| [00:10.650] |
And the peaches and the mangos that you could sell for me |
| [00:16.510] |
What do you think my brain is made for |
| [00:20.260] |
Is it just a container for the mind |
| [00:23.640] |
This great great matter |
| [00:32.259] |
Sensei replied what is your woman |
| [00:36.260] |
Is she just a container for the child |
| [00:39.590] |
That soft pink matter |
| [00:43.780] |
Cotton candy Majin Buu |
| [00:51.670] |
Close my eyes and fall into you |
| [01:01.870] |
My god she's giving me pleasure |
| [01:14.300] |
What if the sky and the stars are for show |
| [01:24.320] |
And the aliens are watching live |
| [01:27.890] |
From the purple matter |
| [01:36.320] |
Sensei went quiet then violent |
| [01:40.390] |
And we sparred until we both grew tired |
| [01:44.259] |
Nothing mattered |
| [01:47.759] |
Cotton candy Majin Buu |
| [01:55.750] |
Dim the lights and fall into you, you, you |
| [02:06.180] |
My god, giving me pleasure |
| [02:13.240] |
Pleasure, pleasure, pleasure |
| [02:21.870] |
Pleasure over matter |
| [02:40.430] |
Since you been gone |
| [02:41.300] |
I been having withdrawals |
| [02:43.500] |
You were such a habit to call |
| [02:44.490] |
I ain't myself at all had to tell myself naw |
| [02:46.370] |
She's better with some fella with a regular job |
| [02:48.240] |
I didn't wanna get her involved |
| [02:50.300] |
By dinner Mr. Benjamin was sittin in awe |
| [02:52.300] |
Hops into my car drove far |
| [02:53.870] |
Far's too close and I remember |
| [02:54.990] |
My memories no sharp |
| [02:56.680] |
Butter knife what a life anyway |
| [02:57.930] |
I'm building y'all a clock stop |
| [02:58.990] |
What am I Hemingway |
| [02:59.800] |
She had the kind of body |
| [03:00.990] |
That would probably intimidate |
| [03:01.610] |
Any of 'em that were un-southern |
| [03:03.300] |
Not me cousin |
| [03:04.300] |
If models are made for modeling |
| [03:05.370] |
Thick girls are made for cuddlin' |
| [03:06.870] |
Switch worlds and we can huddle then |
| [03:08.740] |
Who needs another friend |
| [03:09.680] |
I need to hold your hand |
| [03:10.800] |
You'd need no other man |
| [03:11.680] |
We'd flee to other lands |
| [03:18.600] |
Grey matter |
| [03:34.490] |
Blue used to be my favorite color |
| [03:37.550] |
Now I ain't got no choice |
| [03:40.360] |
Blue matter |
| [03:44.620] |
You're good at being bad |
| [03:48.360] |
You're bad at being good |
| [03:52.180] |
For heaven sakes go to hell |
| [03:56.110] |
Knock, knock on wood, hey |
| [04:00.300] |
You're good at being bad |
| [04:03.120] |
You're bad at being good |
| [04:08.350] |
For heaven sakes go to hell |
| [04:12.100] |
Knock on wood |
| [04:16.440] |
Well frankly when that Ocean so muphuckin good |
| [04:18.950] |
Make her swab the mutha****in wood |
| [04:20.950] |
Make her walk the mutha****in plank |
| [04:22.960] |
Make her rob a mutha****in bank |
| [04:24.450] |
With no mask on and a rusty revolver |
