Song | East Coker |
Artist | Robert Speaight |
Album | The Love Song Of J Alfred Prufrock ; T.S.Eliot Favourites |
Download | Image LRC TXT |
[00:00.000] | 作曲 : Eliot |
[00:02.375] | East Coker |
[00:04.983] | In my beginning is my end. |
[00:08.237] | In succession,houses rise and fall, crumble, are extended, |
[00:12.425] | Are removed, destroyed, restored, or in their place |
[00:16.692] | Is an open field, or a factory, or a by-pass. |
[00:20.047] | Old stone to new building, old timber to new fires, |
[00:24.405] | Old fires to ashes, and ashes to the earth |
[00:28.640] | Which is already flesh, fur and faeces, |
[00:32.779] | Bone of man and beast, cornstalk and leaf. |
[00:36.080] | Houses live and die: there is a time for building |
[00:41.094] | And a time for living and for generation |
[00:43.562] | And a time for the wind to break the loosened pane |
[00:47.187] | And to shake the wainscot where the field-mouse trots |
[00:50.952] | And to shake the tattered arras woven with a silent motto. |
[00:56.732] | In my beginning is my end. |
[01:00.581] | Now the light falls |
[01:02.141] | Across the open field, leaving the deep lane |
[01:04.936] | Shuttered with branches, dark in the afternoon, |
[01:08.157] | Where you lean against a bank while a van passes, |
[01:11.350] | And the deep lane insists on the direction |
[01:14.156] | Into the village, in the electric heat |
[01:17.041] | Hypnotised. |
[01:18.928] | In a warm haze the sultry light |
[01:21.399] | Is absorbed, not refracted, by grey stone. |
[01:25.194] | The dahlias sleep in the empty silence. |
[01:28.400] | Wait for the early owl. |
[01:32.612] | In that open field |
[01:34.778] | If you do not come too close, |
[01:36.429] | If you do not come too close, |
[01:38.199] | On a summer midnight, |
[01:39.859] | you can hear the music of the weak pipe and the little drum |
[01:43.111] | And see them dancing around the bonfire |
[01:45.339] | The association of man and woman |
[01:48.361] | In daunsinge, signifying matrimonie— |
[01:51.554] | A dignified and commodiois sacrament. |
[01:54.229] | Two and two, necessarye coniunction, |
[01:57.494] | Holding eche other by the hand or the arm |
[02:00.072] | Whiche betokeneth concorde. |
[02:02.054] | Round and round the fire |
[02:04.607] | Leaping through the flames, or joined in circles, |
[02:07.231] | Rustically solemn or in rustic laughter |
[02:10.084] | Lifting heavy feet in clumsy shoes, |
[02:13.241] | Earth feet, loam feet, lifted in country mirth |
[02:17.346] | Mirth of those long since under earth |
[02:20.209] | Nourishing the corn. |
[02:22.132] | Keeping time, |
[02:24.116] | Keeping the rhythm in their dancing |
[02:26.241] | As in their living in the living seasons |
[02:28.847] | The time of the seasons and the constellations |
[02:32.040] | The time of milking and the time of harvest |
[02:34.744] | The time of the coupling of man and woman |
[02:37.453] | And that of beasts. |
[02:39.963] | Feet rising and falling. |
[02:42.521] | Eating and drinking. |
[02:43.980] | Dung and death. |
[02:48.307] | Dawn points, and another day |
[02:51.811] | Prepares for heat and silence. |
[02:54.573] | Out at sea the dawn wind |
[02:57.592] | Wrinkles and slides. |
[03:00.409] | I am here,or there, or elsewhere. |
[03:04.200] | In my beginning. |
[03:06.812] | What is the late November doing with the disturbance of the spring |
[03:15.802] | And creatures of the summer heat, |
[03:17.600] | And snowdrops writhing under feet |
[03:19.908] | And hollyhocks that aim too high |
[03:21.803] | Red into grey and tumble down |
[03:24.134] | Late roses filled with early snow? |
[03:27.691] | Thunder rolled by the rolling stars |
[03:30.111] | Simulates triumphal cars |
[03:32.253] | Deployed in constellated wars |
