Song | Listen Close - Original |
Artist | MC Frontalot |
Album | Final Boss |
Download | Image LRC TXT |
Frontalot is on appointment | |
to rock the microphone with a style that’s got disjointment. | |
Some point went out the window, got lost. | |
This MC is unwilling to absorb the cost. I foster indignation, | |
don’t care if my lyrics are obtuse and yo I’m losing my hair. | |
And you don’t stare at the man on the bus who’s got the voices in his head. | |
If he led a life of reason, yo you know he would have said: | |
Listen close, listen close, listen close to the sound: | |
I don’t wanna be down, I don’t wanna be down. | |
I know what you’re thinking, you could sink into this state. | |
I suggest you plug—yes—your ears and concentrate. | |
Fate of the man who paid too much attention was the depths he plumbed. | |
Some dumb fate it was too, the way he succumbed. | |
Might have, um, imagined a world without despair, | |
and for that matter, I could keep my hair. But beware: | |
some thoughts are fantasies and others cold hard facts. | |
Once you’ve given your attention, you can’t take it back. | |
And Frontalot comes talking in the oddest of ways | |
on the record that plays. Never meant to order stays | |
of execution for the speedily dispatched. | |
Now the man on the bus repeating like a record with a scratch | |
his name and number, number, name and number, number name. | |
Suspect that if you ask him again he’ll tell you the same. | |
To the casual ear the words I say and sense do not endure an intersection. | |
To such a sentiment I stake objection. |
Frontalot is on appointment | |
to rock the microphone with a style that' s got disjointment. | |
Some point went out the window, got lost. | |
This MC is unwilling to absorb the cost. I foster indignation, | |
don' t care if my lyrics are obtuse and yo I' m losing my hair. | |
And you don' t stare at the man on the bus who' s got the voices in his head. | |
If he led a life of reason, yo you know he would have said: | |
Listen close, listen close, listen close to the sound: | |
I don' t wanna be down, I don' t wanna be down. | |
I know what you' re thinking, you could sink into this state. | |
I suggest you plug yes your ears and concentrate. | |
Fate of the man who paid too much attention was the depths he plumbed. | |
Some dumb fate it was too, the way he succumbed. | |
Might have, um, imagined a world without despair, | |
and for that matter, I could keep my hair. But beware: | |
some thoughts are fantasies and others cold hard facts. | |
Once you' ve given your attention, you can' t take it back. | |
And Frontalot comes talking in the oddest of ways | |
on the record that plays. Never meant to order stays | |
of execution for the speedily dispatched. | |
Now the man on the bus repeating like a record with a scratch | |
his name and number, number, name and number, number name. | |
Suspect that if you ask him again he' ll tell you the same. | |
To the casual ear the words I say and sense do not endure an intersection. | |
To such a sentiment I stake objection. |
Frontalot is on appointment | |
to rock the microphone with a style that' s got disjointment. | |
Some point went out the window, got lost. | |
This MC is unwilling to absorb the cost. I foster indignation, | |
don' t care if my lyrics are obtuse and yo I' m losing my hair. | |
And you don' t stare at the man on the bus who' s got the voices in his head. | |
If he led a life of reason, yo you know he would have said: | |
Listen close, listen close, listen close to the sound: | |
I don' t wanna be down, I don' t wanna be down. | |
I know what you' re thinking, you could sink into this state. | |
I suggest you plug yes your ears and concentrate. | |
Fate of the man who paid too much attention was the depths he plumbed. | |
Some dumb fate it was too, the way he succumbed. | |
Might have, um, imagined a world without despair, | |
and for that matter, I could keep my hair. But beware: | |
some thoughts are fantasies and others cold hard facts. | |
Once you' ve given your attention, you can' t take it back. | |
And Frontalot comes talking in the oddest of ways | |
on the record that plays. Never meant to order stays | |
of execution for the speedily dispatched. | |
Now the man on the bus repeating like a record with a scratch | |
his name and number, number, name and number, number name. | |
Suspect that if you ask him again he' ll tell you the same. | |
To the casual ear the words I say and sense do not endure an intersection. | |
To such a sentiment I stake objection. |