Song | Kill The Music |
Artist | Every Time I Die |
Album | Gutter Phenomenon |
Download | Image LRC TXT |
作曲 : Every Time I Die | |
Stutter step to the beat of a disparaged lover | |
Dumb and pulsin' we've become | |
Bedroom door is an old black lung | |
It's arrhythmic, uninvitin' and pliable | |
With the noble irreverence of shrapnel she came for us | |
Bore into our heads and found thoughtlessness | |
Never minded the faithless courage of shame | |
Or the bravery of oblivion | |
When I'm on her mind, | |
I'm never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we're not equipped to stay unloved | |
But it's all we've got and we're not at all alright | |
Come on baby, give me the creeps, give me the creeps | |
Come on, give me the creeps, give me the creeps | |
Either you or | |
I or both must go | |
Either you or | |
I or both must go | |
When I'm on her mind, | |
I'm never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we're not equipped to stay unloved | |
But it's all we've got and we're not at all alright | |
There's no difference between bein' holy and alone | |
That's why | |
I'm eagerly fleein' the scene, lead footed | |
Baby, return the favor and leave somebody you love | |
What if they come back, they're drunk and they're lonely? | |
We all get lonely | |
God forbid, we indulge when at sea | |
Just the tempest, the temptress and me | |
Naturally bored thriller | |
Nobody knows the trouble | |
I've beenOr the exactin' improvement of sin | |
I'm handin' myself over, | |
I'm turnin' myself in | |
War has no glory like a woman ignored | |
So here's to the empires polluted with dead | |
And the truckers' wives who erected them | |
I know the stripper's real name, | |
I know the stripper's real name | |
I know the stripper's real name, | |
I know the stripper's real name | |
Stop me if | |
I'm wrong |
zuo qu : Every Time I Die | |
Stutter step to the beat of a disparaged lover | |
Dumb and pulsin' we' ve become | |
Bedroom door is an old black lung | |
It' s arrhythmic, uninvitin' and pliable | |
With the noble irreverence of shrapnel she came for us | |
Bore into our heads and found thoughtlessness | |
Never minded the faithless courage of shame | |
Or the bravery of oblivion | |
When I' m on her mind, | |
I' m never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we' re not equipped to stay unloved | |
But it' s all we' ve got and we' re not at all alright | |
Come on baby, give me the creeps, give me the creeps | |
Come on, give me the creeps, give me the creeps | |
Either you or | |
I or both must go | |
Either you or | |
I or both must go | |
When I' m on her mind, | |
I' m never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we' re not equipped to stay unloved | |
But it' s all we' ve got and we' re not at all alright | |
There' s no difference between bein' holy and alone | |
That' s why | |
I' m eagerly fleein' the scene, lead footed | |
Baby, return the favor and leave somebody you love | |
What if they come back, they' re drunk and they' re lonely? | |
We all get lonely | |
God forbid, we indulge when at sea | |
Just the tempest, the temptress and me | |
Naturally bored thriller | |
Nobody knows the trouble | |
I' ve beenOr the exactin' improvement of sin | |
I' m handin' myself over, | |
I' m turnin' myself in | |
War has no glory like a woman ignored | |
So here' s to the empires polluted with dead | |
And the truckers' wives who erected them | |
I know the stripper' s real name, | |
I know the stripper' s real name | |
I know the stripper' s real name, | |
I know the stripper' s real name | |
Stop me if | |
I' m wrong |
zuò qǔ : Every Time I Die | |
Stutter step to the beat of a disparaged lover | |
Dumb and pulsin' we' ve become | |
Bedroom door is an old black lung | |
It' s arrhythmic, uninvitin' and pliable | |
With the noble irreverence of shrapnel she came for us | |
Bore into our heads and found thoughtlessness | |
Never minded the faithless courage of shame | |
Or the bravery of oblivion | |
When I' m on her mind, | |
I' m never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we' re not equipped to stay unloved | |
But it' s all we' ve got and we' re not at all alright | |
Come on baby, give me the creeps, give me the creeps | |
Come on, give me the creeps, give me the creeps | |
Either you or | |
I or both must go | |
Either you or | |
I or both must go | |
When I' m on her mind, | |
I' m never comin' back | |
Two timin' is what it takes then we both know | |
One take is all we need, we' re not equipped to stay unloved | |
But it' s all we' ve got and we' re not at all alright | |
There' s no difference between bein' holy and alone | |
That' s why | |
I' m eagerly fleein' the scene, lead footed | |
Baby, return the favor and leave somebody you love | |
What if they come back, they' re drunk and they' re lonely? | |
We all get lonely | |
God forbid, we indulge when at sea | |
Just the tempest, the temptress and me | |
Naturally bored thriller | |
Nobody knows the trouble | |
I' ve beenOr the exactin' improvement of sin | |
I' m handin' myself over, | |
I' m turnin' myself in | |
War has no glory like a woman ignored | |
So here' s to the empires polluted with dead | |
And the truckers' wives who erected them | |
I know the stripper' s real name, | |
I know the stripper' s real name | |
I know the stripper' s real name, | |
I know the stripper' s real name | |
Stop me if | |
I' m wrong |