Song | Where Are You Now My Son |
Artist | Joan Baez |
Album | Where Are You Now, My Son? |
(Words and Music by Joan Baez) | |
It's walking to the battleground that always makes me cry | |
I've met so few folks in my time who weren't afraid to die | |
But dawn bleeds with the people here and morning skies are red | |
As young girls load up bicycles with flowers for the dead | |
An aging woman picks along the craters and the rubble | |
A piece of cloth, a bit of shoe, a whole lifetime of trouble | |
A sobbing chant comes from her throat and splits the morning air | |
The single son she had last night is buried under her | |
They say that the war is done | |
Where are you now, my son? | |
An old man with unsteady gait and beard of ancient white | |
Bent to the ground with arms outstretched faltering in his plight | |
I took his hand to steady him, he stood and did not turn | |
But smiled and wept and bowed and mumbled softly, "Danke shoen" | |
The children on the roadsides of the villages and towns | |
Would stand around us laughing as we stood like giant clowns | |
The mourning bands told whom they'd lost by last night's phantom messenger | |
And they spoke their only words in English, "Johnson, Nixon, Kissinger" | |
Now that the war's being won | |
Where are you now, my son? | |
The siren gives a running break to those who live in town | |
Take the children and the blankets to the concrete underground | |
Sometimes we'd sing and joke and paint bright pictures on the wall | |
And wonder if we would die well and if we'd loved at all | |
The helmetless defiant ones sit on the curb and stare | |
At tracers flashing through the sky and planes bursting in air | |
But way out in the villages no warning comes before a blast | |
That means a sleeping child will never make it to the door | |
The days of our youth were fun | |
Where are you now, my son? | |
From the distant cabins in the sky where no man hears the sound | |
Of death on earth from his own bombs, six pilots were shot down | |
Next day six hulking bandaged men were dazzled by a room | |
Of newsmen. Sally keep the faith, let's hope this war ends soon | |
In a damaged prison camp where they no longer had command | |
They shook their heads, what irony, we thought peace was at hand | |
The preacher read a Christmas prayer and the men kneeled on the ground | |
Then sheepishly asked me to sing "They Drove Old Dixie Down" | |
Yours was the righteous gun | |
Where are you now, my son? | |
We gathered in the lobby celebrating Chrismas Eve | |
The French, the Poles, the Indians, Cubans and Vietnamese | |
The tiny tree our host had fixed sweetened familiar psalms | |
But the most sacred of Christmas prayers was shattered by the bombs | |
So back into the shelter where two lovely women rose | |
And with a brilliance and a fierceness and a gentleness which froze | |
The rest of us to silence as their voices soared with joy | |
Outshining every bomb that fell that night upon Hanoi | |
With bravery we have sun | |
But where are you now, my son? | |
Oh people of the shelters what a gift you've given me | |
To smile at me and quietly let me share your agony | |
And I can only bow in utter humbleness and ask | |
Forgiveness and forgiveness for the things we've brought to pass | |
The black pyjama'd culture that we tried to kill with pellet holes | |
And rows of tiny coffins we've paid for with our souls | |
Have built a spirit seldom seen in women and in men | |
And the white flower of Bac Mai will surely blossom once again | |
I've heard that the war is done | |
Then where are you now, my son? | |
© 1973 Chandos Music (ASCAP) |
Words and Music by Joan Baez | |
It' s walking to the battleground that always makes me cry | |
I' ve met so few folks in my time who weren' t afraid to die | |
But dawn bleeds with the people here and morning skies are red | |
As young girls load up bicycles with flowers for the dead | |
An aging woman picks along the craters and the rubble | |
A piece of cloth, a bit of shoe, a whole lifetime of trouble | |
A sobbing chant comes from her throat and splits the morning air | |
The single son she had last night is buried under her | |
They say that the war is done | |
Where are you now, my son? | |
An old man with unsteady gait and beard of ancient white | |
Bent to the ground with arms outstretched faltering in his plight | |
I took his hand to steady him, he stood and did not turn | |
But smiled and wept and bowed and mumbled softly, " Danke shoen" | |
The children on the roadsides of the villages and towns | |
Would stand around us laughing as we stood like giant clowns | |
The mourning bands told whom they' d lost by last night' s phantom messenger | |
And they spoke their only words in English, " Johnson, Nixon, Kissinger" | |
Now that the war' s being won | |
Where are you now, my son? | |
The siren gives a running break to those who live in town | |
Take the children and the blankets to the concrete underground | |
Sometimes we' d sing and joke and paint bright pictures on the wall | |
And wonder if we would die well and if we' d loved at all | |
The helmetless defiant ones sit on the curb and stare | |
At tracers flashing through the sky and planes bursting in air | |
But way out in the villages no warning comes before a blast | |
That means a sleeping child will never make it to the door | |
The days of our youth were fun | |
Where are you now, my son? | |
From the distant cabins in the sky where no man hears the sound | |
Of death on earth from his own bombs, six pilots were shot down | |
Next day six hulking bandaged men were dazzled by a room | |
Of newsmen. Sally keep the faith, let' s hope this war ends soon | |
In a damaged prison camp where they no longer had command | |
They shook their heads, what irony, we thought peace was at hand | |
The preacher read a Christmas prayer and the men kneeled on the ground | |
Then sheepishly asked me to sing " They Drove Old Dixie Down" | |
Yours was the righteous gun | |
Where are you now, my son? | |
We gathered in the lobby celebrating Chrismas Eve | |
The French, the Poles, the Indians, Cubans and Vietnamese | |
The tiny tree our host had fixed sweetened familiar psalms | |
But the most sacred of Christmas prayers was shattered by the bombs | |
So back into the shelter where two lovely women rose | |
And with a brilliance and a fierceness and a gentleness which froze | |
The rest of us to silence as their voices soared with joy | |
Outshining every bomb that fell that night upon Hanoi | |
With bravery we have sun | |
But where are you now, my son? | |
Oh people of the shelters what a gift you' ve given me | |
To smile at me and quietly let me share your agony | |
And I can only bow in utter humbleness and ask | |
Forgiveness and forgiveness for the things we' ve brought to pass | |
The black pyjama' d culture that we tried to kill with pellet holes | |
And rows of tiny coffins we' ve paid for with our souls | |
Have built a spirit seldom seen in women and in men | |
And the white flower of Bac Mai will surely blossom once again | |
I' ve heard that the war is done | |
Then where are you now, my son? | |
1973 Chandos Music ASCAP |