[03:34.401] | Scorpion fights against the Sun |
[03:36.899] | Until the Sun and Moon go down |
[03:38.589] | Comets weep and Leonids fly |
[03:41.030] | Hunt the heavens and the plains |
[03:43.136] | Whirled in a vortex that shall bring |
[03:45.434] | The world to that destructive fire |
[03:47.728] | Which burns before the ice-cap reigns. |
[03:51.848] | That was a way of putting it—not very satisfactory: |
[03:55.118] | A periphrastic study in a worn-out poetical fashion, |
[03:59.668] | Leaving one still with the intolerable wrestle |
[04:01.937] | With words and meanings. |
[04:03.745] | The poetry does not matter. |
[04:05.510] | It was not to start again what one had expected. |
[04:08.735] | What was to be the value of the long looked forward to, |
[04:12.386] | Long hoped for calm, the autumnal serenity |
[04:16.060] | And the wisdom of age? |
[04:17.730] | Had they deceived us |
[04:19.849] | Or deceived themselves, the quiet-voiced elders, |
[04:22.851] | Bequeathing us merely a receipt for deceit? |
[04:26.352] | The serenity only a deliberate hebetude, |
[04:29.715] | The wisdom only the knowledge of dead secrets |
[04:32.871] | Useless in the darkness into which they peered |
[04:35.246] | Or from which they turned their eyes. |
[04:38.371] | There is, it seems to us, |
[04:40.542] | At best, only a limited value |
[04:42.467] | In the knowledge derived from experience. |
[04:44.356] | The knowledge imposes a pattern, and falsifies, |
[04:48.240] | For the pattern is new in every moment |
[04:51.040] | And every moment is a new and shocking valuation of all we have been. |
[04:55.948] | We are only undeceived |
[04:57.908] | Of that which, deceiving, could no longer harm. |
[05:01.400] | In the middle, not only in the middle of the way |
[05:04.348] | But all the way, in a dark wood, in a bramble, |
[05:07.232] | On the edge of a grimpen, where is no secure foothold, |
[05:11.327] | And menaced by monsters, fancy lights, |
[05:13.820] | Risking enchantment. |
[05:15.582] | Do not let me hear |
[05:17.949] | Of the wisdom of old men, but rather of their folly, |
[05:21.325] | Their fear of fear and frenzy, their fear of possession, |
[05:26.416] | Of belonging to another, or to others, or to God. |
[05:31.070] | The only wisdom we can hope to acquire |
[05:34.257] | Is the wisdom of humility: humility is endless. |
[05:38.883] | The houses are all gone under the sea. |
[05:43.558] | The dancers are all gone under the hill. |
[05:47.182] | O dark dark dark. |
[05:54.390] | They all go into the dark, |
[05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
[06:00.268] | The captains, merchant bankers, eminent men of letters, |
[06:03.930] | The generous patrons of art, the statesmen and the rulers, |
[06:07.236] | Distinguished civil servants, chairmen of many committees, |
[06:10.165] | Industrial lords and petty contractors, |
[06:12.996] | All go into the dark, |
[06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
[06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
[06:23.134] | And cold the sense and lost the motive of action. |
[06:27.508] | And we all go with them, into the silent funeral, |
[06:31.554] | Nobody's funeral, for there is no one to bury. |
[06:35.198] | I said to my soul, be still, and let the dark come upon you |
[06:41.649] | Which shall be the darkness of God. |
[06:43.727] | As, in a theatre, |
[06:45.647] | The lights are extinguished, for the scene to be changed |
[06:47.730] | With a hollow rumble of wings, |
[06:49.603] | With a movement of darkness on darkness, |
[06:52.752] | And we know that the hills and the trees, the distant panorama |
[06:57.213] | And the bold imposing facade are all being rolled away— |
[07:00.765] | Or as, when an underground train, |
[07:03.756] | In the tube, |
