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One hundred and twenty five |
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Beats to, beats to the minute |
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One hundred and twenty five |
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You get the notion with the motion |
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Then you're out on the floor |
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Fahrenheit, one hundred and two |
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Centigrade, it's getting to you |
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Your heart is beating, eight to the bar |
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You can't control it so you hold it |
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Then you're out on the floor |
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On the floor |
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You feel it coming to ya |
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On the floor |
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You know it's getting through ya |
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On the floor |
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You can't control the feeling |
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Let it go |
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See the faces passing |
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Smile in time |
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See the faces passing |
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All in line |
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You say, hey, can I take you home tonight? |
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But she knows that you're throwin' a line |
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She's heard it before, she'll hear it again |
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It's the same pitch every time |
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Change your line of patter |
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Make her laugh, not at her |
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Change your line of patter |
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Make her laugh, not at her |
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She tells you her friend wants to say hello |
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But say that you don't want to know |
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It's her that you're throwing your glances to |
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Her that you want to know |
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Don't let her stray it's a Saturday night |
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The boys are after trouble, you're in for a fight |
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One hundred and twenty five |
|
Beats to, beats to the minute |
|
One hundred and twenty five |
|
You get the motion with the notion |
|
Then you're out on the floor |
|
Fahrenheit, one hundred and two |
|
Centigrade, it's getting to you |
|
Your heart is beating, eight to the bar |
|
You can't control it so you hold it |
|
Then you're out on the floor |
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Reggae, reggae, reggae, reggae |
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See the faces passing, smile in time |
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She says if you're lookin' to take her home |
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Well, I'd better not be in late |
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But the look on her face |
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And the smile in her eyes say |
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Baby I'm gonna wait |
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See the faces swimming, hear the music dimming |
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Well, I'm all danced out, I'm all done in |
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And I'm starting to talk out of tune |
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We can go on a ride, we can jump in a boat |
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We can dance by the light of the moon |
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One hundred and twenty five |
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Beats to, beats to the minute |