Halloween Lyrics
| Song | Halloween |
| Artist | Jordan Fisher |
| Artist | Jonathan Larson |
| Album | Rent (Original Soundtrack of the Fox Live Television Event) |
| Download | Image LRC TXT |
| [00:00.000] | 作词 : Jonathan Larson |
| [00:01.000] | 作曲 : Jonathan Larson |
| [00:07.16] | Hi, is this Alexi? Hey, Mark Cohen. |
| [00:13.19] | Yes, I am still alive. |
| [00:18.83] | Look, um, I'd like to come work for you guys. |
| [00:21.75] | Today, no, I, today's not good, |
| [00:24.04] | I'm at my friends - 20 minutes. |
| [00:31.53] | Yeah. Yeah I can make it. |
| [00:34.43] | Yeah, no, happy Halloween to you to |
| [00:40.31] | How did I get here |
| [00:42.73] | How the hell |
| [00:43.89] | Christmas |
| [00:43.90] | Pan left close on the steeple of the church |
| [00:51.03] | How did I get here |
| [00:53.47] | How the hell |
| [00:55.23] | Christmas |
| [00:56.83] | Christmas Eve last year |
| [01:00.87] | How could a night so frozen |
| [01:02.56] | Be so scalding hot |
| [01:06.24] | How can a morning this mild |
| [01:08.46] | Be so raw |
| [01:12.09] | Why are entire years strewn |
| [01:13.65] | On the cutting room floor of memory |
| [01:16.65] | When single frames of one magic night |
| [01:19.65] | Forever flicker in close-up |
| [01:22.11] | On the 3D IMAX of my mind |
| [01:27.07] | That's poetic |
| [01:28.93] | That's pathetic |
| [01:30.17] | Why did Mimi knock on Roger's door |
| [01:32.96] | And Collins choose that phone booth |
| [01:35.41] | Back where Angel set up his drums |
| [01:38.19] | Why did Maureen's equipment break down |
| [01:40.61] | Why am I the witness |
| [01:43.27] | And when I capture it on film |
| [01:46.45] | Will it mean that it's the end and I'm alone |
| [01:51.89] | Uh, I took that job at buzzline |
| [00:00.000] | zuo ci : Jonathan Larson |
| [00:01.000] | zuo qu : Jonathan Larson |
| [00:07.16] | Hi, is this Alexi? Hey, Mark Cohen. |
| [00:13.19] | Yes, I am still alive. |
| [00:18.83] | Look, um, I' d like to come work for you guys. |
| [00:21.75] | Today, no, I, today' s not good, |
| [00:24.04] | I' m at my friends 20 minutes. |
| [00:31.53] | Yeah. Yeah I can make it. |
| [00:34.43] | Yeah, no, happy Halloween to you to |
| [00:40.31] | How did I get here |
| [00:42.73] | How the hell |
| [00:43.89] | Christmas |
| [00:43.90] | Pan left close on the steeple of the church |
| [00:51.03] | How did I get here |
| [00:53.47] | How the hell |
| [00:55.23] | Christmas |
| [00:56.83] | Christmas Eve last year |
| [01:00.87] | How could a night so frozen |
| [01:02.56] | Be so scalding hot |
| [01:06.24] | How can a morning this mild |
| [01:08.46] | Be so raw |
| [01:12.09] | Why are entire years strewn |
| [01:13.65] | On the cutting room floor of memory |
| [01:16.65] | When single frames of one magic night |
| [01:19.65] | Forever flicker in closeup |
| [01:22.11] | On the 3D IMAX of my mind |
| [01:27.07] | That' s poetic |
| [01:28.93] | That' s pathetic |
| [01:30.17] | Why did Mimi knock on Roger' s door |
| [01:32.96] | And Collins choose that phone booth |
| [01:35.41] | Back where Angel set up his drums |
| [01:38.19] | Why did Maureen' s equipment break down |
| [01:40.61] | Why am I the witness |
| [01:43.27] | And when I capture it on film |
| [01:46.45] | Will it mean that it' s the end and I' m alone |
| [01:51.89] | Uh, I took that job at buzzline |
| [00:00.000] | zuò cí : Jonathan Larson |
| [00:01.000] | zuò qǔ : Jonathan Larson |
| [00:07.16] | Hi, is this Alexi? Hey, Mark Cohen. |
| [00:13.19] | Yes, I am still alive. |
| [00:18.83] | Look, um, I' d like to come work for you guys. |
| [00:21.75] | Today, no, I, today' s not good, |
| [00:24.04] | I' m at my friends 20 minutes. |
| [00:31.53] | Yeah. Yeah I can make it. |
| [00:34.43] | Yeah, no, happy Halloween to you to |
| [00:40.31] | How did I get here |
| [00:42.73] | How the hell |
| [00:43.89] | Christmas |
| [00:43.90] | Pan left close on the steeple of the church |
| [00:51.03] | How did I get here |
| [00:53.47] | How the hell |
| [00:55.23] | Christmas |
| [00:56.83] | Christmas Eve last year |
| [01:00.87] | How could a night so frozen |
| [01:02.56] | Be so scalding hot |
| [01:06.24] | How can a morning this mild |
| [01:08.46] | Be so raw |
| [01:12.09] | Why are entire years strewn |
| [01:13.65] | On the cutting room floor of memory |
| [01:16.65] | When single frames of one magic night |
| [01:19.65] | Forever flicker in closeup |
| [01:22.11] | On the 3D IMAX of my mind |
| [01:27.07] | That' s poetic |
| [01:28.93] | That' s pathetic |
| [01:30.17] | Why did Mimi knock on Roger' s door |
| [01:32.96] | And Collins choose that phone booth |
| [01:35.41] | Back where Angel set up his drums |
| [01:38.19] | Why did Maureen' s equipment break down |
| [01:40.61] | Why am I the witness |
| [01:43.27] | And when I capture it on film |
| [01:46.45] | Will it mean that it' s the end and I' m alone |
| [01:51.89] | Uh, I took that job at buzzline |
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