| [00:05.630] |
There's a portrait |
| [00:06.700] |
In a back room |
| [00:07.910] |
Which I keep for days upon which I relent |
| [00:12.910] |
|
| [00:14.500] |
And gaze for hours on the muscle skin and bone of some |
| [00:18.180] |
|
| [00:22.140] |
Imaginary friend. |
| [00:23.460] |
|
| [00:31.900] |
So how about it? |
| [00:32.780] |
|
| [00:33.780] |
Show me please how I will look in twenty years |
| [00:37.550] |
|
| [00:40.630] |
And let me please |
| [00:42.700] |
|
| [00:43.190] |
Interpret history in every line and scar that's painted |
| [00:49.630] |
|
| [00:52.470] |
There in front of me. |
| [00:53.910] |
|
| [01:10.400] |
It doesn't matter what I'm thinking |
| [01:12.390] |
What I tell myself to do |
| [01:17.820] |
I'll end up calling. |
| [01:23.500] |
I stay in to defrost the fridge |
| [01:27.770] |
Now the kid has gone to bed |
| [01:32.110] |
A feeling of dread. |
| [01:33.610] |
At least when she's around the troubles there |
| [01:39.430] |
It's worse to wake up with her falling round the room. |
| [01:45.430] |
|
| [01:59.820] |
Listen johnny you're like a mother |
| [02:02.260] |
|
| [02:04.320] |
To the girl you've fallen for |
| [02:06.190] |
|
| [02:09.199] |
And you're still falling. |
| [02:13.700] |
Listen johnny |
| [02:14.130] |
|
| [02:18.240] |
You're like a mother to the girl you've fallen for |
| [02:21.120] |
|
| [02:22.370] |
And you're still falling |
| [02:24.600] |
And if they come tonight |
| [02:25.740] |
|
| [02:27.180] |
You'll roll up tight and take whatever's coming to you next. |
