influence of a fantastic | |
Amount of trendy chemical amusement | |
Aid, they proceed to perform lewd | |
Acts, rip each other off for small | |
Personal possessions, and dance | |
With depraved abandon in the vicinity | |
Of a sixfoot pile of transistor radios | |
Each one tuned to a different station. | |
What? | |
The hunchmen finally expire | |
From exhaustion, | |
And greggery, | |
Who has viewed the proceedings | |
From a safe distance, | |
Breathes a sigh of relief. . . | |
Phew! | |
Only to be terrified once again | |
By a roar of immense laughter. . . | |
Ho! ho! ho! | |
Which seems to be rumbling up | |
From the very depths of the cave | |
In which he has hidden his car! | |
good lord! what was that!? | |
Grecgery doesn' t realize | |
He has concealed himself | |
Inside the very mouth of | |
Billy the mountain! | |
Ho! ho! ho! | |
And, as you all know, | |
Whenever billy laughs, | |
Rocks and boulders hack up, | |
And the air for miles around | |
Is filled with tons of dust, | |
Forming a series of huge | |
Brown clouds! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Ho is making those new brown clouds? | |
Better ask a philostopher ' n see what he says! | |
Greggery stops at a gas station | |
And makes a mysterious phone | |
Is this the old loft | |
With the paint peelin' off it | |
By the chinese police | |
Here the dogs roll by? | |
Is this here they keep | |
The philostophers now, | |
With the rugs the dust, | |
Where the books go to die? | |
How many yez got? | |
Say yez got quite a few, | |
Just sittin' around there | |
With nothin' to do? | |
Well i just called yez up | |
' cause i wanted to see | |
A pilostoper be of assistance | |
To me! | |
Gregcery receives information | |
That | |
' the greatest livin philostopher | |
Knon to mankind' | |
Is currently in possession of the | |
Very information | |
In question, | |
And, furthermore, this information | |
Could be his, | |
If only greggery would attend a | |
' special therapeutic group | |
Assembly' | |
classes now forming, | |
And available at a special | |
Low introductory fee. . . | |
And now, here he is, | |
' the greatest living philosto | |
Pher known to mankind', | |
Quentin robert denameland! | |
Take it away! | |
" folks, | |
As vou can see for yourself. | |
The way this clock over here | |
Is behaving, | |
Time is of affliction! | |
Now this might be cause for alarm | |
Among a portion of you, as, | |
From a certain experience, | |
I tend to proclaim: | |
' the eons are closing'!" | |
Make your checks payable to | |
25. 8 | |
' quentin robert denameland, | |
Greatest livin philostopher | |
Known to mankind'! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Who is making those new brown clouds? | |
If you ask a pilostopher, he' ll see | |
That you pays! |
zuò cí : Zappa | |
Frank zappa guitar, vocals | |
George duke keyboards, vocals | |
Bruce fowler trombone | |
Tom fowler bass | |
Chester thompson drums | |
The adventures of greggery peccary! | |
Oh, here comes greggery, | |
Little grecgery peccary | |
The nocturnal gregarious | |
Wild swine | |
A peccary | |
Is a little pig | |
With a white collar | |
That usually hangs around | |
Between texas and paraguay | |
Sometimes ranging as far | |
West as catalina | |
Catalina, catalina, catalina! | |
This particular peccary | |
Is part of that bold bold, | |
New new breed breeding | |
That extinguishes itself | |
By markings which resemble a | |
Wide tie | |
Directly below the | |
White collar | |
If it' s white enough | |
Everyone will know | |
That the tie i' m wearing | |
Is a symbol | |
Of how nimble mv mind will know | |
Oohooh! | |
swine suave! | |
Look out! | |
Here he comes again! | |
Oh here comes greggery peccary. | |
Yes it' s cravv, cravy, veah... | |
Every morning, greggery drives | |
His little red volkswagen to the ugly | |
Part of town where they keep the government buildings. | |
Voodn, voodn! | |
Boy it' s so hard to find a place to park around here! | |
Greggery peccary takes the elevator | |
