Song | Doc Pomus |
Artist | Ben Folds |
Album | Lonely Avenue |
Download | Image LRC TXT |
作曲 : Botch | |
Man in a wheelchair, lobby of the Forrest | |
With freighters, hustlers, hard-up millionaires. | |
Mobsters, cops, whores, pimps and Marxist. | |
All human life is there. | |
Man in a wheelchair listens to the chatter, | |
Writes down all the insane crap he hears. | |
He can't move around, but it doesn't really matter | |
In the Forrest all you need is eyes and ears. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus/Shuman, 1962. | |
And he never could be one of those happy cripples, | |
The kind that smile and tell you life's OK. | |
He was mad as hell, frightened and bitter. | |
He found a way to make his feelings pay. | |
Back at the Forrest, in the steakhouse of the lobby, | |
The diner gets three bullets in the head. | |
Doc looks down, eating his linguine, | |
Thinking up a lyric for the dead. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus/Shuman, 1962. | |
Fred Neil, Jack Benny, crazy Phil Spector, | |
Pumpkin Juice and Eydie Gorm | |
Damon Runyon Jr. and the Duke's orchestra | |
All superhuman life was there | |
And he never could be one of those happy cripples | |
The kind that smile and tell you life's OK | |
He was mad as hell, frightened and bitter | |
He found a way to make his isolation pay | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus/Shuman, 1962. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus/Shuman, 1962. |
zuo qu : Botch | |
Man in a wheelchair, lobby of the Forrest | |
With freighters, hustlers, hardup millionaires. | |
Mobsters, cops, whores, pimps and Marxist. | |
All human life is there. | |
Man in a wheelchair listens to the chatter, | |
Writes down all the insane crap he hears. | |
He can' t move around, but it doesn' t really matter | |
In the Forrest all you need is eyes and ears. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
And he never could be one of those happy cripples, | |
The kind that smile and tell you life' s OK. | |
He was mad as hell, frightened and bitter. | |
He found a way to make his feelings pay. | |
Back at the Forrest, in the steakhouse of the lobby, | |
The diner gets three bullets in the head. | |
Doc looks down, eating his linguine, | |
Thinking up a lyric for the dead. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
Fred Neil, Jack Benny, crazy Phil Spector, | |
Pumpkin Juice and Eydie Gorm | |
Damon Runyon Jr. and the Duke' s orchestra | |
All superhuman life was there | |
And he never could be one of those happy cripples | |
The kind that smile and tell you life' s OK | |
He was mad as hell, frightened and bitter | |
He found a way to make his isolation pay | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. |
zuò qǔ : Botch | |
Man in a wheelchair, lobby of the Forrest | |
With freighters, hustlers, hardup millionaires. | |
Mobsters, cops, whores, pimps and Marxist. | |
All human life is there. | |
Man in a wheelchair listens to the chatter, | |
Writes down all the insane crap he hears. | |
He can' t move around, but it doesn' t really matter | |
In the Forrest all you need is eyes and ears. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
And he never could be one of those happy cripples, | |
The kind that smile and tell you life' s OK. | |
He was mad as hell, frightened and bitter. | |
He found a way to make his feelings pay. | |
Back at the Forrest, in the steakhouse of the lobby, | |
The diner gets three bullets in the head. | |
Doc looks down, eating his linguine, | |
Thinking up a lyric for the dead. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
Fred Neil, Jack Benny, crazy Phil Spector, | |
Pumpkin Juice and Eydie Gorm | |
Damon Runyon Jr. and the Duke' s orchestra | |
All superhuman life was there | |
And he never could be one of those happy cripples | |
The kind that smile and tell you life' s OK | |
He was mad as hell, frightened and bitter | |
He found a way to make his isolation pay | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. | |
And out they pour, the hits and the misses. | |
Turn Me Loose, Lonely Avenue, | |
And down in Nashville, they always sing Suspicion. | |
Pomus Shuman, 1962. |