| Song | The Iron Man |
| Artist | Tom Paxton |
| Album | Things I Notice Now |
| Download | Image LRC TXT |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, mess-kit rattle | |
| Showed them green and new to battle | |
| Out on the road, the mud knee-high | |
| The tortured trucks were slithering by | |
| Toward the ruptured, shattered sky | |
| They strove. It hardly mattered why | |
| We find our hero in the mud | |
| We guess the fever in his blood | |
| We try, as he, to laugh at this | |
| The Iron Man whom bullets | |
| He's right, the song has just begun | |
| We'd never kill a man so young | |
| He's right, the song has just begun | |
| We'd never kill a man so young | |
| The sergeant, how they loathed his guts | |
| He led them down the waggon ruts | |
| One truck is stalled, the drivers curse | |
| It's either ambulance or hearse | |
| The air grows foul, the heavy stench | |
| Is seeping from the ancient trench | |
| He takes his place and laughs at this | |
| The Iron Man whom bullets miss | |
| He's right, no matter how they try | |
| The song's too young for him to die | |
| He's right, no matter how they try | |
| The song's too young for him to die | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, mess-kit rattle | |
| Showed them green and new to battle | |
| Winter came early to the house on the hill, frost, wind and snow | |
| The builders looked at its unfinished frame, then turned to go | |
| A small foundation, a pile of sand, a rusty hammer in a cold, cold hand | |
| It wasn't a big house that they planned, but winter came early and winter came hard | |
| Winter was death to the house on the hill, frost, wind and snow | |
| Warped its timbers and cracked the foundations, then turned to go | |
| The sketch was crumpled in a cold, cold hand. The hammer buried in the pile of sand | |
| The builders' thoughts were of virgin land when winter came early and winter came hard | |
| Spring was puzzled by the house on the hill, last patch of snow | |
| Gave it flowers and climbing vines, then turned to go | |
| Small boys played on the pile of sand, plastic weapons in their eager hands | |
| It wasn't a big house that they planned, but winter came early and winter came hard | |
| The young lieutenant, new to war | |
| Is sick upon the trench's floor | |
| The sergeant, how they cursed his head | |
| Is suddenly quite cold and dead | |
| The deafening explosions cease | |
| The calm a cruel burlesque of peace | |
| The whistle blows, the charge is made | |
| The Iron Man is unafraid | |
| He's right, he's young and brave and strong | |
| Just the kind to fill a song | |
| He's right, he's young and brave and strong | |
| Just the kind to fill a song | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, mess-kit rattle | |
| Showed them green and new to battle | |
| Frost on the blankets of the strong boys' room | |
| Heat for the sissies, for the prep-school pansies | |
| Ice cold showers for the cool platoon | |
| Once a month a card to mamma | |
| Wipe that smile off and shine your brass | |
| Grab your ankles and I'll give you twenty | |
| Drop that rifle and I'll have your ass | |
| Once a month a card to mamma | |
| Play me the Taps, the quadrangle's sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I'll be all right | |
| Goodnight. Goodnight | |
| Town girls love it in the picture shows | |
| Save the dances for the home-town ladies | |
| Save five dollars for the one who knows | |
| Once a month a card to mamma | |
| Grab your ankles for the old cadets | |
| Drop your trousers and you'll get what's coming | |
| Is there more to this than you're quite sure of? | |
| Put it in a card to mamma | |
| Play me the Taps, the quadrangle's sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I'll be all right | |
| Goodnight, goodnight! | |
| Play me the Taps, the quadrangle's sleeping | |
| The whistle blows. The charge is made | |
| The Iron Man is unafraid | |
| The young lieutenant screams out loud | |
| The bullets hum like a startled crowd | |
| The young lieutenant screams and falls | |
| The Iron Man runs up the walls | |
| And blows the enemy a kiss | |
| The Iron Man whom bullets miss | |
| He's right, the man whom bullets miss | |
| Is meant for something more than this | |
| He's right, the man whom bullets miss | |
| Is meant for something more than this | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, mess-kit rattle | |
| Showed them green and new to battle | |
| Angie, from where I stand | |
| The water breaks on the spit of sand | |
| How does it survive? | |
| Angie, for all I know | |
| The sand is tired and ready to go | |
| It's less than alive | |
| But you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie's your name! | |
| Angie, from where I stand | |
| Your smile is so discretely planned | |
| I'm not sure it's there | |
| Angie, for all I know | |
| You'll notice me, you'll turn and go | |
| You won't even care | |