Up to the eightythird floor of a grim, | |
Gray, evillooking building | |
With a sign on the front reading: | |
' big swifty associates. trendmongers'. | |
And what, might you ask, is a trend monger? | |
Well, a trend monger is a person | |
Who dreams up a trend | |
like ' the twist' or ' flower power', | |
And spreads it throughout the land, | |
Using all the frightening little skills | |
That science has made available! | |
And so it was, one fateful morning, | |
Greggery peccary made his way through the steno pool . . . | |
Hi mildred! | |
Hello gladys! | |
Wanda! | |
Yes, from the moment they laid | |
Eyes on him, | |
All the girls in the big swifty | |
Steno pool | |
Knew . . . | |
Here was a | |
Nocturnal, | |
Gregarious | |
Wild swine | |
On his way up! | |
A peccary of destiny, | |
Adventure | |
And | |
Romance! | |
Is there any mail for me? | |
Swifty' s! | |
This is big swifty' s! | |
At big swifty' s we all knowowow | |
You' ll go | |
For any gimmick or gizmo! | |
Wouldn' t you rather be involved | |
In a series of colorful | |
Timewastinc trends? | |
Air hockey . . . biff . . . dushhh! | |
Lalalalalalalala, youp youp youp youp | |
Is your wife snoring by the sink? | |
Lalalalalalalala, youp youp youp youp | |
Ain' t your life boring, don' tcha think? | |
Youp youp youp youp youp youp youp | |
Life is so much better | |
When there' s some little something | |
To do! | |
Does it matter that this waste of time | |
Is what makes a life for you? hmmmmm? | |
I must plummet boldly | |
Forward | |
To my ultraavant | |
Laminated, | |
Simulated | |
Replicamahogany desk, | |
With the strategicallyplaced, | |
Imported, very hip water pipe, | |
And the latest edition of the | |
Whole earth catalog, | |
And rack my agile mind | |
For a spectacular | |
New trend, | |
Thereby rejuvenating our limping | |
Economy, | |
And providing | |
For bored miserable people | |
Everywhere | |
Some great new | |
' thing' | |
To identify with.! | |
We have got the little answers | |
To the things | |
That might be bothering you! | |
We have got your little toys! | |
we' re busy makin' ' em! | |
Busy makin' ' em, | |
We' re busy makin' ' em, | |
Busy makin' ' em | |
Just for you! | |
Yoohoohoo! | |
Very efficient. miss snodgrass! | |
And with that. | |
Gregcery turned | |
And strode nonchalantly | |
Into his dinky little office | |
With the desk and the catalog | |
And the very hip water pipe. | |
And proceeded, | |
With a vigor and determination | |
Known only to piglets | |
Of a similarly diminutive | |
Proportion, | |
To singlehandedly invent | |
The calendar! | |
With his eye rolled heavenward. | |
And his little shiny pighoofs on the | |
Desk, greggery ponders the | |
Question of eternity and fractional | |
Divisions thereof, as mysterious | |
Angelic voices sing to him from a | |
Great distance, providing the | |
Necessary clues for the construction of | |
This thrilling new trend! | |
Sunday | |
Sunday? | |
Wow! | |
Sunday, | |
' monday | |
Sunday, | |
Saturday. . . tuesday through | |
monday'! | |
Saturday. . . | |
And thus the calendar, | |
In all of its colorful disguises | |
Was presented to | |
The bored miserable people | |
Everywhere! | |
Gregcery issued a memo on it. | |
Whereupon the entire contents | |
Of the steno pool | |
Identified with it strenuously, | |
And worshipped it as a way of life, | |
And took their little pills by it. | |
And went back ' n forth from | |
Work by it. | |
And paid their rent by it, | |
And before long they were even | |
Having | |
Birthday parties in the office | |
By it, | |
Because now. at last, | |
Crecgery peccary' s exciting new | |
Invention | |
Had made it possible | |
For everyone | |
To find out | |
How old they were! | |
What hath god wrought? | |
Unfortunately, | |
There were some people | |
Who simply did not wish to | |
Know, | |
And that' s why, | |
On his way home from the office | |
One night, | |
Greggery was attacked | |
By a rage of hunchmen! | |
