Song | Woman In A Bar |
Artist | Lloyd Cole |
Album | Antidepressant |
作词 : Cole | |
Cole | |
Idealised vision of a woman through a smokefilled | |
twentieth century screenplay | |
Advancing | |
Towards protagonist with paperback and beer | |
Manifestly failing to disappear | |
Now that the children are asleep | |
You want to play | |
But you’re so lazy | |
She walks into the bar | |
And there you are | |
Still life watercolour Woman In A Window | |
Considers role of kitchen sink drama queen | |
Stage left - protagonist with cigarette and pen | |
Considers form of racehorses, IBM | |
Declining issues led advancing two to one | |
In slow trading | |
She walks into the bar | |
And there you are | |
No longer angry | |
No longer young | |
No longer driven to distraction | |
Not even by Scarlett Johansson | |
A few moving parts | |
Need to be replaced | |
The engine starts | |
But only on Tuesdays | |
but look at it this way - | |
Now that the children are asleep | |
You want to play | |
But you’re so lazy | |
She walks into the bar | |
And there you are | |
Idealised vision of a woman through a smokefilled | |
twentieth century screenplay | |
Advancing | |
Towards protagonist with paperback and beer | |
Manifestly failing to disappear.. |
zuò cí : Cole | |
Cole | |
Idealised vision of a woman through a smokefilled | |
twentieth century screenplay | |
Advancing | |
Towards protagonist with paperback and beer | |
Manifestly failing to disappear | |
Now that the children are asleep | |
You want to play | |
But you' re so lazy | |
She walks into the bar | |
And there you are | |
Still life watercolour Woman In A Window | |
Considers role of kitchen sink drama queen | |
Stage left protagonist with cigarette and pen | |
Considers form of racehorses, IBM | |
Declining issues led advancing two to one | |
In slow trading | |
She walks into the bar | |
And there you are | |
No longer angry | |
No longer young | |
No longer driven to distraction | |
Not even by Scarlett Johansson | |
A few moving parts | |
Need to be replaced | |
The engine starts | |
But only on Tuesdays | |
but look at it this way | |
Now that the children are asleep | |
You want to play | |
But you' re so lazy | |
She walks into the bar | |
And there you are | |
Idealised vision of a woman through a smokefilled | |
twentieth century screenplay | |
Advancing | |
Towards protagonist with paperback and beer | |
Manifestly failing to disappear.. |