| Song | The Charm Of Innoncence |
| Artist | Momus |
| Album | Slender Sherbet |
| Download | Image LRC TXT |
| [00:00.00] | 作词: Momus |
| [00:05.34] | I was born with the charm of innocence |
| [00:09.45] | On my back like a cross |
| [00:16.68] | Thorns upon my forehead |
| [00:20.04] | Round my neck I wore it |
| [00:20.79] | Sometimes a rabbit's claw |
| [00:21.63] | Sometimes an albatross |
| [00:22.35] | It began at a school that turned boys into gentlemen |
| [00:24.21] | Then turned them on to debauchery |
| [00:27.24] | I was forced to my knees in front of these gentlemen |
| [00:31.08] | If I refused they would torture me |
| [00:34.29] | On Sundays I'd stalk the Botanical Garden |
| [00:37.74] | And under my uniform something would harden |
| [00:41.13] | Whenever I passed a girl of my own age |
| [00:48.03] | Or did it begin with au pair girls from Germany |
| [00:51.60] | Paid by the hour to look after us? |
| [00:55.02] | Did it begin with that first opportunity |
| [00:58.35] | To corner a stranger with nakedness? |
| [01:01.86] | Maybe the clinical way they undressed me |
| [01:05.61] | Stayed with me and deeply distressed me |
| [01:09.00] | I think, at heart, I'm something of a prude |
| [01:15.24] | I was born with the charm of innocence |
| [01:18.42] | On my back like a cross |
| [01:22.44] | Thorns upon my forehead |
| [01:26.01] | Round my neck I wore it |
| [01:28.41] | Sometimes a rabbit's claw |
| [01:31.80] | Sometimes an albatross |
| [01:36.21] | Then at 18 I decided I wanted |
| [01:38.97] | To be a commercial photographer |
| [01:42.87] | I rented a studio down by the docks |
| [01:46.17] | Which I shared with a friendly pornographer |
| [01:49.74] | I photographed models in fluorescent light |
| [01:53.13] | Whose veins were so blue and whose breasts were so white |
| [01:56.61] | I assumed, like the moon, women were blue cheese |
| [02:03.63] | When I left home I already had five years |
| [02:06.75] | Of self abuse under my belt |
| [02:10.41] | I found certain women who'd let me try anything |
| [02:13.83] | Just to find out how it felt |
| [02:16.71] | In some garish hotel room with vile decoration |
| [02:20.58] | The wallpaper witnessed my first pollination |
| [02:23.61] | The paisley patterns witnessed an abortion |
| [02:30.63] | I was born with the charm of innocence |
| [02:33.84] | On my back like a cross |
| [02:37.86] | Thorns upon my forehead |
| [02:41.28] | Round my neck I wore it |
| [02:43.80] | Sometimes a rabbit's claw |
| [02:47.22] | Sometimes an albatross |
| [02:51.18] | In the army they taught me to share the abuse |
| [02:54.45] | That I'd kept up 'til then to myself |
| [02:58.32] | There's nothing like killing |
| [02:59.76] | For coaxing a shy boy of twenty-one out of his shell |
| [03:04.92] | In the dark continent with a peace-keeping force |
| [03:08.40] | I fell in with a bunch of Algerian whores |
| [03:12.39] | And promised them I'd try and keep in touch |
| [03:18.87] | We met up again in the 18th arrondisement |
| [03:22.71] | I remember them well |
| [03:25.68] | Their lank stringy hair and their big bulbous noses |
| [03:29.01] | Their unmistakable smell |
| [03:32.34] | I'd approach all the ugliest, seediest jerks |
| [03:36.03] | And ask them to keep a young model in work |
| [03:39.36] | Some men, thank Christ, don't discriminate at all |
| [03:44.31] | I was born with the charm of innocence |
| [03:47.55] | On my back like a cross |
| [03:51.54] | Thorns upon my forehead |
| [03:55.29] | Round my neck I wore it |
| [03:57.51] | Sometimes a rabbit's claw |
| [04:00.93] | Sometimes an albatross |
| [04:34.08] | I will pass my old age by a pale two-bar fire |
| [04:37.92] | Patiently waiting to die |
| [04:41.31] | Twitching the lace as the schoolgirls go past |
| [04:44.70] | Tracing a page of Bataille |
