| Song | Suicide Underground |
| Artist | Air |
| Album | The Virgin Suicides [O.S.T] |
| Download | Image LRC TXT |
| 作词 : | |
| Everyone dated the demise of our neighborhood | |
| from the suicides of the Lisbon girls. | |
| People saw their clairvoyance in the wiped out elms, | |
| and the harsh sunlight. | |
| Some thought the tortures tearing the Lisbon girls | |
| pointed to a simple refusal to accept the world | |
| as it was handed down to them. | |
| So full of flaws. | |
| But the only thing we are certain of | |
| after all these years, | |
| is the insufficiency of explanation. | |
| (Obviously, doctor, you've never been a 13 year old girl.) | |
| The Lisbon girls were | |
| 13- Cecilia | |
| 14- Lux | |
| 15- Bonnie | |
| 16- Mary | |
| and 17- Therese. | |
| No one could understand how | |
| Mrs Lisbon and Mr Lisbon, | |
| our math teacher, | |
| had produced such beautiful creatures. | |
| From that time on | |
| The Lisbon house began to change. | |
| Almost everyday | |
| and even when she wasn't keeping an eye on Cecilia, | |
| Lux would suntan on a towel, | |
| wearing a swimsuit that caused the knife sharpener | |
| to give her a 15 minute demonstration for free. | |
| The only reliable boy who got to know Lux | |
| was Trip Fontaine. | |
| Who only 18 months before the suicides, | |
| had emerged from baby fat, | |
| to the delight of girls and mothers alike. | |
| But few anticipated it would be so drastic. | |
| The girls were pulled out of school, | |
| and Mrs Lisbon shut the house in maximum security isolation. | |
| The girls' only contact with the outside world | |
| was through the catalogs they ordered, | |
| that started to fill the Lisbon's mailbox | |
| with pictures of high-end fashions and brochures for exotic vacations. | |
| Unable to go anywhere, | |
| the girls traveled in their imaginations. | |
| To gold tipped Siamese temples, or past an old man with a leaf broom, | |
| tiding a moss-carpeted speck of Japan. | |
| And Cecilia hadn't died. | |
| She was a bride in Calcutta. | |
| Collecting everything we could of theirs, | |
| we couldn't get the Lisbon girls out of our minds. | |
| But they were slipping away. | |
| The colours of their eyes were fading | |
| along with exact locations of moles and dimples. | |
| From 5 they had become 4, | |
| and they were all living in the dead, | |
| Becoming shadows. | |
| We would have lost them completely | |
| if the girls hadn't contacted us. | |
| Lux was the last to go. | |
| Fleeing from the house we had forgot to stop at the garage. | |
| After the suicide free-for-all, | |
| Mr and Mrs. Lisbon gave up any attempt to lead a normal life. | |
| They had Mr Hedly pack up the house, | |
| selling what furniture he could in a garage sale. | |
| Everyone went just to look. | |
| Our parents did not buy used furniture, | |
| and they certainly didn't buy furniture tainted by death. | |
| We of course took the family photos that were put out with the trash. | |
| Mr. Lisbon put the house on the market, | |
| and it was sold to a young couple from Boston. | |
| It didn't matter in the end how old they had been. | |
| Or that they were girls. | |
| But only that we had loved them. | |
| And they hadn't heard us calling..still do not hear us, | |
| calling them out of those rooms. | |
| Where they went to be alone for all time. | |
| Alone in suicide. | |
| Which is deeper then death. | |
| And where we will never find the pieces, | |
| to put them back together. |
| zuo ci : | |
| Everyone dated the demise of our neighborhood | |
| from the suicides of the Lisbon girls. | |
| People saw their clairvoyance in the wiped out elms, | |
| and the harsh sunlight. | |
| Some thought the tortures tearing the Lisbon girls | |
| pointed to a simple refusal to accept the world | |
| as it was handed down to them. | |
| So full of flaws. | |
| But the only thing we are certain of | |
| after all these years, | |
| is the insufficiency of explanation. | |
| Obviously, doctor, you' ve never been a 13 year old girl. | |
| The Lisbon girls were | |
| 13 Cecilia | |
| 14 Lux | |
| 15 Bonnie | |
| 16 Mary | |
| and 17 Therese. | |
| No one could understand how | |
| Mrs Lisbon and Mr Lisbon, | |
| our math teacher, | |
| had produced such beautiful creatures. | |
| From that time on | |
| The Lisbon house began to change. | |
| Almost everyday | |
| and even when she wasn' t keeping an eye on Cecilia, | |
| Lux would suntan on a towel, | |
| wearing a swimsuit that caused the knife sharpener | |
| to give her a 15 minute demonstration for free. | |
| The only reliable boy who got to know Lux | |
| was Trip Fontaine. | |
| Who only 18 months before the suicides, | |
| had emerged from baby fat, | |
| to the delight of girls and mothers alike. | |
| But few anticipated it would be so drastic. | |
| The girls were pulled out of school, | |
| and Mrs Lisbon shut the house in maximum security isolation. | |
| The girls' only contact with the outside world | |
| was through the catalogs they ordered, | |
| that started to fill the Lisbon' s mailbox | |
| with pictures of highend fashions and brochures for exotic vacations. | |
