| It's a thin line between love and hate | |
| It's a thin line between love and hate | |
| It's five o'clock in the morning | |
| And you're just gettin' in | |
| A knock upon the door | |
| A voice sweet and low says (who is it?) | |
| She opens up the door | |
| And she lets you in | |
| And never once does she say "where have you been?" | |
| She says "Hold it, | |
| Are you hungry, did you eat yet, | |
| Let me hang up your coat now" | |
| And all the time she's smiling | |
| Never raises her voice | |
| It's five o'clock in the morning | |
| And you don't give it a second thought | |
| It's a thin line between love and hate | |
| It's a thin line between love and hate | |
| The sweetest woman in the world | |
| Could be the meanest woman in the world | |
| If you make her be that way | |
| She might be holding something in | |
| That's really gonna hurt you | |
| One of these fine days | |
| There you are in the hospital | |
| Bandaged from foot to head | |
| In a state of shock | |
| That much from bein' dead | |
| You didn't think your woman | |
| Could do something like that to you | |
| You didn't think she'd got the nerve | |
| Accidents speak louder than words | |
| Louder than words | |
| Louder than words | |
| Louder than words | |
| Come on | |
| Come on, baby, baby | |
| If you won't give a damn about me | |
| Come on baby, baby | |
| You don't really care about me | |
| Hear what I say | |
| Hear what I say |
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