[07:04.945] | Stops too long between stations |
[07:07.447] | And the conversation rises and slowly fades into silence |
[07:11.429] | And you see behind every face the mental emptiness deepen |
[07:15.662] | Leaving only the growing terror of nothing to think about; |
[07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing— |
[07:25.417] | I said to my soul, be still, |
[07:29.026] | And wait without hope |
[07:31.634] | For hope would be hope for the wrong thing; |
[07:34.444] | Wait without love, |
[07:36.727] | For love would be love of the wrong thing; |
[07:39.496] | There is yet faith |
[07:41.505] | But the faith and the love and the hope are all in the waiting. |
[07:46.388] | Wait without thought, for you are not ready for thought: |
[07:50.677] | So the darkness shall be the light, |
[07:53.208] | And the stillness the dancing. |
[07:56.002] | Whisper of running streams, and winter lightning. |
[08:00.207] | The wild thyme unseen and the wild strawberry, |
[08:03.665] | The laughter in the garden, echoed ecstasy |
[08:06.945] | Not lost, but requiring, pointing to the agony |
[08:11.857] | Of death and birth. |
[08:14.572] | You say I am repeating |
[08:17.105] | Something I have said before. |
[08:18.604] | I shall say it again. |
[08:20.352] | Shall I say it again? |
[08:23.184] | In order to arrive there, |
[08:25.905] | To arrive where you are, to get from where you are not, |
[08:29.592] | You must go by a way wherein there is no ecstasy. |
[08:33.555] | In order to arrive at what you do not know |
[08:37.047] | You must go by a way which is the way of ignorance. |
[08:40.936] | In order to possess what you do not possess |
[08:44.196] | You must go by the way of dispossession. |
[08:47.200] | In order to arrive at what you are not |
[08:49.618] | You must go through the way in which you are not. |
[08:53.510] | And what you do not know is the only thing you know |
[08:57.422] | And what you own is what you do not own |
[09:00.868] | And where you are is where you are not. |
[09:04.602] | The wounded surgeon plies the steel |
[09:12.388] | That questions the distempered part; |
[09:14.447] | Beneath the bleeding hands we feel |
[09:17.133] | The sharp compassion of the healer's art |
[09:19.449] | Resolving the enigma of the fever chart. |
[09:22.259] | Our only health is the disease |
[09:25.070] | If we obey the dying nurse |
[09:27.141] | Whose constant care is not to please |
[09:29.969] | But to remind of our, and Adam's curse, |
[09:33.325] | And that, to be restored, our sickness must grow worse. |
[09:37.105] | The whole earth is our hospital |
[09:40.634] | Endowed by the ruined millionaire, |
[09:43.032] | Wherein, if we do well, we shall |
[09:45.919] | Die of the absolute paternal care |
[09:48.541] | That will not leave us, but prevents us everywhere. |
[09:52.358] | The chill ascends from feet to knees, |
[09:55.852] | The fever sings in mental wires. |
[09:58.825] | If to be warmed, then I must freeze |
[10:02.011] | And quake in frigid purgatorial fires |
[10:04.563] | Of which the flame is roses, and the smoke is briars. |
[10:09.920] | The dripping blood our only drink, |
[10:13.310] | The bloody flesh our only food: |
[10:16.473] | In spite of which we like to think |
[10:19.059] | That we are sound, substantial flesh and blood— |
[10:21.901] | Again, in spite of that, we call this Friday good. |
[10:28.478] | So here I am, in the middle way, having had twenty years— |
[10:38.762] | Twenty years largely wasted, the years of l'entre deux guerres |
[10:44.008] | Trying to use words, |
[10:45.638] | And every attempt is a wholly new start, |
[10:48.386] | And a different kind of failure |
[10:51.153] | Because one has only learnt to get the better of words |
