Song | Putting It Together |
Artist | Barbra Streisand |
Album | The Essential Barbra Streisand |
Download | Image LRC TXT |
作曲 : Stephen Sondheim | |
作词 : Stephen Sondheim | |
Look, I, I've spent a lot of time working on this | |
Look, no one's gonna buy it, no one | |
Nobody in middle | |
America, anyway that's for sure | |
He's right | |
Sweetheart, it's just not commercial | |
What is commercial? | |
It's not what's selling nowadays | |
I mean personally, | |
I love it, but | |
Be nice, girl(Nobody's into this kind of material) | |
You have to pay a price, girl(This album needs a hit single we can push) | |
They like to give advice, girl(The whole idea's too risky) | |
Don't think about it twice, girl(The audience won't understand this kind of thing) | |
It's time to get to work(I disagree! Why don't you wait until you hear it?)(This is like your old stuff) | |
Art isn't easy(You've got to appeal to the kids) | |
Even when you're hot(Why would you want to make an album like this anyway?) | |
Advancing art is easy(I think we ought to talk seriously about this) | |
Financing it is not(Why take chances?) | |
A vision's just a vision if it's only in your head(Nobody respects your artistic integrity more than I do, but) | |
If no one gets to hear it, it's as good as dead(You have to think about you career) | |
It has to come to life | |
Bit by bit, putting it together | |
Piece by piece, only way to make a work of art | |
Every moment makes a contribution | |
Every little detail plays a parts | |
Having just a vision's no solution | |
Everything depends on execution | |
Putting it together, that's what counts | |
Ounce by ounce, putting in together | |
Small amounts, adding up to make a work of art | |
First of all you need a good foundation | |
Otherwise it's risky from the start | |
Takes a little cocktail conversation | |
But without the proper preparation | |
Having just a vision's no solution | |
Everything depends on execution | |
The art of making art | |
Is putting it together, bit by bit(Do we really need all these musicians?) | |
Link by link, making the connections, yes we do | |
Drink by drink, taking every comment as it comes | |
Learning how to play the politician | |
Like you play piano, bass and drums | |
Otherwise you'll find your composition | |
Isn't gonna get much exhibition | |
Art isn't easy | |
Every minor detail is a major decision | |
Have to keep things in scale | |
Have to hold to your vision(Why don't we talk about this over dinner, darling?) | |
What's a little cocktail conversation | |
If it gets the funds for your foundation | |
Every time | |
I start to feel defensive | |
I remember vinyl is expensive(Would you agree to do an interview?) | |
Maybe oneDot by dot, building up the image | |
Shot by shot, keeping at a distance doesn't pay | |
Still if you remember your objective | |
Not give all your privacy away | |
A little bit of hype can be effective | |
As long as you can keep it in perspective | |
Even when you get some recognition | |
Everything you do you still audition | |
Art isn't easy | |
Overnight you're a trend | |
You're the right combination | |
Then the trend's at an end | |
You're suddenly last year's sensation | |
All they ever want is repetition | |
All they really like is what they know | |
Gotta keep a link with your tradition | |
Gotta learn to trust your intuition | |
While you re-establish your position | |
So that you can be on exhibit | |
So that your work can be on exhibition | |
Be new, girl | |
They tell you till they're blue, girl | |
You're new, or else you're through, girl | |
And even if it's true, girl | |
You do what you can do | |
Bit by bit, putting it together | |
Piece by piece, working on the vision night and day | |
All it takes is time and perseverance | |
With a little luck along the way | |
Putting in a personal appearance | |
Gathering supporters and adherents(Well, she's an original)(Was) | |
Mapping out the songs but in addition | |
Harmonizing each negotiation | |
Balancing the part that's all musicians | |
With the part that's strictly presentation | |
Balancing the money with the mission | |
Till you have the perfect orchestration | |
Even if you do have the suspicion | |
That it's taking all your concentration | |
The art of making art | |
Is putting it together, bit by bit | |
Beat by beat, part by part | |
Sheet by sheet, chart by chart | |
Track by track, bit by bit | |
Reel by reel, pout by pout | |
Stack by stack, snit by snit | |
Meal by meal, shout by shout | |
Deal by deal, spat by spat | |
