| As long as the night is colored blue and black | |
| Oh yeah, yeah, yeah | |
| As long as you're on your knees and she's not on her back | |
| Oh yeah, yeah, yeah | |
| Avenue Atlantico, 1702 | |
| She's coco butter | |
| Baby she's the glue | |
| She's got a baby at her breast | |
| She knows big girls are best | |
| Momma momma momma | |
| I'm gonna change like the weather hot to cold | |
| Oh yeah, yeah, yeah | |
| She keeps it all together she's got the motherlode | |
| Oh yeah, yeah, yeah | |
| She feels it - every sensation | |
| She's got a smile like salvation | |
| She's got a baby at her breast | |
| She knows big girls are best | |
| Sexy momma, momma, momma | |
| Sexy momma, momma, momma | |
| She's elliptical, also political | |
| Also spiritual, not superficial | |
| Yeah, she's tropical | |
| Yes, she's illogical | |
| Those little girls are a pest | |
| Big girls are the best | |
| As long as the night is colored blue and black | |
| Oh yeah, yeah, yeah | |
| As long as you're on your knees and she's not on her back | |
| Oh yeah, yeah, yeah | |
| She can taste every sensation | |
| She's got a smile like salvation | |
| She's got a baby, a baby at her breast | |
| She walks like she talks | |
| Big girls are best | |
| Big girls, momma, momma, momma | |
| Sexy momma, momma, momma | |
| Sexy momma, momma, momma | |
| My momma |
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