Slow Graffiti Lyrics

Song	Slow Graffiti
Artist	Belle & Sebastian
Album	Push Barman to Open Old Wounds
Download	Image LRC TXT

[00:05.630]	There's a portrait
[00:06.700]	In a back room
[00:07.910]	Which I keep for days upon which I relent
[00:12.910]
[00:14.500]	And gaze for hours on the muscle skin and bone of some
[00:18.180]
[00:22.140]	Imaginary friend.
[00:23.460]
[00:31.900]	So how about it?
[00:32.780]
[00:33.780]	Show me please how I will look in twenty years
[00:37.550]
[00:40.630]	And let me please
[00:42.700]
[00:43.190]	Interpret history in every line and scar that's painted
[00:49.630]
[00:52.470]	There in front of me.
[00:53.910]
[01:10.400]	It doesn't matter what I'm thinking
[01:12.390]	What I tell myself to do
[01:17.820]	I'll end up calling.
[01:23.500]	I stay in to defrost the fridge
[01:27.770]	Now the kid has gone to bed
[01:32.110]	A feeling of dread.
[01:33.610]	At least when she's around the troubles there
[01:39.430]	It's worse to wake up with her falling round the room.
[01:45.430]
[01:59.820]	Listen johnny you're like a mother
[02:02.260]
[02:04.320]	To the girl you've fallen for
[02:06.190]
[02:09.199]	And you're still falling.
[02:13.700]	Listen johnny
[02:14.130]
[02:18.240]	You're like a mother to the girl you've fallen for
[02:21.120]
[02:22.370]	And you're still falling
[02:24.600]	And if they come tonight
[02:25.740]
[02:27.180]	You'll roll up tight and take whatever's coming to you next.

[00:05.630]	There' s a portrait
[00:06.700]	In a back room
[00:07.910]	Which I keep for days upon which I relent
[00:12.910]
[00:14.500]	And gaze for hours on the muscle skin and bone of some
[00:18.180]
[00:22.140]	Imaginary friend.
[00:23.460]
[00:31.900]	So how about it?
[00:32.780]
[00:33.780]	Show me please how I will look in twenty years
[00:37.550]
[00:40.630]	And let me please
[00:42.700]
[00:43.190]	Interpret history in every line and scar that' s painted
[00:49.630]
[00:52.470]	There in front of me.
[00:53.910]
[01:10.400]	It doesn' t matter what I' m thinking
[01:12.390]	What I tell myself to do
[01:17.820]	I' ll end up calling.
[01:23.500]	I stay in to defrost the fridge
[01:27.770]	Now the kid has gone to bed
[01:32.110]	A feeling of dread.
[01:33.610]	At least when she' s around the troubles there
[01:39.430]	It' s worse to wake up with her falling round the room.
[01:45.430]
[01:59.820]	Listen johnny you' re like a mother
[02:02.260]
[02:04.320]	To the girl you' ve fallen for
[02:06.190]
[02:09.199]	And you' re still falling.
[02:13.700]	Listen johnny
[02:14.130]
[02:18.240]	You' re like a mother to the girl you' ve fallen for
[02:21.120]
[02:22.370]	And you' re still falling
[02:24.600]	And if they come tonight
[02:25.740]
[02:27.180]	You' ll roll up tight and take whatever' s coming to you next.

[00:05.630]	There' s a portrait
[00:06.700]	In a back room
[00:07.910]	Which I keep for days upon which I relent
[00:12.910]
[00:14.500]	And gaze for hours on the muscle skin and bone of some
[00:18.180]
[00:22.140]	Imaginary friend.
[00:23.460]
[00:31.900]	So how about it?
[00:32.780]
[00:33.780]	Show me please how I will look in twenty years
[00:37.550]
[00:40.630]	And let me please
[00:42.700]
[00:43.190]	Interpret history in every line and scar that' s painted
[00:49.630]
[00:52.470]	There in front of me.
[00:53.910]
[01:10.400]	It doesn' t matter what I' m thinking
[01:12.390]	What I tell myself to do
[01:17.820]	I' ll end up calling.
[01:23.500]	I stay in to defrost the fridge
[01:27.770]	Now the kid has gone to bed
[01:32.110]	A feeling of dread.
[01:33.610]	At least when she' s around the troubles there
[01:39.430]	It' s worse to wake up with her falling round the room.
[01:45.430]
[01:59.820]	Listen johnny you' re like a mother
[02:02.260]
[02:04.320]	To the girl you' ve fallen for
[02:06.190]
[02:09.199]	And you' re still falling.
[02:13.700]	Listen johnny
[02:14.130]
[02:18.240]	You' re like a mother to the girl you' ve fallen for
[02:21.120]
[02:22.370]	And you' re still falling
[02:24.600]	And if they come tonight
[02:25.740]
[02:27.180]	You' ll roll up tight and take whatever' s coming to you next.

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