| [00:00.000] | 作曲 : Jules Crommelin/Patrick Hetherington/Noah Hill/Anatole Serret/Louie Swain |
| [00:01.000] | 作词 : Jules Crommelin/Patrick Hetherington/Noah Hill/Anatole Serret/Louie Swain |
| [00:15.500] | It's probably just a small place with a lot of land around it |
| [00:20.500] | And a hill |
| [00:24.000] | French garden on the outside |
| [00:26.500] | Probably big entrance with a gate |
| [00:32.000] | Must be a place of solitude, a mental solitude |
| [00:34.750] | It's an attitude that I know very well |
| [00:38.000] | But a physical place |
| [01:05.500] | Probably have one little staircase |
| [01:08.800] | And the typical fountain at the, in that entrance |
| [01:14.000] | Garden extends around the house, but keep it simple |
| [01:17.500] | Maybe another fountain on the other side |
| [01:18.620] | Something a bit bigger, but not necessarily huge |
| [01:20.650] | You know like a low fence with a gate that'll never close |
| [01:28.000] | What a great view, enjoy the tranquility |
| [01:33.750] | In the alley for the cypresses that leads to the house |
| [01:39:000] | And then just this vast, sort of uh, horizon |
| [01:42.000] | Gather my senses together and we'd experience hope |
| [02:01.500] | I keep a dungeon for the darker thoughts |
| [02:05.800] | To cleanse myself, to be able to go downstairs and scream |
| [02:09.200] | I think if there's, if there's a palace in my mind |
| [02:12.000] | That's, that's sort of, uh, a fortress away from the rest of the world |
| [02:18.300] | It's halfway between the world and the stars |
| [02:21.650] | The sounds and the colors for the possibility of perception |
| [02:26.800] | Absolute clarity, I know the answers |
| [02:30.000] | You can just get away from everything, accept your own thoughts |
| [02:33.100] | Grounding in identity, I don't think I would feel alone |
| [02:37.800] | Because it doesn't really matter |
| [02:39.850] | You have the best view you could possibly imagine |
| [02:42.300] | I think you could see the stars a lot better up there(You can bend them, you know somewhere near the event horizon) |
| [02:46.200] | Absolute tranquility, over the end of every road |
| [02:51.000] | - |
| [06:00.750] | All other ghosts, people you love |
| [06:07.600] | Even your friends don't wanna know |
| [06:21.200] | But you can depend on every note |
| [06:28.200] | Over the end of everyroad |
| [06:56.000] | But that's a lie |
| [06:58.100] | You actually believe that you have the formula |
| [07:02.000] | And then you see that it was all off |
| [07:03.200] | I'm afraid I might become a stranger and just be trapped with yourself |
| [07:07.500] | Everything falls apart, and then everything crumbles |
| [00:00.000] | zuo qu : Jules Crommelin Patrick Hetherington Noah Hill Anatole Serret Louie Swain |
| [00:01.000] | zuo ci : Jules Crommelin Patrick Hetherington Noah Hill Anatole Serret Louie Swain |
| [00:15.500] | It' s probably just a small place with a lot of land around it |
| [00:20.500] | And a hill |
| [00:24.000] | French garden on the outside |
| [00:26.500] | Probably big entrance with a gate |
| [00:32.000] | Must be a place of solitude, a mental solitude |
| [00:34.750] | It' s an attitude that I know very well |
| [00:38.000] | But a physical place |
| [01:05.500] | Probably have one little staircase |
| [01:08.800] | And the typical fountain at the, in that entrance |
| [01:14.000] | Garden extends around the house, but keep it simple |
| [01:17.500] | Maybe another fountain on the other side |
| [01:18.620] | Something a bit bigger, but not necessarily huge |
| [01:20.650] | You know like a low fence with a gate that' ll never close |
| [01:28.000] | What a great view, enjoy the tranquility |
| [01:33.750] | In the alley for the cypresses that leads to the house |
| [01:39:000] | And then just this vast, sort of uh, horizon |
| [01:42.000] | Gather my senses together and we' d experience hope |
| [02:01.500] | I keep a dungeon for the darker thoughts |
| [02:05.800] | To cleanse myself, to be able to go downstairs and scream |
| [02:09.200] | I think if there' s, if there' s a palace in my mind |