| [04:48.06] | And if you catch sight of my secondhand coat |
| [04:51.63] | Leaving behind it a faint whiff of goat |
| [04:54.51] | Remember both of us are naked underneath |
| [05:01.71] | I thought it would end with the first obscene phone call |
| [05:05.07] | The second professional kill |
| [05:08.55] | But somehow detached from my actual behaviour |
| [05:11.97] | This innocence burdens me still |
| [05:15.63] | Up in the attic I pick up the brush |
| [05:19.02] | Paint in the crow's feet, paint out the blush |
| [05:22.23] | The face this portrait is of is still capable of |
| [05:29.16] | The face this portrait is supposed to be of is still capable of |
| [05:36.00] | The face this portrait is of is still capable of (Paint out the blush of shame) |
| [05:42.93] | The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) |
| [05:49.80] | The face this portrait is of is still capable of (Paint out the blush of shame) |
| [05:56.64] | The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) |
| [06:03.57] | The face this portrait is of is still capable of (Paint out the blush of shame) |
| [06:10.41] | The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) |
| [06:24.24] | (Paint out the blush of shame) |
| [06:25.35] | (Paint out the blush of shame) |
| [06:31.11] | (Paint out the blush of shame) |
| [00:00.00] | zuo ci : Momus |
| [00:05.34] | I was born with the charm of innocence |
| [00:09.45] | On my back like a cross |
| [00:16.68] | Thorns upon my forehead |
| [00:20.04] | Round my neck I wore it |
| [00:20.79] | Sometimes a rabbit' s claw |
| [00:21.63] | Sometimes an albatross |
| [00:22.35] | It began at a school that turned boys into gentlemen |
| [00:24.21] | Then turned them on to debauchery |
| [00:27.24] | I was forced to my knees in front of these gentlemen |
| [00:31.08] | If I refused they would torture me |
| [00:34.29] | On Sundays I' d stalk the Botanical Garden |
| [00:37.74] | And under my uniform something would harden |
| [00:41.13] | Whenever I passed a girl of my own age |
| [00:48.03] | Or did it begin with au pair girls from Germany |
| [00:51.60] | Paid by the hour to look after us? |
| [00:55.02] | Did it begin with that first opportunity |
| [00:58.35] | To corner a stranger with nakedness? |
| [01:01.86] | Maybe the clinical way they undressed me |
| [01:05.61] | Stayed with me and deeply distressed me |
| [01:09.00] | I think, at heart, I' m something of a prude |
| [01:15.24] | I was born with the charm of innocence |
| [01:18.42] | On my back like a cross |
| [01:22.44] | Thorns upon my forehead |
| [01:26.01] | Round my neck I wore it |
| [01:28.41] | Sometimes a rabbit' s claw |
| [01:31.80] | Sometimes an albatross |
| [01:36.21] | Then at 18 I decided I wanted |
| [01:38.97] | To be a commercial photographer |
| [01:42.87] | I rented a studio down by the docks |
| [01:46.17] | Which I shared with a friendly pornographer |
| [01:49.74] | I photographed models in fluorescent light |
| [01:53.13] | Whose veins were so blue and whose breasts were so white |
| [01:56.61] | I assumed, like the moon, women were blue cheese |
| [02:03.63] | When I left home I already had five years |
| [02:06.75] | Of self abuse under my belt |
| [02:10.41] | I found certain women who' d let me try anything |
| [02:13.83] | Just to find out how it felt |
| [02:16.71] | In some garish hotel room with vile decoration |
| [02:20.58] | The wallpaper witnessed my first pollination |
| [02:23.61] | The paisley patterns witnessed an abortion |
| [02:30.63] | I was born with the charm of innocence |
| [02:33.84] | On my back like a cross |
| [02:37.86] | Thorns upon my forehead |
| [02:41.28] | Round my neck I wore it |
| [02:43.80] | Sometimes a rabbit' s claw |
| [02:47.22] | Sometimes an albatross |