| That's you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie's your name! | |
| Angie, I was getting along | |
| Nothing quite right, but nothing too wrong | |
| I didn't know you existed | |
| I ran my life like a safe machine | |
| Lost myself in a safe routine | |
| But now it's all twisted | |
| With my hand on the knife | |
| For the rest of my life | |
| Angie, from where I stand | |
| You rise and wave an ungloved hand | |
| You smile in the sun | |
| Angie, you smile for him | |
| He calls to you. The light is dim | |
| You break into a run | |
| And you're gone. So ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie's your name! | |
| The battered fort is ours again | |
| It only cost ten-thousand men | |
| And when a young lieutenant dies | |
| Some survivor has to rise | |
| So like a humble prayer of thanks | |
| The Iron Man goes up the ranks | |
| The man whom bullets miss goes far | |
| He wins a kiss and wears a star | |
| And he's right – a man who lives through that | |
| Deserves a star upon his hat | |
| He's right – a man who lives through that | |
| Deserves a star upon his hat | |
| And now the nation cheers his name | |
| The politicians play his game | |
| He's coaxed and shrewdly follows fate | |
| Until he's leader of the State | |
| The peace grows dull, the pace too slow | |
| At last he finds convenient foe | |
| The Congress balks, the galleries hiss | |
| The Iron Man whom bullets miss | |
| But he's right, the man whom bullets miss | |
| Is meant for something more than this | |
| He's right, the Generals pat their guns | |
| And Congress turns and Congress runs | |
| He's right, the nation shouts its thanks | |
| The young men run to join the ranks | |
| He's right, his name is in their blood | |
| While huddling in some foreign mud | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, mess-kit rattle | |
| Showed them green and new to battle | |
| Play me the Taps, the quadrangle's sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping, I'll be all right | |
| Goodnight, goodnight! |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Out on the road, the mud kneehigh | |
| The tortured trucks were slithering by | |
| Toward the ruptured, shattered sky | |
| They strove. It hardly mattered why | |
| We find our hero in the mud | |
| We guess the fever in his blood | |
| We try, as he, to laugh at this | |
| The Iron Man whom bullets | |
| He' s right, the song has just begun | |
| We' d never kill a man so young | |
| He' s right, the song has just begun | |
| We' d never kill a man so young | |
| The sergeant, how they loathed his guts | |
| He led them down the waggon ruts | |
| One truck is stalled, the drivers curse | |
| It' s either ambulance or hearse | |
| The air grows foul, the heavy stench | |
| Is seeping from the ancient trench | |
| He takes his place and laughs at this | |
| The Iron Man whom bullets miss | |
| He' s right, no matter how they try | |
| The song' s too young for him to die | |
| He' s right, no matter how they try | |
| The song' s too young for him to die | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Winter came early to the house on the hill, frost, wind and snow | |
| The builders looked at its unfinished frame, then turned to go | |
| A small foundation, a pile of sand, a rusty hammer in a cold, cold hand | |
| It wasn' t a big house that they planned, but winter came early and winter came hard | |
| Winter was death to the house on the hill, frost, wind and snow | |
| Warped its timbers and cracked the foundations, then turned to go | |
| The sketch was crumpled in a cold, cold hand. The hammer buried in the pile of sand | |
| The builders' thoughts were of virgin land when winter came early and winter came hard | |
| Spring was puzzled by the house on the hill, last patch of snow | |
| Gave it flowers and climbing vines, then turned to go | |
| Small boys played on the pile of sand, plastic weapons in their eager hands | |
| It wasn' t a big house that they planned, but winter came early and winter came hard | |
| The young lieutenant, new to war | |
| Is sick upon the trench' s floor | |
| The sergeant, how they cursed his head | |
| Is suddenly quite cold and dead | |
| The deafening explosions cease | |
| The calm a cruel burlesque of peace | |
| The whistle blows, the charge is made | |
| The Iron Man is unafraid | |
| He' s right, he' s young and brave and strong | |
| Just the kind to fill a song | |
| He' s right, he' s young and brave and strong | |
| Just the kind to fill a song | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Frost on the blankets of the strong boys' room | |
| Heat for the sissies, for the prepschool pansies | |
| Ice cold showers for the cool platoon | |
| Once a month a card to mamma | |
| Wipe that smile off and shine your brass | |
| Grab your ankles and I' ll give you twenty | |
| Drop that rifle and I' ll have your ass | |
| Once a month a card to mamma | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I' ll be all right | |
