Song | Truth About John |
Artist | Latin Quarter |
Album | Modern Times |
Download | Image LRC TXT |
作曲 : Jones, Skaith | |
He lays a sheet if white paper | |
On a gravy stained table | |
He wipes the palms of his hands on his jeans. | |
He turns "Imagine" up loud | |
He knows that face and that cloud | |
And he don't stop counting | |
While he's spilling the beans. | |
Cos now he's going to tell us all | |
The truth about John | |
Tho' he needs a little help | |
To speed up the prose. | |
He was taken on trust | |
But that wasn't enough | |
You lose some friends this way | |
But that's how it goes. | |
Here she comes to trail the cameras | |
In her wake, and sable | |
She wears the scent that only comes with success. | |
She says it was love | |
But she wasn't above | |
Selling her secrets | |
To the national press. | |
And now she's going to tell us all | |
The truth about John | |
Tho' she needs a little help | |
To speed up the prose. | |
He counted on you | |
And who cares if it's true? | |
You're as bad as the man | |
Who landed the blows. | |
And they're all going to tell us now | |
The truth about John | |
Again and again on the interview shows. | |
And if the truth isn't nice | |
Well that just adds to the price | |
Oh, make sure those wounds never close. | |
Get your cut, you cut-price writer | |
Get your cut in this cut-throat game | |
The more the cut, the more he grab, yeah | |
He's just a someone out to stab you. |
zuo qu : Jones, Skaith | |
He lays a sheet if white paper | |
On a gravy stained table | |
He wipes the palms of his hands on his jeans. | |
He turns " Imagine" up loud | |
He knows that face and that cloud | |
And he don' t stop counting | |
While he' s spilling the beans. | |
Cos now he' s going to tell us all | |
The truth about John | |
Tho' he needs a little help | |
To speed up the prose. | |
He was taken on trust | |
But that wasn' t enough | |
You lose some friends this way | |
But that' s how it goes. | |
Here she comes to trail the cameras | |
In her wake, and sable | |
She wears the scent that only comes with success. | |
She says it was love | |
But she wasn' t above | |
Selling her secrets | |
To the national press. | |
And now she' s going to tell us all | |
The truth about John | |
Tho' she needs a little help | |
To speed up the prose. | |
He counted on you | |
And who cares if it' s true? | |
You' re as bad as the man | |
Who landed the blows. | |
And they' re all going to tell us now | |
The truth about John | |
Again and again on the interview shows. | |
And if the truth isn' t nice | |
Well that just adds to the price | |
Oh, make sure those wounds never close. | |
Get your cut, you cutprice writer | |
Get your cut in this cutthroat game | |
The more the cut, the more he grab, yeah | |
He' s just a someone out to stab you. |
zuò qǔ : Jones, Skaith | |
He lays a sheet if white paper | |
On a gravy stained table | |
He wipes the palms of his hands on his jeans. | |
He turns " Imagine" up loud | |
He knows that face and that cloud | |
And he don' t stop counting | |
While he' s spilling the beans. | |
Cos now he' s going to tell us all | |
The truth about John | |
Tho' he needs a little help | |
To speed up the prose. | |
He was taken on trust | |
But that wasn' t enough | |
You lose some friends this way | |
But that' s how it goes. | |
Here she comes to trail the cameras | |
In her wake, and sable | |
She wears the scent that only comes with success. | |
She says it was love | |
But she wasn' t above | |
Selling her secrets | |
To the national press. | |
And now she' s going to tell us all | |
The truth about John | |
Tho' she needs a little help | |
To speed up the prose. | |
He counted on you | |
And who cares if it' s true? | |
You' re as bad as the man | |
Who landed the blows. | |
And they' re all going to tell us now | |
The truth about John | |
Again and again on the interview shows. | |
And if the truth isn' t nice | |
Well that just adds to the price | |
Oh, make sure those wounds never close. | |
Get your cut, you cutprice writer | |
Get your cut in this cutthroat game | |
The more the cut, the more he grab, yeah | |
He' s just a someone out to stab you. |