| [02:51.18] | In the army they taught me to share the abuse |
| [02:54.45] | That I' d kept up ' til then to myself |
| [02:58.32] | There' s nothing like killing |
| [02:59.76] | For coaxing a shy boy of twenty-one out of his shell |
| [03:04.92] | In the dark continent with a peace-keeping force |
| [03:08.40] | I fell in with a bunch of Algerian whores |
| [03:12.39] | And promised them I' d try and keep in touch |
| [03:18.87] | We met up again in the 18th arrondisement |
| [03:22.71] | I remember them well |
| [03:25.68] | Their lank stringy hair and their big bulbous noses |
| [03:29.01] | Their unmistakable smell |
| [03:32.34] | I' d approach all the ugliest, seediest jerks |
| [03:36.03] | And ask them to keep a young model in work |
| [03:39.36] | Some men, thank Christ, don' t discriminate at all |
| [03:44.31] | I was born with the charm of innocence |
| [03:47.55] | On my back like a cross |
| [03:51.54] | Thorns upon my forehead |
| [03:55.29] | Round my neck I wore it |
| [03:57.51] | Sometimes a rabbit' s claw |
| [04:00.93] | Sometimes an albatross |
| [04:34.08] | I will pass my old age by a pale two-bar fire |
| [04:37.92] | Patiently waiting to die |
| [04:41.31] | Twitching the lace as the schoolgirls go past |
| [04:44.70] | Tracing a page of Bataille |
| [04:48.06] | And if you catch sight of my secondhand coat |
| [04:51.63] | Leaving behind it a faint whiff of goat |
| [04:54.51] | Remember both of us are naked underneath |
| [05:01.71] | I thought it would end with the first obscene phone call |
| [05:05.07] | The second professional kill |
| [05:08.55] | But somehow detached from my actual behaviour |
| [05:11.97] | This innocence burdens me still |
| [05:15.63] | Up in the attic I pick up the brush |
| [05:19.02] | Paint in the crow' s feet, paint out the blush |
| [05:22.23] | The face this portrait is of is still capable of |
| [05:29.16] | The face this portrait is supposed to be of is still capable of |
| [05:36.00] | The face this portrait is of is still capable of Paint out the blush of shame |
| [05:42.93] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [05:49.80] | The face this portrait is of is still capable of Paint out the blush of shame |
| [05:56.64] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [06:03.57] | The face this portrait is of is still capable of Paint out the blush of shame |
| [06:10.41] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [06:24.24] | Paint out the blush of shame |
| [06:25.35] | Paint out the blush of shame |
| [06:31.11] | Paint out the blush of shame |
| [00:00.00] | zuò cí : Momus |
| [00:05.34] | I was born with the charm of innocence |
| [00:09.45] | On my back like a cross |
| [00:16.68] | Thorns upon my forehead |
| [00:20.04] | Round my neck I wore it |
| [00:20.79] | Sometimes a rabbit' s claw |
| [00:21.63] | Sometimes an albatross |
| [00:22.35] | It began at a school that turned boys into gentlemen |
| [00:24.21] | Then turned them on to debauchery |
| [00:27.24] | I was forced to my knees in front of these gentlemen |
| [00:31.08] | If I refused they would torture me |
| [00:34.29] | On Sundays I' d stalk the Botanical Garden |
| [00:37.74] | And under my uniform something would harden |
| [00:41.13] | Whenever I passed a girl of my own age |
| [00:48.03] | Or did it begin with au pair girls from Germany |
| [00:51.60] | Paid by the hour to look after us? |
| [00:55.02] | Did it begin with that first opportunity |
| [00:58.35] | To corner a stranger with nakedness? |
| [01:01.86] | Maybe the clinical way they undressed me |
| [01:05.61] | Stayed with me and deeply distressed me |
| [01:09.00] | I think, at heart, I' m something of a prude |
| [01:15.24] | I was born with the charm of innocence |
| [01:18.42] | On my back like a cross |
| [01:22.44] | Thorns upon my forehead |
