| Song | Balaclava |
| Artist | Arctic Monkeys |
| Album | Favourite Worst Nightmare |
| Download | Image LRC TXT |
| [00:00.00] | 作词 : O`MALLEY, NICK/TURNER, ALEX |
| [00:00.49] | Running off over next doors garden |
| [00:02.38] | Before the hour is done |
| [00:03.97] | It's more a question of feeling |
| [00:05.32] | Than it is a question of fun |
| [00:07.48] | The confidence is the balaclava |
| [00:09.14] | I'm sure youll baffle em good |
| [00:10.86] | With the ending wreek of salty cheeks |
| [00:12.69] | And runny makeup alone |
| [00:14.18] | Ooohh will blood run down the face |
| [00:16.03] | Of a boy bewildered and scorned |
| [00:17.66] | And you'll find yourself in a skirmish |
| [00:19.28] | And you wish you'd never been born |
| [00:20.79] | And you tie yourself to the tracks |
| [00:22.20] | And there isn't no going back |
| [00:23.88] | And it's wrong wrong wrong |
| [00:25.45] | But well do it anyway |
| [00:26.49] | cause we love a bit of trouble |
| [00:27.48] | |
| [00:41.69] | Are you pulling her from a burning building |
| [00:43.41] | Or throwing her to the sharks |
| [00:45.06] | Can only hope the ending is a pleasurable as the start |
| [00:48.32] | The confidence is the balaclava, |
| [00:49.94] | I'm sure you baffle em straight |
| [00:51.44] | And it's wrong wrong wrong, she can hardly wait |
| [00:54.41] | That's right, he won't let her out his sight |
| [01:00.63] | Now the shaggers perform |
| [01:02.44] | And the daggers are drawn |
| [01:04.19] | Whos the crooks in this crime? |
| [01:07.65] | |
| [01:08.59] | Thats right, he wont let her out his sight |
| [01:14.53] | How the shaggers perform |
| [01:16.56] | And the daggers are drawn |
| [01:18.21] | Whos the crooks is this.... |
| [01:20.75] | Crime! |
| [01:21.87] | |
| [01:46.30] | That's right, he won't let her out his sight |
| [01:52.54] | That's right, he won't let her out his sight |
| [01:58.83] | That's right, he won't let her out his sight |
| [02:04.43] | You'll be able to post any day of the most |
| [02:08.15] | For the sights of all time |
| [02:10.80] | |
| [02:18.81] | You knew that he'd be trouble |
| [02:20.52] | right before the very first kiss |
| [02:22.76] | Quiet and assuming |
| [02:24.04] | But you heard that they were the naughtiest |
| [02:26.23] | She pleaded with you to take it off |
| [02:27.79] | But you resisted and fought |
| [02:29.74] | "I'm sorry sweetheart, about trouble |
| [02:31.53] | Keep on the balaclava". |
| [02:33.68] | |
| [02:41.46] | |
| [02:46.57] | END |
| [00:00.00] | zuo ci : O MALLEY, NICK TURNER, ALEX |
| [00:00.49] | Running off over next doors garden |
| [00:02.38] | Before the hour is done |
| [00:03.97] | It' s more a question of feeling |
| [00:05.32] | Than it is a question of fun |
| [00:07.48] | The confidence is the balaclava |
| [00:09.14] | I' m sure youll baffle em good |
| [00:10.86] | With the ending wreek of salty cheeks |
| [00:12.69] | And runny makeup alone |
| [00:14.18] | Ooohh will blood run down the face |
| [00:16.03] | Of a boy bewildered and scorned |
| [00:17.66] | And you' ll find yourself in a skirmish |
| [00:19.28] | And you wish you' d never been born |
| [00:20.79] | And you tie yourself to the tracks |
| [00:22.20] | And there isn' t no going back |
| [00:23.88] | And it' s wrong wrong wrong |
| [00:25.45] | But well do it anyway |
| [00:26.49] | cause we love a bit of trouble |
| [00:27.48] | |
| [00:41.69] | Are you pulling her from a burning building |
| [00:43.41] | Or throwing her to the sharks |
| [00:45.06] | Can only hope the ending is a pleasurable as the start |
| [00:48.32] | The confidence is the balaclava, |
| [00:49.94] | I' m sure you baffle em straight |
