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I was trippin' lookin' at my portfolio |
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Wonderin' how I was gonna make enough dough you know |
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Called up a friend who wrote for 'One Tree Hill' and 'Jericho' |
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He had a job for me and check it with a four-letter company |
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Hey I got a proposition for you |
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How 'bout you let me keep my profits as a scorer |
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Record sales are shrinkin' I'm gettin' poorer |
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I got a kid to feed how 'bout you cut a deal with me |
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Ha hey look Liz we see you as a commodity |
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We've been with you since day one and that's an oddity |
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And after a series of phone calls to the great publishing houses |
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O Ursa Minor I reached my representative who pulled out the |
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From the File Cabinet |
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In the form of tablets made of stone |
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Then he said |
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Let me see it's here in my folder |
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Oh shit you're twenty years older |
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Still hot but gettin' a lot colder |
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And you wanna cut a what with me |
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Lemme tell you how it's done here in the Hollywood |
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Maybe you was thinkin' you was in the Bollywood |
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If I wanna break the rule you know I probably could |
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Liz I'd love to help you out |
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But we have what we call Standards & Practices |
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In legal terms we're referring to this as a recoupable interest |
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In an artist's compositions on vinyl plastic digital |
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And all transmittable airwaves for a period |
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Of no less than six or nine years in all territories of the Earth |
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The solar system and the known universe |
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And I replied |
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Listen here my dear little Roni |
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Don't you give me no phoney-baloney |
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This is not 'My First Pretty Pony' |
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Don't you know you're f**kin' with me |
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Oh it's a bad day for the pool boy |
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Come to clean and discover you boy |
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Face down and feet turnin' blue boy |
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Now your eyes are closed you finally have the sight to see |
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It's all mine |
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It's all mine |
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It's all mine |
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Na na na na na na na na |