| Song | Succexy |
| Artist | Metric |
| Album | Old World Underground, Where Are You Now? |
| 作曲 : Metric | |
| Lonesome for no one when | |
| The room was empty and | |
| War as we knew it was obsolete | |
| Nothing could beat complete denial | |
| All we do is talk, sit, switch screens | |
| As the homeland plans enemies | |
| All we do is talk, static split screens | |
| As the homeland plans enemies | |
| Invasion’s so succexxy, so succexxy | |
| Invasion’s so succexxy, so succexxy | |
| Let’s drink to the military | |
| The glass is empty | |
| Faces to fill and cars to feed | |
| Nothing could beat complete denial | |
| All we do is talk, sit, switch screens | |
| As the homeland plans enemies | |
| All we do is talk, static split screens | |
| As the homeland plans enemies | |
| Invasion’s so succexxy, so succexxy | |
| Invasion’s so succexxy, so succexxy | |
| Invasion’s so succexxy, so succexxy | |
| Invasion’s so succexxy, so succexxy | |
| Passive attraction, programmed reaction | |
| Passive attraction, programmed reaction | |
| Action distraction, more information | |
| Flesh saturation, lips on a napkin | |
| Ass, ass, ass | |
| Where does the time go? | |
| We’re waking up so slowly | |
| Days are horizontal lately | |
| Out of body, watched from above | |
| Out of body, watched from above | |
| Passive attraction, programmed reaction | |
| More information, cash masturbation | |
| Follow the pattern, the hemlines, the headlines | |
| Action distraction, faster than fashion | |
| Faster than fashion, faster than fashion | |
| Lonesome for no one when | |
| The room was empty and | |
| War as we knew it was obsolete | |
| Nothing could beat denial |
| zuò qǔ : Metric | |
| Lonesome for no one when | |
| The room was empty and | |
| War as we knew it was obsolete | |
| Nothing could beat complete denial | |
| All we do is talk, sit, switch screens | |
| As the homeland plans enemies | |
| All we do is talk, static split screens | |
| As the homeland plans enemies | |
| Invasion' s so succexxy, so succexxy | |
| Invasion' s so succexxy, so succexxy | |
| Let' s drink to the military | |
| The glass is empty | |
| Faces to fill and cars to feed | |
| Nothing could beat complete denial | |
| All we do is talk, sit, switch screens | |
| As the homeland plans enemies | |
| All we do is talk, static split screens | |
| As the homeland plans enemies | |
| Invasion' s so succexxy, so succexxy | |
| Invasion' s so succexxy, so succexxy | |
| Invasion' s so succexxy, so succexxy | |
| Invasion' s so succexxy, so succexxy | |
| Passive attraction, programmed reaction | |
| Passive attraction, programmed reaction | |
| Action distraction, more information | |
| Flesh saturation, lips on a napkin | |
| Ass, ass, ass | |
| Where does the time go? | |
| We' re waking up so slowly | |
| Days are horizontal lately | |
| Out of body, watched from above | |
| Out of body, watched from above | |
| Passive attraction, programmed reaction | |
| More information, cash masturbation | |
| Follow the pattern, the hemlines, the headlines | |
| Action distraction, faster than fashion | |
| Faster than fashion, faster than fashion | |
| Lonesome for no one when | |
| The room was empty and | |
| War as we knew it was obsolete | |
| Nothing could beat denial |