[10:53.669] | For the thing one no longer has to say, |
[10:56.094] | Or the way in which one is no longer disposed to say it. |
[10:59.697] | And so each venture is a new beginning, |
[11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
[11:07.572] | In the general mess of imprecision of feeling, |
[11:10.739] | Undisciplined squads of emotion. |
[11:13.560] | And what there is to conquer |
[11:15.761] | By strength and submission, has already been discovered |
[11:19.201] | Once or twice, or several times, |
[11:21.541] | By men whom one cannot hope to emulate |
[11:24.683] | But there is no competition |
[11:26.283] | There is only the fight to recover what has been lost |
[11:30.320] | And found and lost again and again: and now, under conditions |
[11:35.886] | That seem unpropitious. |
[11:37.862] | But perhaps neither gain nor loss. |
[11:41.165] | For us, there is only the trying. |
[11:44.210] | The rest is not our business. |
[11:47.653] | Home is where one starts from. |
[11:50.917] | As we grow older |
[11:52.997] | The world becomes stranger, |
[11:54.778] | The pattern more complicated of dead and living. |
[11:57.512] | Not the intense moment isolated, |
[12:00.211] | With no before and after, |
[12:01.945] | But a lifetime burning in every moment |
[12:04.936] | And not the lifetime of one man only |
[12:07.281] | But of old stones that cannot be deciphered. |
[12:10.323] | There is a time for the evening under starlight, |
[12:14.213] | A time for the evening under lamplight |
[12:16.686] | The evening with the photograph album |
[12:18.950] | Love is most nearly itself |
[12:22.038] | When here and now cease to matter. |
[12:24.227] | Old men ought to be explorers |
[12:27.041] | Here or there does not matter |
[12:30.465] | We must be still and still moving |
[12:33.511] | Into another intensity |
[12:35.091] | For a further union, a deeper communion |
[12:38.869] | Through the dark cold and the empty desolation, |
[12:42.103] | The wave cry, the wind cry, the vast waters |
[12:47.614] | Of the petrel and the porpoise. |
[12:50.015] | In my end is my beginning. |
[00:00.000] | zuo qu : Eliot |
[00:02.375] | East Coker |
[00:04.983] | In my beginning is my end. |
[00:08.237] | In succession, houses rise and fall, crumble, are extended, |
[00:12.425] | Are removed, destroyed, restored, or in their place |
[00:16.692] | Is an open field, or a factory, or a bypass. |
[00:20.047] | Old stone to new building, old timber to new fires, |
[00:24.405] | Old fires to ashes, and ashes to the earth |
[00:28.640] | Which is already flesh, fur and faeces, |
[00:32.779] | Bone of man and beast, cornstalk and leaf. |
[00:36.080] | Houses live and die: there is a time for building |
[00:41.094] | And a time for living and for generation |
[00:43.562] | And a time for the wind to break the loosened pane |
[00:47.187] | And to shake the wainscot where the fieldmouse trots |
[00:50.952] | And to shake the tattered arras woven with a silent motto. |
[00:56.732] | In my beginning is my end. |
[01:00.581] | Now the light falls |
[01:02.141] | Across the open field, leaving the deep lane |
[01:04.936] | Shuttered with branches, dark in the afternoon, |
[01:08.157] | Where you lean against a bank while a van passes, |
[01:11.350] | And the deep lane insists on the direction |
[01:14.156] | Into the village, in the electric heat |
[01:17.041] | Hypnotised. |
[01:18.928] | In a warm haze the sultry light |
[01:21.399] | Is absorbed, not refracted, by grey stone. |
[01:25.194] | The dahlias sleep in the empty silence. |
[01:28.400] | Wait for the early owl. |
[01:32.612] | In that open field |
[01:34.778] | If you do not come too close, |
[01:36.429] | If you do not come too close, |
[01:38.199] | On a summer midnight, |
[01:39.859] | you can hear the music of the weak pipe and the little drum |
