[00:05.63] |
There's a portrait |
[00:06.70] |
In a back room |
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Which I keep for days upon which I relent |
[00:12.91] |
|
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And gaze for hours on the muscle skin and bone of some |
[00:18.18] |
|
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Imaginary friend. |
[00:23.46] |
|
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So how about it? |
[00:32.78] |
|
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Show me please how I will look in twenty years |
[00:37.55] |
|
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And let me please |
[00:42.07] |
|
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Interpret history in every line and scar that's painted |
[00:49.63] |
|
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There in front of me. |
[00:53.91] |
|
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It doesn't matter what I'm thinking |
[01:12.39] |
What I tell myself to do |
[01:17.82] |
I'll end up calling. |
[01:23.05] |
I stay in to defrost the fridge |
[01:27.77] |
Now the kid has gone to bed |
[01:32.11] |
A feeling of dread. |
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At least when she's around the troubles there |
[01:39.43] |
It's worse to wake up with her falling round the room. |
[01:45.43] |
|
[01:59.82] |
Listen johnny you're like a mother |
[02:02.26] |
|
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To the girl you've fallen for |
[02:06.19] |
|
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And you're still falling. |
[02:13.70] |
Listen johnny |
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|
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You're like a mother to the girl you've fallen for |
[02:21.12] |
|
[02:22.37] |
And you're still falling |
[02:24.06] |
And if they come tonight |
[02:25.74] |
|
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You'll roll up tight and take whatever's coming to you next. |