Song | Anne Braden |
Artist | The Flobots |
Album | Fight with Tools |
Download | Image LRC TXT |
作曲 : Flobots | |
What I’ve realized since is | |
That it is a very painful process | |
But it is not destructive | |
It’s the world deliberation | |
That what really happened in the '60s | |
Was that this country took just the first step | |
Toward admittin’ that it had been wrong on race | |
And creativity burst out in all directions | |
From the color of the faces in | |
Sunday songs | |
To the hatred they raised all the youngsters on | |
Once upon a time in this country, long ago | |
She knew there was somethin’ wrong | |
Because the song said yellow, red, black, and white | |
Everyone precious in the path of | |
ChristBut what about the daughter of the woman cleanin’ their house | |
Wasn’t she a child they were singin’ about? | |
And if Jesus loves us black and white skin | |
Why didn't her white mother invite them in? | |
When did it become a room for no blacks to step in? | |
How did she already know not to ask the question? | |
Left lastin’ impressions | |
Adolescence’s comforts gone | |
She never thought things would ever change | |
But she always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
Years later she found herself | |
Mississippi bound | |
To help stop the legalized lynchin’ of | |
Mr. Willie | |
McGeeBut they couldn’t stop it, so, they thought | |
That they’d talk to the governor about what happened and say“ | |
Were tired of bein’ used as an excuse to kill black men” | |
But the cops wouldn’t let ‘em past | |
And these women they struck ‘em as uppity | |
So, they hauled ‘em all off to jail | |
And they called it protective custody | |
Then from her cell she heard her jailers grumblin’ about outsiders | |
When she called him out and said she was from the | |
SouthThey shouted, “ | |
Why is a nice | |
Southern lady | |
Makin’ trouble for the governor?” | |
She said, “ | |
I guess I'm not your type of lady | |
And I guess | |
I'm not your type of | |
Southerner | |
But before you call me traitor, well, it’s plainest just to say | |
I was a child in | |
Mississippi but | |
I'm ashamed of it today” | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
And all of a sudden | |
I realized that | |
I was on the other side | |
Imagine the world that you’re standin’ within | |
All of your neighbors and family friends | |
How would you cope facin’ the fact | |
The flesh on their hands was tainted with sin? | |
She faced this every day | |
In people she saw on a regular basis | |
People she loved in several cases | |
People she knew were incredibly racist | |
It was painful but she never stopped lovin’ them | |
Never stopped callin’ their names | |
And she never stopped bein’ a | |
Southern woman | |
And she never stopped fightin’ for change | |
And she saw that her struggle was in the tradition | |
Of ancestors never aware of her | |
It continues today, the soul of a | |
Southerner | |
Born of the other | |
AmericaShe always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
She always knew there was somethin’ wrong | |
What you win in the immediate battles is | |
Is little compared to the effort you put into it | |
But if you see that as a part | |
Of this total movement to build a new world | |
You know what cathedral you're buildin’ | |
When you put your stone in | |
You do have a choice | |
You don't have to be a part of the world of the lynchers | |
You can join the other | |
AmericaThere is an other | |
America |
zuo qu : Flobots | |
What I' ve realized since is | |
That it is a very painful process | |
But it is not destructive | |
It' s the world deliberation | |
That what really happened in the ' 60s | |
Was that this country took just the first step | |
Toward admittin' that it had been wrong on race | |
And creativity burst out in all directions | |
From the color of the faces in | |
Sunday songs | |
To the hatred they raised all the youngsters on | |
Once upon a time in this country, long ago | |
She knew there was somethin' wrong | |
Because the song said yellow, red, black, and white | |
Everyone precious in the path of | |
ChristBut what about the daughter of the woman cleanin' their house | |
Wasn' t she a child they were singin' about? | |
And if Jesus loves us black and white skin | |
Why didn' t her white mother invite them in? | |
When did it become a room for no blacks to step in? | |
How did she already know not to ask the question? | |
Left lastin' impressions | |
Adolescence' s comforts gone | |
She never thought things would ever change | |
But she always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
Years later she found herself | |
Mississippi bound | |
To help stop the legalized lynchin' of | |
Mr. Willie | |
McGeeBut they couldn' t stop it, so, they thought | |
That they' d talk to the governor about what happened and say" | |
Were tired of bein' used as an excuse to kill black men" | |
But the cops wouldn' t let ' em past | |
And these women they struck ' em as uppity | |
So, they hauled ' em all off to jail | |
And they called it protective custody | |
Then from her cell she heard her jailers grumblin' about outsiders | |
