| Song | Work The Angles |
| Artist | Dilated Peoples |
| Album | The Platform |
| 作词 : Fareed, Gordy, Matlin ... | |
| {*dj babu scratchs "dilated peoples"*} | |
| Chorus：dilated peoples | |
| I work the angles sharp and precise | |
| Dilated peoples so you better build twice | |
| "act like ya know, not now but right now" | |
| Dilated peoples | |
| "the name is iriscience" | |
| [iriscience] | |
| I go through rivers (what?) so i don't leave a scent | |
| I travel both directions but leave one set of prints | |
| It's just a little trick, of the indigenous | |
| Developing inner visions of what religion is | |
| I caught the understanding and the underhanded | |
| I plan to build my ship and man it to another planet | |
| Under heavy surveillance, many different agents | |
| Some are camouflage, others are very blatant | |
| I study weapon systems and vocal fighting forms | |
| I'm many moves ahead, the thouhgts are highly formed | |
| Like time times time times time is time squared | |
| Went there, sayin "rakaa you don't rhyme fair" | |
| But i never dummy lyrics and they kick it to my people | |
| It's about communication not a rappers ego | |
| Messages i sneak in they seem to seep in | |
| Mixed with alcohol and weed on the weekend | |
| Shared among friends like various sins | |
| One day it clicks it's no longer dim | |
| Time release capsules humble the headstrong | |
| Your thoughts of taking me head on are dead wrong | |
| Chorus | |
| [evidence] | |
| "evidence" the master of aikido | |
| I let go, karate confrontations | |
| Evidence scientist in innovation | |
| I locks on when i travels around planets | |
| Smooth but got a rough edge like wulitzer pianists | |
| Display mucho attack, receive payments for the cadence | |
| A in this, you get fit fowl with flagrance | |
| Free agents on the dotted line more hard to sign | |
| Not easily impressed with gold mines and whole nines | |
| I'm somewhere in-between never rushed and in a hurry | |
| And when i swing my bat i don't think i'll miss like baseball | |
| Fury the jury's hung, from verdict and got no chance | |
| Dilated comes first the rest are second like stu lance | |
| Oh yes it get better everyday | |
| The a-1, is my mind on vintage display? | |
| Unattended in this case | |
| (the ace two steps ahead) | |
| Everyday is mayday and best friends are feds | |
| But i know this that's why they closest | |
| In a crisis situation you negotiate first | |
| I'm perfectly focused | |
| Strategic and in a zone | |
| It was radar detected but my speed was unknown | |
| Anonymity, that's my key to survival | |
| Ev is not for evidence it's for all the dense on trial | |
| Just remember in this game it take two to tango | |
| Don't go to them let them come to you | |
| And work the angles | |
| Chorus |
| zuò cí : Fareed, Gordy, Matlin ... | |
| dj babu scratchs " dilated peoples" | |
| Chorus: dilated peoples | |
| I work the angles sharp and precise | |
| Dilated peoples so you better build twice | |
| " act like ya know, not now but right now" | |
| Dilated peoples | |
| " the name is iriscience" | |
| iriscience | |
| I go through rivers what? so i don' t leave a scent | |
| I travel both directions but leave one set of prints | |
| It' s just a little trick, of the indigenous | |
| Developing inner visions of what religion is | |
| I caught the understanding and the underhanded | |
| I plan to build my ship and man it to another planet | |
| Under heavy surveillance, many different agents | |
| Some are camouflage, others are very blatant | |
| I study weapon systems and vocal fighting forms | |
| I' m many moves ahead, the thouhgts are highly formed | |
| Like time times time times time is time squared | |
| Went there, sayin " rakaa you don' t rhyme fair" | |
| But i never dummy lyrics and they kick it to my people | |
| It' s about communication not a rappers ego | |
| Messages i sneak in they seem to seep in | |
| Mixed with alcohol and weed on the weekend | |
| Shared among friends like various sins | |
| One day it clicks it' s no longer dim | |
| Time release capsules humble the headstrong | |
| Your thoughts of taking me head on are dead wrong | |
| Chorus | |
| evidence | |
| " evidence" the master of aikido | |
| I let go, karate confrontations | |
| Evidence scientist in innovation | |
| I locks on when i travels around planets | |
| Smooth but got a rough edge like wulitzer pianists | |
| Display mucho attack, receive payments for the cadence | |
| A in this, you get fit fowl with flagrance | |
| Free agents on the dotted line more hard to sign | |
| Not easily impressed with gold mines and whole nines | |
| I' m somewhere inbetween never rushed and in a hurry | |
| And when i swing my bat i don' t think i' ll miss like baseball | |
| Fury the jury' s hung, from verdict and got no chance | |
| Dilated comes first the rest are second like stu lance | |
| Oh yes it get better everyday | |
| The a1, is my mind on vintage display? | |
| Unattended in this case | |
| the ace two steps ahead | |
| Everyday is mayday and best friends are feds | |
| But i know this that' s why they closest | |
| In a crisis situation you negotiate first | |
| I' m perfectly focused | |
| Strategic and in a zone | |
| It was radar detected but my speed was unknown | |
| Anonymity, that' s my key to survival | |
| Ev is not for evidence it' s for all the dense on trial | |
| Just remember in this game it take two to tango | |
| Don' t go to them let them come to you | |
| And work the angles | |
| Chorus |