Spiel by spiel, doubt by doubt | |
And that is the state of the art |
zuo qu : Stephen Sondheim | |
zuo ci : Stephen Sondheim | |
Look, I, I' ve spent a lot of time working on this | |
Look, no one' s gonna buy it, no one | |
Nobody in middle | |
America, anyway that' s for sure | |
He' s right | |
Sweetheart, it' s just not commercial | |
What is commercial? | |
It' s not what' s selling nowadays | |
I mean personally, | |
I love it, but | |
Be nice, girl Nobody' s into this kind of material | |
You have to pay a price, girl This album needs a hit single we can push | |
They like to give advice, girl The whole idea' s too risky | |
Don' t think about it twice, girl The audience won' t understand this kind of thing | |
It' s time to get to work I disagree! Why don' t you wait until you hear it? This is like your old stuff | |
Art isn' t easy You' ve got to appeal to the kids | |
Even when you' re hot Why would you want to make an album like this anyway? | |
Advancing art is easy I think we ought to talk seriously about this | |
Financing it is not Why take chances? | |
A vision' s just a vision if it' s only in your head Nobody respects your artistic integrity more than I do, but | |
If no one gets to hear it, it' s as good as dead You have to think about you career | |
It has to come to life | |
Bit by bit, putting it together | |
Piece by piece, only way to make a work of art | |
Every moment makes a contribution | |
Every little detail plays a parts | |
Having just a vision' s no solution | |
Everything depends on execution | |
Putting it together, that' s what counts | |
Ounce by ounce, putting in together | |
Small amounts, adding up to make a work of art | |
First of all you need a good foundation | |
Otherwise it' s risky from the start | |
Takes a little cocktail conversation | |
But without the proper preparation | |
Having just a vision' s no solution | |
Everything depends on execution | |
The art of making art | |
Is putting it together, bit by bit Do we really need all these musicians? | |
Link by link, making the connections, yes we do | |
Drink by drink, taking every comment as it comes | |
Learning how to play the politician | |
Like you play piano, bass and drums | |
Otherwise you' ll find your composition | |
Isn' t gonna get much exhibition | |
Art isn' t easy | |
Every minor detail is a major decision | |
Have to keep things in scale | |
Have to hold to your vision Why don' t we talk about this over dinner, darling? | |
What' s a little cocktail conversation | |
If it gets the funds for your foundation | |
Every time | |
I start to feel defensive | |
I remember vinyl is expensive Would you agree to do an interview? | |
Maybe oneDot by dot, building up the image | |
Shot by shot, keeping at a distance doesn' t pay | |
Still if you remember your objective | |
Not give all your privacy away | |
A little bit of hype can be effective | |
As long as you can keep it in perspective | |
Even when you get some recognition | |
Everything you do you still audition | |
Art isn' t easy | |
Overnight you' re a trend | |
You' re the right combination | |
Then the trend' s at an end | |
You' re suddenly last year' s sensation | |
All they ever want is repetition | |
All they really like is what they know | |
Gotta keep a link with your tradition | |
Gotta learn to trust your intuition | |
While you reestablish your position | |
So that you can be on exhibit | |
So that your work can be on exhibition | |
Be new, girl | |
They tell you till they' re blue, girl | |
You' re new, or else you' re through, girl | |
And even if it' s true, girl | |
You do what you can do | |
Bit by bit, putting it together | |
Piece by piece, working on the vision night and day | |
All it takes is time and perseverance | |
With a little luck along the way | |
Putting in a personal appearance | |
Gathering supporters and adherents Well, she' s an original Was | |
Mapping out the songs but in addition | |
Harmonizing each negotiation | |
Balancing the part that' s all musicians | |
With the part that' s strictly presentation | |
Balancing the money with the mission | |
Till you have the perfect orchestration | |
Even if you do have the suspicion | |
That it' s taking all your concentration | |
The art of making art | |
Is putting it together, bit by bit | |
Beat by beat, part by part | |
Sheet by sheet, chart by chart | |
Track by track, bit by bit | |
Reel by reel, pout by pout | |
Stack by stack, snit by snit | |
Meal by meal, shout by shout | |
Deal by deal, spat by spat | |
Spiel by spiel, doubt by doubt | |