| Goodnight. Goodnight | |
| Town girls love it in the picture shows | |
| Save the dances for the hometown ladies | |
| Save five dollars for the one who knows | |
| Once a month a card to mamma | |
| Grab your ankles for the old cadets | |
| Drop your trousers and you' ll get what' s coming | |
| Is there more to this than you' re quite sure of? | |
| Put it in a card to mamma | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I' ll be all right | |
| Goodnight, goodnight! | |
| Play me the Taps, the quadrangle' s sleeping | |
| The whistle blows. The charge is made | |
| The Iron Man is unafraid | |
| The young lieutenant screams out loud | |
| The bullets hum like a startled crowd | |
| The young lieutenant screams and falls | |
| The Iron Man runs up the walls | |
| And blows the enemy a kiss | |
| The Iron Man whom bullets miss | |
| He' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| He' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Angie, from where I stand | |
| The water breaks on the spit of sand | |
| How does it survive? | |
| Angie, for all I know | |
| The sand is tired and ready to go | |
| It' s less than alive | |
| But you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| Angie, from where I stand | |
| Your smile is so discretely planned | |
| I' m not sure it' s there | |
| Angie, for all I know | |
| You' ll notice me, you' ll turn and go | |
| You won' t even care | |
| That' s you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| Angie, I was getting along | |
| Nothing quite right, but nothing too wrong | |
| I didn' t know you existed | |
| I ran my life like a safe machine | |
| Lost myself in a safe routine | |
| But now it' s all twisted | |
| With my hand on the knife | |
| For the rest of my life | |
| Angie, from where I stand | |
| You rise and wave an ungloved hand | |
| You smile in the sun | |
| Angie, you smile for him | |
| He calls to you. The light is dim | |
| You break into a run | |
| And you' re gone. So ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| The battered fort is ours again | |
| It only cost tenthousand men | |
| And when a young lieutenant dies | |
| Some survivor has to rise | |
| So like a humble prayer of thanks | |
| The Iron Man goes up the ranks | |
| The man whom bullets miss goes far | |
| He wins a kiss and wears a star | |
| And he' s right a man who lives through that | |
| Deserves a star upon his hat | |
| He' s right a man who lives through that | |
| Deserves a star upon his hat | |
| And now the nation cheers his name | |
| The politicians play his game | |
| He' s coaxed and shrewdly follows fate | |
| Until he' s leader of the State | |
| The peace grows dull, the pace too slow | |
| At last he finds convenient foe | |
| The Congress balks, the galleries hiss | |
| The Iron Man whom bullets miss | |
| But he' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| He' s right, the Generals pat their guns | |
| And Congress turns and Congress runs | |
| He' s right, the nation shouts its thanks | |
| The young men run to join the ranks | |
| He' s right, his name is in their blood | |
| While huddling in some foreign mud | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping, I' ll be all right | |
| Goodnight, goodnight! |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Out on the road, the mud kneehigh | |
| The tortured trucks were slithering by | |
| Toward the ruptured, shattered sky | |
| They strove. It hardly mattered why | |
| We find our hero in the mud | |
| We guess the fever in his blood | |
| We try, as he, to laugh at this | |
| The Iron Man whom bullets | |
| He' s right, the song has just begun | |
| We' d never kill a man so young | |
| He' s right, the song has just begun | |
| We' d never kill a man so young | |
| The sergeant, how they loathed his guts | |
| He led them down the waggon ruts | |
| One truck is stalled, the drivers curse | |
| It' s either ambulance or hearse | |
| The air grows foul, the heavy stench | |
| Is seeping from the ancient trench | |
| He takes his place and laughs at this | |
| The Iron Man whom bullets miss | |
| He' s right, no matter how they try | |
| The song' s too young for him to die | |
| He' s right, no matter how they try | |
| The song' s too young for him to die | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Winter came early to the house on the hill, frost, wind and snow | |
| The builders looked at its unfinished frame, then turned to go | |
| A small foundation, a pile of sand, a rusty hammer in a cold, cold hand | |
| It wasn' t a big house that they planned, but winter came early and winter came hard | |
| Winter was death to the house on the hill, frost, wind and snow | |
| Warped its timbers and cracked the foundations, then turned to go | |
| The sketch was crumpled in a cold, cold hand. The hammer buried in the pile of sand | |
| The builders' thoughts were of virgin land when winter came early and winter came hard | |
