Song | Arrival of the Caesar |
Artist | Naer Mataron |
Album | Discipline Manifesto |
作曲 : Kaiadas | |
As the Caesar arrives | |
The prestige of authority, of duty, of honor | |
... And the end of rottenness, returns | |
With their armies they give the battle | |
For the domination of mother earth | |
The society of power gives way to rotten | |
The man assaults | |
Pure and irresistible, | |
The strongest win and what is left over is their spoils | |
They take in their hand the control of the world | |
The kingdom of books belongs to them | |
The rottenness is being erased from the memory | |
Through the chaos of time comes a second religion | |
A nostalgic return in the old symbols of faith | |
The masses are armed | |
In a situation of a fatalistic satisfaction | |
They bury their souls and their effort in the ground | |
From where they and their culture emerge | |
And in these settings of culture and civilization comes death | |
Which man created |
zuò qǔ : Kaiadas | |
As the Caesar arrives | |
The prestige of authority, of duty, of honor | |
... And the end of rottenness, returns | |
With their armies they give the battle | |
For the domination of mother earth | |
The society of power gives way to rotten | |
The man assaults | |
Pure and irresistible, | |
The strongest win and what is left over is their spoils | |
They take in their hand the control of the world | |
The kingdom of books belongs to them | |
The rottenness is being erased from the memory | |
Through the chaos of time comes a second religion | |
A nostalgic return in the old symbols of faith | |
The masses are armed | |
In a situation of a fatalistic satisfaction | |
They bury their souls and their effort in the ground | |
From where they and their culture emerge | |
And in these settings of culture and civilization comes death | |
Which man created |