Song | Frank Morris |
Artist | Capital Lights |
Album | This Is An Outrage! |
[00:00.00] | 作曲 : Capitol Lights |
[00:11.59] | Seven months in the making, |
[00:15.41] | making only organized crime. |
[00:17.66] | We'll be masterminds if our dreams will reach the shore. |
[00:23.14] | Another turning point in time, |
[00:25.07] | tonight when the lights go out. |
[00:27.07] | Shot gun freedom's what they say I'm about. |
[00:29.97] | What I'm about won't matter |
[00:31.65] | when I walk out the door. |
[00:35.54] | Familiar faces put on dolls, |
[00:38.62] | fashion raincoats and metals. |
[00:41.56] | When that evening's ending, |
[00:43.96] | I'm still standing tall, |
[00:47.91] | surrounded by these loophole walls. |
[00:50.67] | Any minute I'm beginning, taking time until I run. |
[00:56.63] | Once we're gone, |
[00:59.86] | at the sight of the lights out. |
[01:02.43] | Nightfall shades the sun. |
[01:04.43] | We're put together, said, and done. |
[01:07.19] | Oh, oh, ohh. Oh, oh, oh. |
[01:10.82] | |
[01:11.57] | Seven months left, |
[01:13.91] | they're breaking, |
[01:15.47] | breaking only rules that apply |
[01:17.66] | in this prison label, |
[01:19.75] | unable to abort. |
[01:23.19] | A reputation redefined, |
[01:25.00] | tonight in the darkest hour. |
[01:26.96] | When the three of us go missing, |
[01:29.01] | |
[01:30.07] | one is missing out. |
[01:31.82] | Taking little time to a job that needed more. |
[01:35.45] | Familiar faces put on dolls, |
[01:38.65] | fashion raincoats and metals. |
[01:41.54] | When that evening's ending, |
[01:43.93] | I'm still standing tall, |
[01:47.93] | surrounded by these loophole walls. |
[01:50.55] | Any minute I'm beginning, |
[01:53.58] | taking time until I run. |
[01:56.53] | Once we're gone, |
[01:59.73] | at the sight of the lights out, |
[02:02.16] | Nightfall shades the sun. |
[02:04.44] | We're put together, said, and done. |
[02:07.01] | Oh, oh, ohh. Oh, oh, oh. |
[02:10.15] | |
[02:12.47] | Lights out now, it's half past nine. |
[02:15.11] | Up the thirty foot corridor, three men climb. |
[02:18.18] | Shouldda been four, but one man's left behind. |
[02:21.30] | |
[02:23.60] | Crawl from the rooftop down to the northern end, |
[02:27.17] | through the thickest fog to the water's edge. |
[02:30.05] | For the thrilling ride, to be never seen again. |
[02:34.81] | |
[02:35.75] | Whistles blow in the morning at the sight of the break. |
[02:39.46] | Three empty cells with only decoy faces, |
[02:41.96] | of the ones now known to the other side of the bay. |
[02:46.87] | |
[02:47.62] | Victims lost and drowned, or so they say. |
[02:51.00] | Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away. |
[02:59.48] | Familiar faces put on dolls, |
[03:01.57] | |
[03:02.61] | fashion raincoats and metals. |
[03:05.61] | When that evening's ending, |
[03:07.88] | I'm still standing tall, |
[03:09.88] | surrounded by these loophole walls. |
[03:14.71] | From beginning to the ending, taking time, |
[03:17.59] | I'm on the run. |
[03:20.52] | Now we're gone, |
[03:23.61] | at the sight of the lights out, |
[03:26.05] | Nightfall shades the sun. |
[03:28.38] | We're put together, said, and done. |
[03:30.76] | Oh, oh, ohh. Oh, oh, oh. |
[03:33.60] | Ohhhhh, ohhhh. Ohhhhh, ohhhh. |
[03:43.81] | |
[03:59.36] | Once and for all, surrender for the broke down walls. |
[04:05.70] | I can't think that I'm enough for the pleasure of growing old. |
[04:11.64] | We'll move on in a long-lived story that everyone will know. |
[04:19.44] | But the ending's left untold. |
[04:22.40] | But the ending's left untold. |
[04:25.95] | |
[04:28.53] | But the ending's left untold. |
[04:31.65] | But the ending's left untold. |
[04:37.50] | But the ending's left untold. |
[04:40.57] | But the ending's left untold. |