| [00:51.44] | And it' s wrong wrong wrong, she can hardly wait |
| [00:54.41] | That' s right, he won' t let her out his sight |
| [01:00.63] | Now the shaggers perform |
| [01:02.44] | And the daggers are drawn |
| [01:04.19] | Whos the crooks in this crime? |
| [01:07.65] | |
| [01:08.59] | Thats right, he wont let her out his sight |
| [01:14.53] | How the shaggers perform |
| [01:16.56] | And the daggers are drawn |
| [01:18.21] | Whos the crooks is this.... |
| [01:20.75] | Crime! |
| [01:21.87] | |
| [01:46.30] | That' s right, he won' t let her out his sight |
| [01:52.54] | That' s right, he won' t let her out his sight |
| [01:58.83] | That' s right, he won' t let her out his sight |
| [02:04.43] | You' ll be able to post any day of the most |
| [02:08.15] | For the sights of all time |
| [02:10.80] | |
| [02:18.81] | You knew that he' d be trouble |
| [02:20.52] | right before the very first kiss |
| [02:22.76] | Quiet and assuming |
| [02:24.04] | But you heard that they were the naughtiest |
| [02:26.23] | She pleaded with you to take it off |
| [02:27.79] | But you resisted and fought |
| [02:29.74] | " I' m sorry sweetheart, about trouble |
| [02:31.53] | Keep on the balaclava". |
| [02:33.68] | |
| [02:41.46] | |
| [02:46.57] | END |
| [00:00.00] | zuò cí : O MALLEY, NICK TURNER, ALEX |
| [00:00.49] | Running off over next doors garden |
| [00:02.38] | Before the hour is done |
| [00:03.97] | It' s more a question of feeling |
| [00:05.32] | Than it is a question of fun |
| [00:07.48] | The confidence is the balaclava |
| [00:09.14] | I' m sure youll baffle em good |
| [00:10.86] | With the ending wreek of salty cheeks |
| [00:12.69] | And runny makeup alone |
| [00:14.18] | Ooohh will blood run down the face |
| [00:16.03] | Of a boy bewildered and scorned |
| [00:17.66] | And you' ll find yourself in a skirmish |
| [00:19.28] | And you wish you' d never been born |
| [00:20.79] | And you tie yourself to the tracks |
| [00:22.20] | And there isn' t no going back |
| [00:23.88] | And it' s wrong wrong wrong |
| [00:25.45] | But well do it anyway |
| [00:26.49] | cause we love a bit of trouble |
| [00:27.48] | |
| [00:41.69] | Are you pulling her from a burning building |
| [00:43.41] | Or throwing her to the sharks |
| [00:45.06] | Can only hope the ending is a pleasurable as the start |
| [00:48.32] | The confidence is the balaclava, |
| [00:49.94] | I' m sure you baffle em straight |
| [00:51.44] | And it' s wrong wrong wrong, she can hardly wait |
| [00:54.41] | That' s right, he won' t let her out his sight |
| [01:00.63] | Now the shaggers perform |
| [01:02.44] | And the daggers are drawn |
| [01:04.19] | Whos the crooks in this crime? |
| [01:07.65] | |
| [01:08.59] | Thats right, he wont let her out his sight |
| [01:14.53] | How the shaggers perform |
| [01:16.56] | And the daggers are drawn |
| [01:18.21] | Whos the crooks is this.... |
| [01:20.75] | Crime! |
| [01:21.87] | |
| [01:46.30] | That' s right, he won' t let her out his sight |
| [01:52.54] | That' s right, he won' t let her out his sight |
| [01:58.83] | That' s right, he won' t let her out his sight |
| [02:04.43] | You' ll be able to post any day of the most |
| [02:08.15] | For the sights of all time |
| [02:10.80] | |
| [02:18.81] | You knew that he' d be trouble |
| [02:20.52] | right before the very first kiss |
| [02:22.76] | Quiet and assuming |
| [02:24.04] | But you heard that they were the naughtiest |
| [02:26.23] | She pleaded with you to take it off |
| [02:27.79] | But you resisted and fought |
| [02:29.74] | " I' m sorry sweetheart, about trouble |
| [02:31.53] | Keep on the balaclava". |
| [02:33.68] | |
| [02:41.46] | |
| [02:46.57] | END |