| Unable to go anywhere, | |
| the girls traveled in their imaginations. | |
| To gold tipped Siamese temples, or past an old man with a leaf broom, | |
| tiding a mosscarpeted speck of Japan. | |
| And Cecilia hadn' t died. | |
| She was a bride in Calcutta. | |
| Collecting everything we could of theirs, | |
| we couldn' t get the Lisbon girls out of our minds. | |
| But they were slipping away. | |
| The colours of their eyes were fading | |
| along with exact locations of moles and dimples. | |
| From 5 they had become 4, | |
| and they were all living in the dead, | |
| Becoming shadows. | |
| We would have lost them completely | |
| if the girls hadn' t contacted us. | |
| Lux was the last to go. | |
| Fleeing from the house we had forgot to stop at the garage. | |
| After the suicide freeforall, | |
| Mr and Mrs. Lisbon gave up any attempt to lead a normal life. | |
| They had Mr Hedly pack up the house, | |
| selling what furniture he could in a garage sale. | |
| Everyone went just to look. | |
| Our parents did not buy used furniture, | |
| and they certainly didn' t buy furniture tainted by death. | |
| We of course took the family photos that were put out with the trash. | |
| Mr. Lisbon put the house on the market, | |
| and it was sold to a young couple from Boston. | |
| It didn' t matter in the end how old they had been. | |
| Or that they were girls. | |
| But only that we had loved them. | |
| And they hadn' t heard us calling.. still do not hear us, | |
| calling them out of those rooms. | |
| Where they went to be alone for all time. | |
| Alone in suicide. | |
| Which is deeper then death. | |
| And where we will never find the pieces, | |
| to put them back together. |
| zuò cí : | |
| Everyone dated the demise of our neighborhood | |
| from the suicides of the Lisbon girls. | |
| People saw their clairvoyance in the wiped out elms, | |
| and the harsh sunlight. | |
| Some thought the tortures tearing the Lisbon girls | |
| pointed to a simple refusal to accept the world | |
| as it was handed down to them. | |
| So full of flaws. | |
| But the only thing we are certain of | |
| after all these years, | |
| is the insufficiency of explanation. | |
| Obviously, doctor, you' ve never been a 13 year old girl. | |
| The Lisbon girls were | |
| 13 Cecilia | |
| 14 Lux | |
| 15 Bonnie | |
| 16 Mary | |
| and 17 Therese. | |
| No one could understand how | |
| Mrs Lisbon and Mr Lisbon, | |
| our math teacher, | |
| had produced such beautiful creatures. | |
| From that time on | |
| The Lisbon house began to change. | |
| Almost everyday | |
| and even when she wasn' t keeping an eye on Cecilia, | |
| Lux would suntan on a towel, | |
| wearing a swimsuit that caused the knife sharpener | |
| to give her a 15 minute demonstration for free. | |
| The only reliable boy who got to know Lux | |
| was Trip Fontaine. | |
| Who only 18 months before the suicides, | |
| had emerged from baby fat, | |
| to the delight of girls and mothers alike. | |
| But few anticipated it would be so drastic. | |
| The girls were pulled out of school, | |
| and Mrs Lisbon shut the house in maximum security isolation. | |
| The girls' only contact with the outside world | |
| was through the catalogs they ordered, | |
| that started to fill the Lisbon' s mailbox | |
| with pictures of highend fashions and brochures for exotic vacations. | |
| Unable to go anywhere, | |
| the girls traveled in their imaginations. | |
| To gold tipped Siamese temples, or past an old man with a leaf broom, | |
| tiding a mosscarpeted speck of Japan. | |
| And Cecilia hadn' t died. | |
| She was a bride in Calcutta. | |
| Collecting everything we could of theirs, | |
| we couldn' t get the Lisbon girls out of our minds. | |
| But they were slipping away. | |
| The colours of their eyes were fading | |
| along with exact locations of moles and dimples. | |
| From 5 they had become 4, | |
| and they were all living in the dead, | |
| Becoming shadows. | |
| We would have lost them completely | |
| if the girls hadn' t contacted us. | |
| Lux was the last to go. | |
| Fleeing from the house we had forgot to stop at the garage. | |
| After the suicide freeforall, | |
| Mr and Mrs. Lisbon gave up any attempt to lead a normal life. | |
| They had Mr Hedly pack up the house, | |
| selling what furniture he could in a garage sale. | |
| Everyone went just to look. | |
| Our parents did not buy used furniture, | |
| and they certainly didn' t buy furniture tainted by death. | |
| We of course took the family photos that were put out with the trash. | |
| Mr. Lisbon put the house on the market, | |
| and it was sold to a young couple from Boston. | |
| It didn' t matter in the end how old they had been. | |
| Or that they were girls. | |
| But only that we had loved them. | |
| And they hadn' t heard us calling.. still do not hear us, | |
| calling them out of those rooms. | |
| Where they went to be alone for all time. | |
| Alone in suicide. | |
| Which is deeper then death. | |
| And where we will never find the pieces, | |
| to put them back together. |