| [02:12.000] | That' s, that' s sort of, uh, a fortress away from the rest of the world |
| [02:18.300] | It' s halfway between the world and the stars |
| [02:21.650] | The sounds and the colors for the possibility of perception |
| [02:26.800] | Absolute clarity, I know the answers |
| [02:30.000] | You can just get away from everything, accept your own thoughts |
| [02:33.100] | Grounding in identity, I don' t think I would feel alone |
| [02:37.800] | Because it doesn' t really matter |
| [02:39.850] | You have the best view you could possibly imagine |
| [02:42.300] | I think you could see the stars a lot better up there You can bend them, you know somewhere near the event horizon |
| [02:46.200] | Absolute tranquility, over the end of every road |
| [02:51.000] | |
| [06:00.750] | All other ghosts, people you love |
| [06:07.600] | Even your friends don' t wanna know |
| [06:21.200] | But you can depend on every note |
| [06:28.200] | Over the end of everyroad |
| [06:56.000] | But that' s a lie |
| [06:58.100] | You actually believe that you have the formula |
| [07:02.000] | And then you see that it was all off |
| [07:03.200] | I' m afraid I might become a stranger and just be trapped with yourself |
| [07:07.500] | Everything falls apart, and then everything crumbles |
| [00:00.000] | zuò qǔ : Jules Crommelin Patrick Hetherington Noah Hill Anatole Serret Louie Swain |
| [00:01.000] | zuò cí : Jules Crommelin Patrick Hetherington Noah Hill Anatole Serret Louie Swain |
| [00:15.500] | It' s probably just a small place with a lot of land around it |
| [00:20.500] | And a hill |
| [00:24.000] | French garden on the outside |
| [00:26.500] | Probably big entrance with a gate |
| [00:32.000] | Must be a place of solitude, a mental solitude |
| [00:34.750] | It' s an attitude that I know very well |
| [00:38.000] | But a physical place |
| [01:05.500] | Probably have one little staircase |
| [01:08.800] | And the typical fountain at the, in that entrance |
| [01:14.000] | Garden extends around the house, but keep it simple |
| [01:17.500] | Maybe another fountain on the other side |
| [01:18.620] | Something a bit bigger, but not necessarily huge |
| [01:20.650] | You know like a low fence with a gate that' ll never close |
| [01:28.000] | What a great view, enjoy the tranquility |
| [01:33.750] | In the alley for the cypresses that leads to the house |
| [01:39:000] | And then just this vast, sort of uh, horizon |
| [01:42.000] | Gather my senses together and we' d experience hope |
| [02:01.500] | I keep a dungeon for the darker thoughts |
| [02:05.800] | To cleanse myself, to be able to go downstairs and scream |
| [02:09.200] | I think if there' s, if there' s a palace in my mind |
| [02:12.000] | That' s, that' s sort of, uh, a fortress away from the rest of the world |
| [02:18.300] | It' s halfway between the world and the stars |
| [02:21.650] | The sounds and the colors for the possibility of perception |
| [02:26.800] | Absolute clarity, I know the answers |
| [02:30.000] | You can just get away from everything, accept your own thoughts |
| [02:33.100] | Grounding in identity, I don' t think I would feel alone |
| [02:37.800] | Because it doesn' t really matter |
| [02:39.850] | You have the best view you could possibly imagine |
| [02:42.300] | I think you could see the stars a lot better up there You can bend them, you know somewhere near the event horizon |
| [02:46.200] | Absolute tranquility, over the end of every road |
| [02:51.000] | |
| [06:00.750] | All other ghosts, people you love |
| [06:07.600] | Even your friends don' t wanna know |
| [06:21.200] | But you can depend on every note |
| [06:28.200] | Over the end of everyroad |
| [06:56.000] | But that' s a lie |
| [06:58.100] | You actually believe that you have the formula |
| [07:02.000] | And then you see that it was all off |
| [07:03.200] | I' m afraid I might become a stranger and just be trapped with yourself |
| [07:07.500] | Everything falls apart, and then everything crumbles |
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