Making his way through the | |
Evening traffic, greggery notices | |
That the other vehicles which | |
Crowd and bump his little red car | |
Are all inhabited by slowlyaging | |
' very hip young people', | |
They appear to be casting | |
Sinister glances toward him | |
Through their glinting acid burn | |
Out eyeballs, trying to run him | |
Off the road, or make him bump into | |
Something, giving strong evidence | |
Of hostile aggression! | |
To elude them, greggery takes the | |
Short forest exit off the express | |
Way. they zoom after him in all | |
Manner of cars. trucks, | |
Garishlypainted buses, and | |
Motorcycles. | |
Greggery takes a bumpy trail | |
Off the main short forest road, | |
Which leads him up the side | |
Of a famous and convenientlv | |
Placed mountain, and into a strange | |
Cave on the edge of a cliff, not far | |
From a little twisted tree. . . with | |
Eyes on it. | |
Meanwhile, the enraged hunchmen | |
and hunch' women rumble | |
Through the short forest until | |
realizing the little swine has | |
Escaped, they decide to park their | |
Steaming vehicles in a circular | |
Pseudowagon train formation. . . | |
And have a lovein! | |
Under the influence of a fantastic | |
Amount of trendy chemical amusement | |
Aid, they proceed to perform lewd | |
Acts, rip each other off for small | |
Personal possessions, and dance | |
With depraved abandon in the vicinity | |
Of a sixfoot pile of transistor radios | |
Each one tuned to a different station. | |
What? | |
The hunchmen finally expire | |
From exhaustion, | |
And greggery, | |
Who has viewed the proceedings | |
From a safe distance, | |
Breathes a sigh of relief. . . | |
Phew! | |
Only to be terrified once again | |
By a roar of immense laughter. . . | |
Ho! ho! ho! | |
Which seems to be rumbling up | |
From the very depths of the cave | |
In which he has hidden his car! | |
good lord! what was that!? | |
Grecgery doesn' t realize | |
He has concealed himself | |
Inside the very mouth of | |
Billy the mountain! | |
Ho! ho! ho! | |
And, as you all know, | |
Whenever billy laughs, | |
Rocks and boulders hack up, | |
And the air for miles around | |
Is filled with tons of dust, | |
Forming a series of huge | |
Brown clouds! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Ho is making those new brown clouds? | |
Better ask a philostopher ' n see what he says! | |
Greggery stops at a gas station | |
And makes a mysterious phone | |
Is this the old loft | |
With the paint peelin' off it | |
By the chinese police | |
Here the dogs roll by? | |
Is this here they keep | |
The philostophers now, | |
With the rugs the dust, | |
Where the books go to die? | |
How many yez got? | |
Say yez got quite a few, | |
Just sittin' around there | |
With nothin' to do? | |
Well i just called yez up | |
' cause i wanted to see | |
A pilostoper be of assistance | |
To me! | |
Gregcery receives information | |
That | |
' the greatest livin philostopher | |
Knon to mankind' | |
Is currently in possession of the | |
Very information | |
In question, | |
And, furthermore, this information | |
Could be his, | |
If only greggery would attend a | |
' special therapeutic group | |
Assembly' | |
classes now forming, | |
And available at a special | |
Low introductory fee. . . | |
And now, here he is, | |
' the greatest living philosto | |
Pher known to mankind', | |
Quentin robert denameland! | |
Take it away! | |
" folks, | |
As vou can see for yourself. | |
The way this clock over here | |
Is behaving, | |
Time is of affliction! | |
Now this might be cause for alarm | |
Among a portion of you, as, | |
From a certain experience, | |
I tend to proclaim: | |
' the eons are closing'!" | |
Make your checks payable to | |
25. 8 | |
' quentin robert denameland, | |
Greatest livin philostopher | |
Known to mankind'! | |
Who is making those new brown clouds? | |
Who is making those clouds these days? | |
Who is making those new brown clouds? | |
If you ask a pilostopher, he' ll see | |
That you pays! |