Song | Dead Man's Hand |
Artist | Tora Tora |
Album | Wild America |
You can keep on pushing | |
But I know you’re never gonna fight | |
You better keep on looking | |
Cause it’s written down in black and white | |
Seven come eleven you’re rolling snake eyes | |
Every time you rill the dice | |
There’s some good old blood | |
I’d help if | |
I could But don’t you know my hands are tied | |
You got your back to the wall | |
Should you raise or call | |
I wouldn’t take that chance | |
You got the dead man’s hand | |
The light in the tunnel is gonna be a rumbling train | |
Loaded full of trouble | |
The next stop has got your name | |
You got a one-way ticket on a dead end track | |
You take it on down the line | |
Before you knew what hit ya | |
You were flat on your back | |
But you thought that you were doing alright | |
You got your back to the wall | |
Should you raise or call | |
I wouldn’t take that chance | |
You got the dead man’s hand | |
You stay on top, to get a roll | |
You never stop, till you lose it all | |
Yeah you was hot, | |
But now you’re cold | |
Watch another one take the fall | |
You gonna deep on talking | |
Hoping you can justify | |
Tell your story when you’re walking | |
Cause the wishing well is running dry | |
You getting highs and lows | |
And the lady knows you’re playing for your life | |
You’re a dead man holding aces and eights | |
And your luck’s fun out this time | |
You got your back to the wall | |
Should you raise or call | |
I wouldn’t take that chance | |
You got the dead man’s hand | |
You got your back to the wall | |
Should you raise or call | |
I wouldn’t take that chance | |
You got the dead man’s hand |
You can keep on pushing | |
But I know you' re never gonna fight | |
You better keep on looking | |
Cause it' s written down in black and white | |
Seven come eleven you' re rolling snake eyes | |
Every time you rill the dice | |
There' s some good old blood | |
I' d help if | |
I could But don' t you know my hands are tied | |
You got your back to the wall | |
Should you raise or call | |
I wouldn' t take that chance | |
You got the dead man' s hand | |
The light in the tunnel is gonna be a rumbling train | |
Loaded full of trouble | |
The next stop has got your name | |
You got a oneway ticket on a dead end track | |
You take it on down the line | |
Before you knew what hit ya | |
You were flat on your back | |
But you thought that you were doing alright | |
You got your back to the wall | |
Should you raise or call | |
I wouldn' t take that chance | |
You got the dead man' s hand | |
You stay on top, to get a roll | |
You never stop, till you lose it all | |
Yeah you was hot, | |
But now you' re cold | |
Watch another one take the fall | |
You gonna deep on talking | |
Hoping you can justify | |
Tell your story when you' re walking | |
Cause the wishing well is running dry | |
You getting highs and lows | |
And the lady knows you' re playing for your life | |
You' re a dead man holding aces and eights | |
And your luck' s fun out this time | |
You got your back to the wall | |
Should you raise or call | |
I wouldn' t take that chance | |
You got the dead man' s hand | |
You got your back to the wall | |
Should you raise or call | |
I wouldn' t take that chance | |
You got the dead man' s hand |