Song | Night Train to Munich |
Artist | Al Stewart |
Album | On The Border |
作词 : Stewart | |
Meet me at the station underneath the clock | |
Carry an umbrella, no need to talk | |
The man in the homburg, hiding in the fog | |
Will be watching | |
Get yourself a ticket, go through the gate | |
At seven forty-five precisely, don't be late | |
If anybody follows don't hesitate | |
Keep on walking | |
And take the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you'd better pray that he doesn't look away | |
Or you'll never, never, never come back. | |
When you get the paper take a look inside | |
On page twenty-seven there's a photo of a bride | |
Underneath the story of a man who died | |
In Morocco | |
Memorize the article word for word | |
The man in the homburg understands the code | |
Make sure the conversation isn't overheard | |
They're around you | |
And take the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you'd better pray that he doesn't look away | |
Or you'll never, never, never come back. | |
I really wouldn't ask if there was anybody else | |
But I now you've got the knack of taking care of yourself | |
And they don't know your face so there won't be anyone | |
Looking for you | |
When you get to Munich we'll be waiting in the car | |
Don't look around, just walk straight out | |
If you don't show, I'm sorry for the pain | |
I caused you | |
Upon the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you'd better pray that he doesn't look away | |
Or you'll never, never, never come back |
zuò cí : Stewart | |
Meet me at the station underneath the clock | |
Carry an umbrella, no need to talk | |
The man in the homburg, hiding in the fog | |
Will be watching | |
Get yourself a ticket, go through the gate | |
At seven fortyfive precisely, don' t be late | |
If anybody follows don' t hesitate | |
Keep on walking | |
And take the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you' d better pray that he doesn' t look away | |
Or you' ll never, never, never come back. | |
When you get the paper take a look inside | |
On page twentyseven there' s a photo of a bride | |
Underneath the story of a man who died | |
In Morocco | |
Memorize the article word for word | |
The man in the homburg understands the code | |
Make sure the conversation isn' t overheard | |
They' re around you | |
And take the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you' d better pray that he doesn' t look away | |
Or you' ll never, never, never come back. | |
I really wouldn' t ask if there was anybody else | |
But I now you' ve got the knack of taking care of yourself | |
And they don' t know your face so there won' t be anyone | |
Looking for you | |
When you get to Munich we' ll be waiting in the car | |
Don' t look around, just walk straight out | |
If you don' t show, I' m sorry for the pain | |
I caused you | |
Upon the night train to Munich | |
Rumbling down the track | |
After half an hour in the restaurant car | |
Look for the conductor | |
And there will be a stain on his tunic | |
A paper underneath his arm | |
Then you' d better pray that he doesn' t look away | |
Or you' ll never, never, never come back |