[01:43.111] | And see them dancing around the bonfire |
[01:45.339] | The association of man and woman |
[01:48.361] | In daunsinge, signifying matrimonie |
[01:51.554] | A dignified and commodiois sacrament. |
[01:54.229] | Two and two, necessarye coniunction, |
[01:57.494] | Holding eche other by the hand or the arm |
[02:00.072] | Whiche betokeneth concorde. |
[02:02.054] | Round and round the fire |
[02:04.607] | Leaping through the flames, or joined in circles, |
[02:07.231] | Rustically solemn or in rustic laughter |
[02:10.084] | Lifting heavy feet in clumsy shoes, |
[02:13.241] | Earth feet, loam feet, lifted in country mirth |
[02:17.346] | Mirth of those long since under earth |
[02:20.209] | Nourishing the corn. |
[02:22.132] | Keeping time, |
[02:24.116] | Keeping the rhythm in their dancing |
[02:26.241] | As in their living in the living seasons |
[02:28.847] | The time of the seasons and the constellations |
[02:32.040] | The time of milking and the time of harvest |
[02:34.744] | The time of the coupling of man and woman |
[02:37.453] | And that of beasts. |
[02:39.963] | Feet rising and falling. |
[02:42.521] | Eating and drinking. |
[02:43.980] | Dung and death. |
[02:48.307] | Dawn points, and another day |
[02:51.811] | Prepares for heat and silence. |
[02:54.573] | Out at sea the dawn wind |
[02:57.592] | Wrinkles and slides. |
[03:00.409] | I am here, or there, or elsewhere. |
[03:04.200] | In my beginning. |
[03:06.812] | What is the late November doing with the disturbance of the spring |
[03:15.802] | And creatures of the summer heat, |
[03:17.600] | And snowdrops writhing under feet |
[03:19.908] | And hollyhocks that aim too high |
[03:21.803] | Red into grey and tumble down |
[03:24.134] | Late roses filled with early snow? |
[03:27.691] | Thunder rolled by the rolling stars |
[03:30.111] | Simulates triumphal cars |
[03:32.253] | Deployed in constellated wars |
[03:34.401] | Scorpion fights against the Sun |
[03:36.899] | Until the Sun and Moon go down |
[03:38.589] | Comets weep and Leonids fly |
[03:41.030] | Hunt the heavens and the plains |
[03:43.136] | Whirled in a vortex that shall bring |
[03:45.434] | The world to that destructive fire |
[03:47.728] | Which burns before the icecap reigns. |
[03:51.848] | That was a way of putting it not very satisfactory: |
[03:55.118] | A periphrastic study in a wornout poetical fashion, |
[03:59.668] | Leaving one still with the intolerable wrestle |
[04:01.937] | With words and meanings. |
[04:03.745] | The poetry does not matter. |
[04:05.510] | It was not to start again what one had expected. |
[04:08.735] | What was to be the value of the long looked forward to, |
[04:12.386] | Long hoped for calm, the autumnal serenity |
[04:16.060] | And the wisdom of age? |
[04:17.730] | Had they deceived us |
[04:19.849] | Or deceived themselves, the quietvoiced elders, |
[04:22.851] | Bequeathing us merely a receipt for deceit? |
[04:26.352] | The serenity only a deliberate hebetude, |
[04:29.715] | The wisdom only the knowledge of dead secrets |
[04:32.871] | Useless in the darkness into which they peered |
[04:35.246] | Or from which they turned their eyes. |
[04:38.371] | There is, it seems to us, |
[04:40.542] | At best, only a limited value |
[04:42.467] | In the knowledge derived from experience. |
[04:44.356] | The knowledge imposes a pattern, and falsifies, |
[04:48.240] | For the pattern is new in every moment |
[04:51.040] | And every moment is a new and shocking valuation of all we have been. |
[04:55.948] | We are only undeceived |
[04:57.908] | Of that which, deceiving, could no longer harm. |
[05:01.400] | In the middle, not only in the middle of the way |
[05:04.348] | But all the way, in a dark wood, in a bramble, |
