Song | Cinemetropolis |
Artist | Blue Scholars |
Album | Cinemetropolis |
Download | Image LRC TXT |
[00:47.80] | This is the scene you been seeing all your life |
[00:50.38] | The one inside a dream you repeated every night |
[00:53.30] | For 24 frames every second through the light |
[00:56.28] | Projected through the screen you been paying for despite |
[00:59.17] | What you see and what you hear, contrary to your sight |
[01:02.27] | Everything you ever learned that you never had to live |
[01:05.28] | Might've heard from a story teller medium |
[01:07.58] | Pictures, words, scriptures to cinema script |
[01:11.37] | writing a verse |
[01:12.11] | From this city emerges a new generation of babies |
[01:15.41] | Who came out of the womb, glued to the tube |
[01:17.94] | With plans and aspirations to prove beyond doubt |
[01:20.78] | We are stars too, even if it's just cartoons |
[01:24.12] | My animated hands that I got from the |
[01:26.51] | Genes of my island native fam I could never not be |
[01:29.74] | I'm here to make them scream like a Hitchcock dame |
[01:32.98] | Whether analog, dig it all, shit is all the same |
[01:36.02] | An American tradition, a narrative for fiction |
[01:39.09] | A Hamilton for tickets, the public is addicted |
[01:42.05] | Just think for a second how much we've been conditioned |
[01:45.04] | To root for the Doughboys, the O-Dogs, the Bishops |
[01:48.14] | Sided with them villains, in spite of all they heeded |
[01:51.02] | He said she gotta have it, she said she didn't need it |
[01:54.06] | And even if she see it, she will probably not believe it |
[01:56.99] | If it ain't bein' projected in a wide screen theatre |
[02:00.01] | If it spins on a reel, it's gotta be real |
[02:03.00] | But 'real' in real life just remind us of film |
[03:42.07][02:06.05] | And now you saying something's like a movie when it's real |
[02:08.95] | like a film's much realer than anything you feel |
[03:53.65][03:50.66][03:48.17][02:17.76][02:14.80][02:11.93] | in a Cinemetropolis (in a Cinemetropolis) |
[03:56.71][02:20.76] | in a Cinemetropolis... |
[02:23.79] | They try to say we bad kids from the start |
[02:25.97] | Grandchildren of Marx and Coca-Cola, yet quoting Godard |
[02:29.80] | And you saying that everything is cinema since |
[02:32.54] | the moving pictures in the center of your living room telling you shit |
[02:35.90] | Like you'll never be shit, walk away from all your dreams |
[02:38.81] | Spark up, drop a lighter on a trail of gasoline |
[02:42.08] | leading back to the vehicle you crashed before you came |
[02:44.73] | Never looking back, cut, boom, end of scene |
[02:48.10] | We've been gunning for that hundred and some change |
[02:50.34] | The flicks and the flickering flames that been going the same length |
[02:53.90] | Doing battle with the powers that be |
[02:56.11] | that'll be no longer in position when the power's getting seized |
[02:59.82] | So cameras we got redirected from the poor |
[03:02.82] | I directed for my people, Lino Brocka with the horn |
[03:05.84] | When the brother yelled action' it wasn't just for his act |
[03:08.97] | Cause he wanted to see the masses get they asses out the door (get up) |
[03:12.92] | My marvelous marksmanship is sharp, shit is hard |
[03:15.63] | but we make it look not, we auteurs |
[03:18.09] | The Godfather poster on the wall, 14 |
[03:20.97] | with a movie in my head, writing's the next thing |
[03:23.86] | So we shot y'all 35 millimeter rockstars |
[03:27.13] | How about some hardcore senior to your sophomores |
[03:30.02] | Flyer than a Concorde landing on your concourse |
[03:33.18] | Rolling with the vanguard, burning down your arthouse |
[03:36.05] | If it's spinning on a reel, it's gotta be real |
[03:39.00] | But 'real' in real life just remind you of film |