When she called him out and said she was from the | |
SouthThey shouted, " | |
Why is a nice | |
Southern lady | |
Makin' trouble for the governor?" | |
She said, " | |
I guess I' m not your type of lady | |
And I guess | |
I' m not your type of | |
Southerner | |
But before you call me traitor, well, it' s plainest just to say | |
I was a child in | |
Mississippi but | |
I' m ashamed of it today" | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
And all of a sudden | |
I realized that | |
I was on the other side | |
Imagine the world that you' re standin' within | |
All of your neighbors and family friends | |
How would you cope facin' the fact | |
The flesh on their hands was tainted with sin? | |
She faced this every day | |
In people she saw on a regular basis | |
People she loved in several cases | |
People she knew were incredibly racist | |
It was painful but she never stopped lovin' them | |
Never stopped callin' their names | |
And she never stopped bein' a | |
Southern woman | |
And she never stopped fightin' for change | |
And she saw that her struggle was in the tradition | |
Of ancestors never aware of her | |
It continues today, the soul of a | |
Southerner | |
Born of the other | |
AmericaShe always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
What you win in the immediate battles is | |
Is little compared to the effort you put into it | |
But if you see that as a part | |
Of this total movement to build a new world | |
You know what cathedral you' re buildin' | |
When you put your stone in | |
You do have a choice | |
You don' t have to be a part of the world of the lynchers | |
You can join the other | |
AmericaThere is an other | |
America |
zuò qǔ : Flobots | |
What I' ve realized since is | |
That it is a very painful process | |
But it is not destructive | |
It' s the world deliberation | |
That what really happened in the ' 60s | |
Was that this country took just the first step | |
Toward admittin' that it had been wrong on race | |
And creativity burst out in all directions | |
From the color of the faces in | |
Sunday songs | |
To the hatred they raised all the youngsters on | |
Once upon a time in this country, long ago | |
She knew there was somethin' wrong | |
Because the song said yellow, red, black, and white | |
Everyone precious in the path of | |
ChristBut what about the daughter of the woman cleanin' their house | |
Wasn' t she a child they were singin' about? | |
And if Jesus loves us black and white skin | |
Why didn' t her white mother invite them in? | |
When did it become a room for no blacks to step in? | |
How did she already know not to ask the question? | |
Left lastin' impressions | |
Adolescence' s comforts gone | |
She never thought things would ever change | |
But she always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
Years later she found herself | |
Mississippi bound | |
To help stop the legalized lynchin' of | |
Mr. Willie | |
McGeeBut they couldn' t stop it, so, they thought | |
That they' d talk to the governor about what happened and say" | |
Were tired of bein' used as an excuse to kill black men" | |
But the cops wouldn' t let ' em past | |
And these women they struck ' em as uppity | |
So, they hauled ' em all off to jail | |
And they called it protective custody | |
Then from her cell she heard her jailers grumblin' about outsiders | |
When she called him out and said she was from the | |
SouthThey shouted, " | |
Why is a nice | |
Southern lady | |
Makin' trouble for the governor?" | |
She said, " | |
I guess I' m not your type of lady | |
And I guess | |
I' m not your type of | |
Southerner | |
But before you call me traitor, well, it' s plainest just to say | |
I was a child in | |
Mississippi but | |
I' m ashamed of it today" | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
And all of a sudden | |
I realized that | |
I was on the other side | |
Imagine the world that you' re standin' within | |
All of your neighbors and family friends | |
How would you cope facin' the fact | |
The flesh on their hands was tainted with sin? | |
She faced this every day | |
In people she saw on a regular basis | |
People she loved in several cases | |
People she knew were incredibly racist | |
It was painful but she never stopped lovin' them | |
Never stopped callin' their names | |
And she never stopped bein' a | |
Southern woman | |
And she never stopped fightin' for change | |
And she saw that her struggle was in the tradition | |
Of ancestors never aware of her | |
It continues today, the soul of a | |
Southerner | |
Born of the other | |
AmericaShe always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
She always knew there was somethin' wrong | |
What you win in the immediate battles is | |
Is little compared to the effort you put into it | |
But if you see that as a part | |
Of this total movement to build a new world | |
You know what cathedral you' re buildin' | |
When you put your stone in | |
You do have a choice | |
You don' t have to be a part of the world of the lynchers | |
You can join the other | |
AmericaThere is an other | |
America |