Song | Ill Technique |
Artist | Lone Catalysts |
Album | Hip Hop |
Download | Image LRC TXT |
作曲 : J. Rawls, Sanders | |
Yo, stepped out my door into the world, now it's on | |
The sun gave birth, so now the nighttime is born | |
Nothin different than the norm as the plot takes form | |
Inner feelings remain warm to shelter me from the storm | |
Cause the city could swallow you whole, so be warned | |
The streets are filled with scorn from dusk to morn | |
I gotta be alerted for all times or be torn | |
From my earthly existance, I measure the distance | |
And calculate a path straight so my time is efficient | |
Can't waste not a second or breath | |
So when I step, man, I trek | |
Mind focused, hollow point is noticed | |
At the fly Latin hostess, workin ???? | |
But never hesitate my motion | |
My body floatin like the wind over the ocean | |
I saw the brothers toastin, the Thunderbird wine | |
Givin praise to the stars as they shine | |
Exchanged pounds, started to rhyme | |
Once the cipher hit its peak, I continued down the street | |
Cause my mission was incomplete, this was no time to sleep | |
Gotta get back to the lab and freak something that y'all can peep | |
From Lone Catalysts, very unique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
[VERSE 2: J. Sands] | |
Only a block left to go before I reach the studio | |
The story goes: Rawls in the lab eatin Oreos | |
Waitin on me to show, he got a track and need a pro | |
Usually have some tree to blow, but nowadays I leave or go | |
When it's time to breathe a flow, even though | |
You might see me in your section | |
Eyes red complexion | |
With my man [Name] and LG flex on | |
You know that, so finally the destination | |
I'm at the lab with Rawls and without no hesitation | |
"My mic sounds nice, check one | |
My mic sounds nice, check two" | |
And with no further ado, you know the r-e-s-u-me | |
We be in the lab like all day | |
Rawls makes the track and I spit not the wack | |
Mix all the levels, then record it all on the DAT | |
Then take it to the Sugar Shack where Rashaad is at | |
Let him peep the joint cause cuz got a knack | |
To spot the sure shots and the or-not's | |
So we be up in the lab till about 4 o'clock | |
In the AM, the next day, yo, it's no delayin | |
Time to put it to wax, CDs and tapes | |
To generate the papes, to generate the papes | |
Cause once it circulates everyone will state | |
That the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, you know the repertoire, baby paw, don't sleep |
zuo qu : J. Rawls, Sanders | |
Yo, stepped out my door into the world, now it' s on | |
The sun gave birth, so now the nighttime is born | |
Nothin different than the norm as the plot takes form | |
Inner feelings remain warm to shelter me from the storm | |
Cause the city could swallow you whole, so be warned | |
The streets are filled with scorn from dusk to morn | |
I gotta be alerted for all times or be torn | |
From my earthly existance, I measure the distance | |
And calculate a path straight so my time is efficient | |
Can' t waste not a second or breath | |
So when I step, man, I trek | |
Mind focused, hollow point is noticed | |
At the fly Latin hostess, workin nbsp???? | |
But never hesitate my motion | |
My body floatin like the wind over the ocean | |
I saw the brothers toastin, the Thunderbird wine | |
Givin praise to the stars as they shine | |
Exchanged pounds, started to rhyme | |
Once the cipher hit its peak, I continued down the street | |
Cause my mission was incomplete, this was no time to sleep | |
Gotta get back to the lab and freak something that y' all can peep | |
From Lone Catalysts, very unique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
VERSE 2: J. Sands | |
Only a block left to go before I reach the studio | |
The story goes: Rawls in the lab eatin Oreos | |
Waitin on me to show, he got a track and need a pro | |
Usually have some tree to blow, but nowadays I leave or go | |
When it' s time to breathe a flow, even though | |
You might see me in your section | |
Eyes red complexion | |
With my man Name and LG flex on | |
You know that, so finally the destination | |
I' m at the lab with Rawls and without no hesitation | |
" My mic sounds nice, check one | |
My mic sounds nice, check two" | |
And with no further ado, you know the resume | |
We be in the lab like all day | |
Rawls makes the track and I spit not the wack | |
Mix all the levels, then record it all on the DAT | |
Then take it to the Sugar Shack where Rashaad is at | |
Let him peep the joint cause cuz got a knack | |
To spot the sure shots and the ornot' s | |
So we be up in the lab till about 4 o' clock | |
In the AM, the next day, yo, it' s no delayin | |
Time to put it to wax, CDs and tapes | |
To generate the papes, to generate the papes | |
Cause once it circulates everyone will state | |
That the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, you know the repertoire, baby paw, don' t sleep |
zuò qǔ : J. Rawls, Sanders | |
Yo, stepped out my door into the world, now it' s on | |
The sun gave birth, so now the nighttime is born | |
Nothin different than the norm as the plot takes form | |
Inner feelings remain warm to shelter me from the storm | |
Cause the city could swallow you whole, so be warned | |
The streets are filled with scorn from dusk to morn | |
I gotta be alerted for all times or be torn | |
From my earthly existance, I measure the distance | |
And calculate a path straight so my time is efficient | |
Can' t waste not a second or breath | |
So when I step, man, I trek | |
Mind focused, hollow point is noticed | |
At the fly Latin hostess, workin nbsp???? | |
But never hesitate my motion | |
My body floatin like the wind over the ocean | |
I saw the brothers toastin, the Thunderbird wine | |
Givin praise to the stars as they shine | |
Exchanged pounds, started to rhyme | |
Once the cipher hit its peak, I continued down the street | |
Cause my mission was incomplete, this was no time to sleep | |
Gotta get back to the lab and freak something that y' all can peep | |
From Lone Catalysts, very unique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
The way we organize it all with the ill technique | |
VERSE 2: J. Sands | |
Only a block left to go before I reach the studio | |
The story goes: Rawls in the lab eatin Oreos | |
Waitin on me to show, he got a track and need a pro | |
Usually have some tree to blow, but nowadays I leave or go | |
When it' s time to breathe a flow, even though | |
You might see me in your section | |
Eyes red complexion | |
With my man Name and LG flex on | |
You know that, so finally the destination | |
I' m at the lab with Rawls and without no hesitation | |
" My mic sounds nice, check one | |
My mic sounds nice, check two" | |
And with no further ado, you know the resume | |
We be in the lab like all day | |
Rawls makes the track and I spit not the wack | |
Mix all the levels, then record it all on the DAT | |
Then take it to the Sugar Shack where Rashaad is at | |
Let him peep the joint cause cuz got a knack | |
To spot the sure shots and the ornot' s | |
So we be up in the lab till about 4 o' clock | |
In the AM, the next day, yo, it' s no delayin | |
Time to put it to wax, CDs and tapes | |
To generate the papes, to generate the papes | |
Cause once it circulates everyone will state | |
That the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, the Lone Catalysts be on a ill technique | |
Aiyo, you know the repertoire, baby paw, don' t sleep |