And that is the state of the art |
zuò qǔ : Stephen Sondheim | |
zuò cí : Stephen Sondheim | |
Look, I, I' ve spent a lot of time working on this | |
Look, no one' s gonna buy it, no one | |
Nobody in middle | |
America, anyway that' s for sure | |
He' s right | |
Sweetheart, it' s just not commercial | |
What is commercial? | |
It' s not what' s selling nowadays | |
I mean personally, | |
I love it, but | |
Be nice, girl Nobody' s into this kind of material | |
You have to pay a price, girl This album needs a hit single we can push | |
They like to give advice, girl The whole idea' s too risky | |
Don' t think about it twice, girl The audience won' t understand this kind of thing | |
It' s time to get to work I disagree! Why don' t you wait until you hear it? This is like your old stuff | |
Art isn' t easy You' ve got to appeal to the kids | |
Even when you' re hot Why would you want to make an album like this anyway? | |
Advancing art is easy I think we ought to talk seriously about this | |
Financing it is not Why take chances? | |
A vision' s just a vision if it' s only in your head Nobody respects your artistic integrity more than I do, but | |
If no one gets to hear it, it' s as good as dead You have to think about you career | |
It has to come to life | |
Bit by bit, putting it together | |
Piece by piece, only way to make a work of art | |
Every moment makes a contribution | |
Every little detail plays a parts | |
Having just a vision' s no solution | |
Everything depends on execution | |
Putting it together, that' s what counts | |
Ounce by ounce, putting in together | |
Small amounts, adding up to make a work of art | |
First of all you need a good foundation | |
Otherwise it' s risky from the start | |
Takes a little cocktail conversation | |
But without the proper preparation | |
Having just a vision' s no solution | |
Everything depends on execution | |
The art of making art | |
Is putting it together, bit by bit Do we really need all these musicians? | |
Link by link, making the connections, yes we do | |
Drink by drink, taking every comment as it comes | |
Learning how to play the politician | |
Like you play piano, bass and drums | |
Otherwise you' ll find your composition | |
Isn' t gonna get much exhibition | |
Art isn' t easy | |
Every minor detail is a major decision | |
Have to keep things in scale | |
Have to hold to your vision Why don' t we talk about this over dinner, darling? | |
What' s a little cocktail conversation | |
If it gets the funds for your foundation | |
Every time | |
I start to feel defensive | |
I remember vinyl is expensive Would you agree to do an interview? | |
Maybe oneDot by dot, building up the image | |
Shot by shot, keeping at a distance doesn' t pay | |
Still if you remember your objective | |
Not give all your privacy away | |
A little bit of hype can be effective | |
As long as you can keep it in perspective | |
Even when you get some recognition | |
Everything you do you still audition | |
Art isn' t easy | |
Overnight you' re a trend | |
You' re the right combination | |
Then the trend' s at an end | |
You' re suddenly last year' s sensation | |
All they ever want is repetition | |
All they really like is what they know | |
Gotta keep a link with your tradition | |
Gotta learn to trust your intuition | |
While you reestablish your position | |
So that you can be on exhibit | |
So that your work can be on exhibition | |
Be new, girl | |
They tell you till they' re blue, girl | |
You' re new, or else you' re through, girl | |
And even if it' s true, girl | |
You do what you can do | |
Bit by bit, putting it together | |
Piece by piece, working on the vision night and day | |
All it takes is time and perseverance | |
With a little luck along the way | |
Putting in a personal appearance | |
Gathering supporters and adherents Well, she' s an original Was | |
Mapping out the songs but in addition | |
Harmonizing each negotiation | |
Balancing the part that' s all musicians | |
With the part that' s strictly presentation | |
Balancing the money with the mission | |
Till you have the perfect orchestration | |
Even if you do have the suspicion | |
That it' s taking all your concentration | |
The art of making art | |
Is putting it together, bit by bit | |
Beat by beat, part by part | |
Sheet by sheet, chart by chart | |
Track by track, bit by bit | |
Reel by reel, pout by pout | |
Stack by stack, snit by snit | |
Meal by meal, shout by shout | |
Deal by deal, spat by spat | |
Spiel by spiel, doubt by doubt | |
And that is the state of the art |