[05:07.232] | On the edge of a grimpen, where is no secure foothold, |
[05:11.327] | And menaced by monsters, fancy lights, |
[05:13.820] | Risking enchantment. |
[05:15.582] | Do not let me hear |
[05:17.949] | Of the wisdom of old men, but rather of their folly, |
[05:21.325] | Their fear of fear and frenzy, their fear of possession, |
[05:26.416] | Of belonging to another, or to others, or to God. |
[05:31.070] | The only wisdom we can hope to acquire |
[05:34.257] | Is the wisdom of humility: humility is endless. |
[05:38.883] | The houses are all gone under the sea. |
[05:43.558] | The dancers are all gone under the hill. |
[05:47.182] | O dark dark dark. |
[05:54.390] | They all go into the dark, |
[05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
[06:00.268] | The captains, merchant bankers, eminent men of letters, |
[06:03.930] | The generous patrons of art, the statesmen and the rulers, |
[06:07.236] | Distinguished civil servants, chairmen of many committees, |
[06:10.165] | Industrial lords and petty contractors, |
[06:12.996] | All go into the dark, |
[06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
[06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
[06:23.134] | And cold the sense and lost the motive of action. |
[06:27.508] | And we all go with them, into the silent funeral, |
[06:31.554] | Nobody' s funeral, for there is no one to bury. |
[06:35.198] | I said to my soul, be still, and let the dark come upon you |
[06:41.649] | Which shall be the darkness of God. |
[06:43.727] | As, in a theatre, |
[06:45.647] | The lights are extinguished, for the scene to be changed |
[06:47.730] | With a hollow rumble of wings, |
[06:49.603] | With a movement of darkness on darkness, |
[06:52.752] | And we know that the hills and the trees, the distant panorama |
[06:57.213] | And the bold imposing facade are all being rolled away |
[07:00.765] | Or as, when an underground train, |
[07:03.756] | In the tube, |
[07:04.945] | Stops too long between stations |
[07:07.447] | And the conversation rises and slowly fades into silence |
[07:11.429] | And you see behind every face the mental emptiness deepen |
[07:15.662] | Leaving only the growing terror of nothing to think about |
[07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing |
[07:25.417] | I said to my soul, be still, |
[07:29.026] | And wait without hope |
[07:31.634] | For hope would be hope for the wrong thing |
[07:34.444] | Wait without love, |
[07:36.727] | For love would be love of the wrong thing |
[07:39.496] | There is yet faith |
[07:41.505] | But the faith and the love and the hope are all in the waiting. |
[07:46.388] | Wait without thought, for you are not ready for thought: |
[07:50.677] | So the darkness shall be the light, |
[07:53.208] | And the stillness the dancing. |
[07:56.002] | Whisper of running streams, and winter lightning. |
[08:00.207] | The wild thyme unseen and the wild strawberry, |
[08:03.665] | The laughter in the garden, echoed ecstasy |
[08:06.945] | Not lost, but requiring, pointing to the agony |
[08:11.857] | Of death and birth. |
[08:14.572] | You say I am repeating |
[08:17.105] | Something I have said before. |
[08:18.604] | I shall say it again. |
[08:20.352] | Shall I say it again? |
[08:23.184] | In order to arrive there, |
[08:25.905] | To arrive where you are, to get from where you are not, |
[08:29.592] | You must go by a way wherein there is no ecstasy. |
[08:33.555] | In order to arrive at what you do not know |
[08:37.047] | You must go by a way which is the way of ignorance. |
[08:40.936] | In order to possess what you do not possess |
[08:44.196] | You must go by the way of dispossession. |
[08:47.200] | In order to arrive at what you are not |
[08:49.618] | You must go through the way in which you are not. |