[03:44.95] | Blade running like a samurai, killing himself |
[04:01.22] | click. |
[00:47.80] | This is the scene you been seeing all your life |
[00:50.38] | The one inside a dream you repeated every night |
[00:53.30] | For 24 frames every second through the light |
[00:56.28] | Projected through the screen you been paying for despite |
[00:59.17] | What you see and what you hear, contrary to your sight |
[01:02.27] | Everything you ever learned that you never had to live |
[01:05.28] | Might' ve heard from a story teller medium |
[01:07.58] | Pictures, words, scriptures to cinema script |
[01:11.37] | writing a verse |
[01:12.11] | From this city emerges a new generation of babies |
[01:15.41] | Who came out of the womb, glued to the tube |
[01:17.94] | With plans and aspirations to prove beyond doubt |
[01:20.78] | We are stars too, even if it' s just cartoons |
[01:24.12] | My animated hands that I got from the |
[01:26.51] | Genes of my island native fam I could never not be |
[01:29.74] | I' m here to make them scream like a Hitchcock dame |
[01:32.98] | Whether analog, dig it all, shit is all the same |
[01:36.02] | An American tradition, a narrative for fiction |
[01:39.09] | A Hamilton for tickets, the public is addicted |
[01:42.05] | Just think for a second how much we' ve been conditioned |
[01:45.04] | To root for the Doughboys, the ODogs, the Bishops |
[01:48.14] | Sided with them villains, in spite of all they heeded |
[01:51.02] | He said she gotta have it, she said she didn' t need it |
[01:54.06] | And even if she see it, she will probably not believe it |
[01:56.99] | If it ain' t bein' projected in a wide screen theatre |
[02:00.01] | If it spins on a reel, it' s gotta be real |
[02:03.00] | But ' real' in real life just remind us of film |
[03:42.07][02:06.05] | And now you saying something' s like a movie when it' s real |
[02:08.95] | like a film' s much realer than anything you feel |
[03:53.65][03:50.66][03:48.17][02:17.76][02:14.80][02:11.93] | in a Cinemetropolis in a Cinemetropolis |
[03:56.71][02:20.76] | in a Cinemetropolis... |
[02:23.79] | They try to say we bad kids from the start |
[02:25.97] | Grandchildren of Marx and CocaCola, yet quoting Godard |
[02:29.80] | And you saying that everything is cinema since |
[02:32.54] | the moving pictures in the center of your living room telling you shit |
[02:35.90] | Like you' ll never be shit, walk away from all your dreams |
[02:38.81] | Spark up, drop a lighter on a trail of gasoline |
[02:42.08] | leading back to the vehicle you crashed before you came |
[02:44.73] | Never looking back, cut, boom, end of scene |
[02:48.10] | We' ve been gunning for that hundred and some change |
[02:50.34] | The flicks and the flickering flames that been going the same length |
[02:53.90] | Doing battle with the powers that be |
[02:56.11] | that' ll be no longer in position when the power' s getting seized |
[02:59.82] | So cameras we got redirected from the poor |
[03:02.82] | I directed for my people, Lino Brocka with the horn |
[03:05.84] | When the brother yelled action' it wasn' t just for his act |
[03:08.97] | Cause he wanted to see the masses get they asses out the door get up |
[03:12.92] | My marvelous marksmanship is sharp, shit is hard |
[03:15.63] | but we make it look not, we auteurs |
[03:18.09] | The Godfather poster on the wall, 14 |
[03:20.97] | with a movie in my head, writing' s the next thing |
[03:23.86] | So we shot y' all 35 millimeter rockstars |
[03:27.13] | How about some hardcore senior to your sophomores |
[03:30.02] | Flyer than a Concorde landing on your concourse |
[03:33.18] | Rolling with the vanguard, burning down your arthouse |
[03:36.05] | If it' s spinning on a reel, it' s gotta be real |
[03:39.00] | But ' real' in real life just remind you of film |
[03:44.95] | Blade running like a samurai, killing himself |