| [01:26.01] | Round my neck I wore it |
| [01:28.41] | Sometimes a rabbit' s claw |
| [01:31.80] | Sometimes an albatross |
| [01:36.21] | Then at 18 I decided I wanted |
| [01:38.97] | To be a commercial photographer |
| [01:42.87] | I rented a studio down by the docks |
| [01:46.17] | Which I shared with a friendly pornographer |
| [01:49.74] | I photographed models in fluorescent light |
| [01:53.13] | Whose veins were so blue and whose breasts were so white |
| [01:56.61] | I assumed, like the moon, women were blue cheese |
| [02:03.63] | When I left home I already had five years |
| [02:06.75] | Of self abuse under my belt |
| [02:10.41] | I found certain women who' d let me try anything |
| [02:13.83] | Just to find out how it felt |
| [02:16.71] | In some garish hotel room with vile decoration |
| [02:20.58] | The wallpaper witnessed my first pollination |
| [02:23.61] | The paisley patterns witnessed an abortion |
| [02:30.63] | I was born with the charm of innocence |
| [02:33.84] | On my back like a cross |
| [02:37.86] | Thorns upon my forehead |
| [02:41.28] | Round my neck I wore it |
| [02:43.80] | Sometimes a rabbit' s claw |
| [02:47.22] | Sometimes an albatross |
| [02:51.18] | In the army they taught me to share the abuse |
| [02:54.45] | That I' d kept up ' til then to myself |
| [02:58.32] | There' s nothing like killing |
| [02:59.76] | For coaxing a shy boy of twenty-one out of his shell |
| [03:04.92] | In the dark continent with a peace-keeping force |
| [03:08.40] | I fell in with a bunch of Algerian whores |
| [03:12.39] | And promised them I' d try and keep in touch |
| [03:18.87] | We met up again in the 18th arrondisement |
| [03:22.71] | I remember them well |
| [03:25.68] | Their lank stringy hair and their big bulbous noses |
| [03:29.01] | Their unmistakable smell |
| [03:32.34] | I' d approach all the ugliest, seediest jerks |
| [03:36.03] | And ask them to keep a young model in work |
| [03:39.36] | Some men, thank Christ, don' t discriminate at all |
| [03:44.31] | I was born with the charm of innocence |
| [03:47.55] | On my back like a cross |
| [03:51.54] | Thorns upon my forehead |
| [03:55.29] | Round my neck I wore it |
| [03:57.51] | Sometimes a rabbit' s claw |
| [04:00.93] | Sometimes an albatross |
| [04:34.08] | I will pass my old age by a pale two-bar fire |
| [04:37.92] | Patiently waiting to die |
| [04:41.31] | Twitching the lace as the schoolgirls go past |
| [04:44.70] | Tracing a page of Bataille |
| [04:48.06] | And if you catch sight of my secondhand coat |
| [04:51.63] | Leaving behind it a faint whiff of goat |
| [04:54.51] | Remember both of us are naked underneath |
| [05:01.71] | I thought it would end with the first obscene phone call |
| [05:05.07] | The second professional kill |
| [05:08.55] | But somehow detached from my actual behaviour |
| [05:11.97] | This innocence burdens me still |
| [05:15.63] | Up in the attic I pick up the brush |
| [05:19.02] | Paint in the crow' s feet, paint out the blush |
| [05:22.23] | The face this portrait is of is still capable of |
| [05:29.16] | The face this portrait is supposed to be of is still capable of |
| [05:36.00] | The face this portrait is of is still capable of Paint out the blush of shame |
| [05:42.93] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [05:49.80] | The face this portrait is of is still capable of Paint out the blush of shame |
| [05:56.64] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [06:03.57] | The face this portrait is of is still capable of Paint out the blush of shame |
| [06:10.41] | The face this portrait is supposed to be of is still capable of Paint out the blush of shame |
| [06:24.24] | Paint out the blush of shame |
| [06:25.35] | Paint out the blush of shame |
| [06:31.11] | Paint out the blush of shame |