| Song | No Provenance |
| Artist | Joanna Newsom |
| Album | Have One on Me |
| Download | Image LRC TXT |
| Allelu, allelu: | |
| I have died happy, | |
| and lived to tell the tale to you. | |
| I have slept for forty years, | |
| and woke to find me gone. | |
| I woke safe and warm in your arms. | |
| Not informed of the natural law, | |
| squatting, lordly, on a stool, in a stall, | |
| we spun gold clear out of straw. | |
| And, when our bales of bullion | |
| were stored, | |
| you burned me like a barn. | |
| I burned safe and warm in your arms. | |
| I'm afraid of the Big Return. | |
| There's a certain conversation lost, | |
| and that loss incurred | |
| with nobody remaining, | |
| to register who had passed this way, | |
| in the night, | |
| in the middle of the night | |
| (negating their grace and their sight), | |
| till only I remember, or mark, | |
| how we had our talk: | |
| We took our ride, | |
| so that there was no-one home, | |
| and the lights of Rome | |
| flickered and died. | |
| And, what's more, | |
| I believe that you knew it, too; | |
| I think you saw their flares, | |
| and kept me safely unawares, | |
| in your arms. | |
| The grass was tall, and strung with burrs, | |
| I essayed that high sashay which, | |
| in my mind, was my way; | |
| you hung behind, in yours. | |
| Anyhow, she did not neigh. | |
| I do not know | |
| what drew our eyes to hers; | |
| that little black mare did not stir, | |
| till I lay down in your arms. | |
| Poor old dirty little dog-size horse!-- | |
| swaying and wheezing, | |
| as a matter of course; | |
| swaying and wheezing, | |
| as a matter of pride. | |
| That poor old nag, not four palms wide, | |
| had waited a long time, | |
| coated in salt, | |
| buckled like a ship run foul of the fence. | |
| In the middle of the night, | |
| she'd sprung up, | |
| no provenance, | |
| bearing the whites of her eyes. | |
| And you, with your | |
| 'arrangement' with Fate, | |
| nodded sadly at her lame assault | |
| on that steady old gate, | |
| her faultlessly etiolated fishbelly-face; | |
| the muzzle of a ghost. | |
| And, pretty Johnny Appleseed, | |
| via satellite feed, | |
| tell us, who was it | |
| that you then loved the most? | |
| Pretty Johnny Appleseed, | |
| leave a trail that leads | |
| straight back down to the farm. | |
| Lay me down | |
| safe and warm in your arms. |
| Allelu, allelu: | |
| I have died happy, | |
| and lived to tell the tale to you. | |
| I have slept for forty years, | |
| and woke to find me gone. | |
| I woke safe and warm in your arms. | |
| Not informed of the natural law, | |
| squatting, lordly, on a stool, in a stall, | |
| we spun gold clear out of straw. | |
| And, when our bales of bullion | |
| were stored, | |
| you burned me like a barn. | |
| I burned safe and warm in your arms. | |
| I' m afraid of the Big Return. | |
| There' s a certain conversation lost, | |
| and that loss incurred | |
| with nobody remaining, | |
| to register who had passed this way, | |
| in the night, | |
| in the middle of the night | |
| negating their grace and their sight, | |
| till only I remember, or mark, | |
| how we had our talk: | |
| We took our ride, | |
| so that there was noone home, | |
| and the lights of Rome | |
| flickered and died. | |
| And, what' s more, | |
| I believe that you knew it, too | |
| I think you saw their flares, | |
| and kept me safely unawares, | |
| in your arms. | |
| The grass was tall, and strung with burrs, | |
| I essayed that high sashay which, | |
| in my mind, was my way | |
| you hung behind, in yours. | |
| Anyhow, she did not neigh. | |
| I do not know | |
| what drew our eyes to hers | |
| that little black mare did not stir, | |
| till I lay down in your arms. | |
| Poor old dirty little dogsize horse! | |
| swaying and wheezing, | |
| as a matter of course | |
| swaying and wheezing, | |
| as a matter of pride. | |
| That poor old nag, not four palms wide, | |
| had waited a long time, | |
| coated in salt, | |
| buckled like a ship run foul of the fence. | |
| In the middle of the night, | |
| she' d sprung up, | |
| no provenance, | |
| bearing the whites of her eyes. | |
| And you, with your | |
| ' arrangement' with Fate, | |
| nodded sadly at her lame assault | |
| on that steady old gate, | |
| her faultlessly etiolated fishbellyface | |
| the muzzle of a ghost. | |
| And, pretty Johnny Appleseed, | |
| via satellite feed, | |
| tell us, who was it | |
| that you then loved the most? | |
| Pretty Johnny Appleseed, | |
| leave a trail that leads | |
| straight back down to the farm. | |
| Lay me down | |
| safe and warm in your arms. |
| Allelu, allelu: | |
| I have died happy, | |
| and lived to tell the tale to you. | |
| I have slept for forty years, | |
| and woke to find me gone. | |
| I woke safe and warm in your arms. | |
| Not informed of the natural law, | |
| squatting, lordly, on a stool, in a stall, | |
| we spun gold clear out of straw. | |
| And, when our bales of bullion | |
| were stored, | |
| you burned me like a barn. | |
| I burned safe and warm in your arms. | |
| I' m afraid of the Big Return. | |
| There' s a certain conversation lost, | |
| and that loss incurred | |
| with nobody remaining, | |
| to register who had passed this way, | |
| in the night, | |
| in the middle of the night | |
| negating their grace and their sight, | |
| till only I remember, or mark, | |
| how we had our talk: | |
| We took our ride, | |
| so that there was noone home, | |
| and the lights of Rome | |
| flickered and died. | |
| And, what' s more, | |
| I believe that you knew it, too | |
| I think you saw their flares, | |
| and kept me safely unawares, | |
| in your arms. | |
| The grass was tall, and strung with burrs, | |
| I essayed that high sashay which, | |
| in my mind, was my way | |
| you hung behind, in yours. | |
| Anyhow, she did not neigh. | |
| I do not know | |
| what drew our eyes to hers | |
| that little black mare did not stir, | |
| till I lay down in your arms. | |
| Poor old dirty little dogsize horse! | |
| swaying and wheezing, | |
| as a matter of course | |
| swaying and wheezing, | |
| as a matter of pride. | |
| That poor old nag, not four palms wide, | |
| had waited a long time, | |
| coated in salt, | |
| buckled like a ship run foul of the fence. | |
| In the middle of the night, | |
| she' d sprung up, | |
| no provenance, | |
| bearing the whites of her eyes. | |
| And you, with your | |
| ' arrangement' with Fate, | |
| nodded sadly at her lame assault | |
| on that steady old gate, | |
| her faultlessly etiolated fishbellyface | |
| the muzzle of a ghost. | |
| And, pretty Johnny Appleseed, | |
| via satellite feed, | |
| tell us, who was it | |
| that you then loved the most? | |
| Pretty Johnny Appleseed, | |
| leave a trail that leads | |
| straight back down to the farm. | |
| Lay me down | |
| safe and warm in your arms. |