[04:43.08] |
[00:00.00] | zuò qǔ : Capitol Lights |
[00:11.59] | Seven months in the making, |
[00:15.41] | making only organized crime. |
[00:17.66] | We' ll be masterminds if our dreams will reach the shore. |
[00:23.14] | Another turning point in time, |
[00:25.07] | tonight when the lights go out. |
[00:27.07] | Shot gun freedom' s what they say I' m about. |
[00:29.97] | What I' m about won' t matter |
[00:31.65] | when I walk out the door. |
[00:35.54] | Familiar faces put on dolls, |
[00:38.62] | fashion raincoats and metals. |
[00:41.56] | When that evening' s ending, |
[00:43.96] | I' m still standing tall, |
[00:47.91] | surrounded by these loophole walls. |
[00:50.67] | Any minute I' m beginning, taking time until I run. |
[00:56.63] | Once we' re gone, |
[00:59.86] | at the sight of the lights out. |
[01:02.43] | Nightfall shades the sun. |
[01:04.43] | We' re put together, said, and done. |
[01:07.19] | Oh, oh, ohh. Oh, oh, oh. |
[01:10.82] | |
[01:11.57] | Seven months left, |
[01:13.91] | they' re breaking, |
[01:15.47] | breaking only rules that apply |
[01:17.66] | in this prison label, |
[01:19.75] | unable to abort. |
[01:23.19] | A reputation redefined, |
[01:25.00] | tonight in the darkest hour. |
[01:26.96] | When the three of us go missing, |
[01:29.01] | |
[01:30.07] | one is missing out. |
[01:31.82] | Taking little time to a job that needed more. |
[01:35.45] | Familiar faces put on dolls, |
[01:38.65] | fashion raincoats and metals. |
[01:41.54] | When that evening' s ending, |
[01:43.93] | I' m still standing tall, |
[01:47.93] | surrounded by these loophole walls. |
[01:50.55] | Any minute I' m beginning, |
[01:53.58] | taking time until I run. |
[01:56.53] | Once we' re gone, |
[01:59.73] | at the sight of the lights out, |
[02:02.16] | Nightfall shades the sun. |
[02:04.44] | We' re put together, said, and done. |
[02:07.01] | Oh, oh, ohh. Oh, oh, oh. |
[02:10.15] | |
[02:12.47] | Lights out now, it' s half past nine. |
[02:15.11] | Up the thirty foot corridor, three men climb. |
[02:18.18] | Shouldda been four, but one man' s left behind. |
[02:21.30] | |
[02:23.60] | Crawl from the rooftop down to the northern end, |
[02:27.17] | through the thickest fog to the water' s edge. |
[02:30.05] | For the thrilling ride, to be never seen again. |
[02:34.81] | |
[02:35.75] | Whistles blow in the morning at the sight of the break. |
[02:39.46] | Three empty cells with only decoy faces, |
[02:41.96] | of the ones now known to the other side of the bay. |
[02:46.87] | |
[02:47.62] | Victims lost and drowned, or so they say. |
[02:51.00] | Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away. |
[02:59.48] | Familiar faces put on dolls, |
[03:01.57] | |
[03:02.61] | fashion raincoats and metals. |
[03:05.61] | When that evening' s ending, |
[03:07.88] | I' m still standing tall, |
[03:09.88] | surrounded by these loophole walls. |
[03:14.71] | From beginning to the ending, taking time, |
[03:17.59] | I' m on the run. |
[03:20.52] | Now we' re gone, |
[03:23.61] | at the sight of the lights out, |
[03:26.05] | Nightfall shades the sun. |
[03:28.38] | We' re put together, said, and done. |
[03:30.76] | Oh, oh, ohh. Oh, oh, oh. |
[03:33.60] | Ohhhhh, ohhhh. Ohhhhh, ohhhh. |
[03:43.81] | |
[03:59.36] | Once and for all, surrender for the broke down walls. |
[04:05.70] | I can' t think that I' m enough for the pleasure of growing old. |
[04:11.64] | We' ll move on in a longlived story that everyone will know. |
[04:19.44] | But the ending' s left untold. |
[04:22.40] | But the ending' s left untold. |
[04:25.95] | |
[04:28.53] | But the ending' s left untold. |
[04:31.65] | But the ending' s left untold. |
[04:37.50] | But the ending' s left untold. |
[04:40.57] | But the ending' s left untold. |
[04:43.08] |