| Spring was puzzled by the house on the hill, last patch of snow | |
| Gave it flowers and climbing vines, then turned to go | |
| Small boys played on the pile of sand, plastic weapons in their eager hands | |
| It wasn' t a big house that they planned, but winter came early and winter came hard | |
| The young lieutenant, new to war | |
| Is sick upon the trench' s floor | |
| The sergeant, how they cursed his head | |
| Is suddenly quite cold and dead | |
| The deafening explosions cease | |
| The calm a cruel burlesque of peace | |
| The whistle blows, the charge is made | |
| The Iron Man is unafraid | |
| He' s right, he' s young and brave and strong | |
| Just the kind to fill a song | |
| He' s right, he' s young and brave and strong | |
| Just the kind to fill a song | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Frost on the blankets of the strong boys' room | |
| Heat for the sissies, for the prepschool pansies | |
| Ice cold showers for the cool platoon | |
| Once a month a card to mamma | |
| Wipe that smile off and shine your brass | |
| Grab your ankles and I' ll give you twenty | |
| Drop that rifle and I' ll have your ass | |
| Once a month a card to mamma | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I' ll be all right | |
| Goodnight. Goodnight | |
| Town girls love it in the picture shows | |
| Save the dances for the hometown ladies | |
| Save five dollars for the one who knows | |
| Once a month a card to mamma | |
| Grab your ankles for the old cadets | |
| Drop your trousers and you' ll get what' s coming | |
| Is there more to this than you' re quite sure of? | |
| Put it in a card to mamma | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping. I' ll be all right | |
| Goodnight, goodnight! | |
| Play me the Taps, the quadrangle' s sleeping | |
| The whistle blows. The charge is made | |
| The Iron Man is unafraid | |
| The young lieutenant screams out loud | |
| The bullets hum like a startled crowd | |
| The young lieutenant screams and falls | |
| The Iron Man runs up the walls | |
| And blows the enemy a kiss | |
| The Iron Man whom bullets miss | |
| He' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| He' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Angie, from where I stand | |
| The water breaks on the spit of sand | |
| How does it survive? | |
| Angie, for all I know | |
| The sand is tired and ready to go | |
| It' s less than alive | |
| But you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| Angie, from where I stand | |
| Your smile is so discretely planned | |
| I' m not sure it' s there | |
| Angie, for all I know | |
| You' ll notice me, you' ll turn and go | |
| You won' t even care | |
| That' s you, so ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| Angie, I was getting along | |
| Nothing quite right, but nothing too wrong | |
| I didn' t know you existed | |
| I ran my life like a safe machine | |
| Lost myself in a safe routine | |
| But now it' s all twisted | |
| With my hand on the knife | |
| For the rest of my life | |
| Angie, from where I stand | |
| You rise and wave an ungloved hand | |
| You smile in the sun | |
| Angie, you smile for him | |
| He calls to you. The light is dim | |
| You break into a run | |
| And you' re gone. So ready to leave. The first trembling leaf to break loose in the Fall | |
| Angie, so ready to fly. Is there time to ask why? Is there no time at all? | |
| Or is there nothing hidden I can blame? | |
| Angie, If Angie' s your name! | |
| The battered fort is ours again | |
| It only cost tenthousand men | |
| And when a young lieutenant dies | |
| Some survivor has to rise | |
| So like a humble prayer of thanks | |
| The Iron Man goes up the ranks | |
| The man whom bullets miss goes far | |
| He wins a kiss and wears a star | |
| And he' s right a man who lives through that | |
| Deserves a star upon his hat | |
| He' s right a man who lives through that | |
| Deserves a star upon his hat | |
| And now the nation cheers his name | |
| The politicians play his game | |
| He' s coaxed and shrewdly follows fate | |
| Until he' s leader of the State | |
| The peace grows dull, the pace too slow | |
| At last he finds convenient foe | |
| The Congress balks, the galleries hiss | |
| The Iron Man whom bullets miss | |
| But he' s right, the man whom bullets miss | |
| Is meant for something more than this | |
| He' s right, the Generals pat their guns | |
| And Congress turns and Congress runs | |
| He' s right, the nation shouts its thanks | |
| The young men run to join the ranks | |
| He' s right, his name is in their blood | |
| While huddling in some foreign mud | |
| The orders came, the midnight rain | |
| Was driving down the window pane | |
| They rose like cattle, messkit rattle | |
| Showed them green and new to battle | |
| Play me the Taps, the quadrangle' s sleeping | |
| Here in his rack my roommate is weeping | |
| Someone is weeping, I' ll be all right | |
| Goodnight, goodnight! |