[04:01.22] | click. |
[00:47.80] | This is the scene you been seeing all your life |
[00:50.38] | The one inside a dream you repeated every night |
[00:53.30] | For 24 frames every second through the light |
[00:56.28] | Projected through the screen you been paying for despite |
[00:59.17] | What you see and what you hear, contrary to your sight |
[01:02.27] | Everything you ever learned that you never had to live |
[01:05.28] | Might' ve heard from a story teller medium |
[01:07.58] | Pictures, words, scriptures to cinema script |
[01:11.37] | writing a verse |
[01:12.11] | From this city emerges a new generation of babies |
[01:15.41] | Who came out of the womb, glued to the tube |
[01:17.94] | With plans and aspirations to prove beyond doubt |
[01:20.78] | We are stars too, even if it' s just cartoons |
[01:24.12] | My animated hands that I got from the |
[01:26.51] | Genes of my island native fam I could never not be |
[01:29.74] | I' m here to make them scream like a Hitchcock dame |
[01:32.98] | Whether analog, dig it all, shit is all the same |
[01:36.02] | An American tradition, a narrative for fiction |
[01:39.09] | A Hamilton for tickets, the public is addicted |
[01:42.05] | Just think for a second how much we' ve been conditioned |
[01:45.04] | To root for the Doughboys, the ODogs, the Bishops |
[01:48.14] | Sided with them villains, in spite of all they heeded |
[01:51.02] | He said she gotta have it, she said she didn' t need it |
[01:54.06] | And even if she see it, she will probably not believe it |
[01:56.99] | If it ain' t bein' projected in a wide screen theatre |
[02:00.01] | If it spins on a reel, it' s gotta be real |
[02:03.00] | But ' real' in real life just remind us of film |
[03:42.07][02:06.05] | And now you saying something' s like a movie when it' s real |
[02:08.95] | like a film' s much realer than anything you feel |
[03:53.65][03:50.66][03:48.17][02:17.76][02:14.80][02:11.93] | in a Cinemetropolis in a Cinemetropolis |
[03:56.71][02:20.76] | in a Cinemetropolis... |
[02:23.79] | They try to say we bad kids from the start |
[02:25.97] | Grandchildren of Marx and CocaCola, yet quoting Godard |
[02:29.80] | And you saying that everything is cinema since |
[02:32.54] | the moving pictures in the center of your living room telling you shit |
[02:35.90] | Like you' ll never be shit, walk away from all your dreams |
[02:38.81] | Spark up, drop a lighter on a trail of gasoline |
[02:42.08] | leading back to the vehicle you crashed before you came |
[02:44.73] | Never looking back, cut, boom, end of scene |
[02:48.10] | We' ve been gunning for that hundred and some change |
[02:50.34] | The flicks and the flickering flames that been going the same length |
[02:53.90] | Doing battle with the powers that be |
[02:56.11] | that' ll be no longer in position when the power' s getting seized |
[02:59.82] | So cameras we got redirected from the poor |
[03:02.82] | I directed for my people, Lino Brocka with the horn |
[03:05.84] | When the brother yelled action' it wasn' t just for his act |
[03:08.97] | Cause he wanted to see the masses get they asses out the door get up |
[03:12.92] | My marvelous marksmanship is sharp, shit is hard |
[03:15.63] | but we make it look not, we auteurs |
[03:18.09] | The Godfather poster on the wall, 14 |
[03:20.97] | with a movie in my head, writing' s the next thing |
[03:23.86] | So we shot y' all 35 millimeter rockstars |
[03:27.13] | How about some hardcore senior to your sophomores |
[03:30.02] | Flyer than a Concorde landing on your concourse |
[03:33.18] | Rolling with the vanguard, burning down your arthouse |
[03:36.05] | If it' s spinning on a reel, it' s gotta be real |
[03:39.00] | But ' real' in real life just remind you of film |
[03:44.95] | Blade running like a samurai, killing himself |
[04:01.22] | click. |