[08:53.510] | And what you do not know is the only thing you know |
[08:57.422] | And what you own is what you do not own |
[09:00.868] | And where you are is where you are not. |
[09:04.602] | The wounded surgeon plies the steel |
[09:12.388] | That questions the distempered part |
[09:14.447] | Beneath the bleeding hands we feel |
[09:17.133] | The sharp compassion of the healer' s art |
[09:19.449] | Resolving the enigma of the fever chart. |
[09:22.259] | Our only health is the disease |
[09:25.070] | If we obey the dying nurse |
[09:27.141] | Whose constant care is not to please |
[09:29.969] | But to remind of our, and Adam' s curse, |
[09:33.325] | And that, to be restored, our sickness must grow worse. |
[09:37.105] | The whole earth is our hospital |
[09:40.634] | Endowed by the ruined millionaire, |
[09:43.032] | Wherein, if we do well, we shall |
[09:45.919] | Die of the absolute paternal care |
[09:48.541] | That will not leave us, but prevents us everywhere. |
[09:52.358] | The chill ascends from feet to knees, |
[09:55.852] | The fever sings in mental wires. |
[09:58.825] | If to be warmed, then I must freeze |
[10:02.011] | And quake in frigid purgatorial fires |
[10:04.563] | Of which the flame is roses, and the smoke is briars. |
[10:09.920] | The dripping blood our only drink, |
[10:13.310] | The bloody flesh our only food: |
[10:16.473] | In spite of which we like to think |
[10:19.059] | That we are sound, substantial flesh and blood |
[10:21.901] | Again, in spite of that, we call this Friday good. |
[10:28.478] | So here I am, in the middle way, having had twenty years |
[10:38.762] | Twenty years largely wasted, the years of l' entre deux guerres |
[10:44.008] | Trying to use words, |
[10:45.638] | And every attempt is a wholly new start, |
[10:48.386] | And a different kind of failure |
[10:51.153] | Because one has only learnt to get the better of words |
[10:53.669] | For the thing one no longer has to say, |
[10:56.094] | Or the way in which one is no longer disposed to say it. |
[10:59.697] | And so each venture is a new beginning, |
[11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
[11:07.572] | In the general mess of imprecision of feeling, |
[11:10.739] | Undisciplined squads of emotion. |
[11:13.560] | And what there is to conquer |
[11:15.761] | By strength and submission, has already been discovered |
[11:19.201] | Once or twice, or several times, |
[11:21.541] | By men whom one cannot hope to emulate |
[11:24.683] | But there is no competition |
[11:26.283] | There is only the fight to recover what has been lost |
[11:30.320] | And found and lost again and again: and now, under conditions |
[11:35.886] | That seem unpropitious. |
[11:37.862] | But perhaps neither gain nor loss. |
[11:41.165] | For us, there is only the trying. |
[11:44.210] | The rest is not our business. |
[11:47.653] | Home is where one starts from. |
[11:50.917] | As we grow older |
[11:52.997] | The world becomes stranger, |
[11:54.778] | The pattern more complicated of dead and living. |
[11:57.512] | Not the intense moment isolated, |
[12:00.211] | With no before and after, |
[12:01.945] | But a lifetime burning in every moment |
[12:04.936] | And not the lifetime of one man only |
[12:07.281] | But of old stones that cannot be deciphered. |
[12:10.323] | There is a time for the evening under starlight, |
[12:14.213] | A time for the evening under lamplight |
[12:16.686] | The evening with the photograph album |
[12:18.950] | Love is most nearly itself |
[12:22.038] | When here and now cease to matter. |
[12:24.227] | Old men ought to be explorers |
[12:27.041] | Here or there does not matter |
[12:30.465] | We must be still and still moving |
[12:33.511] | Into another intensity |
[12:35.091] | For a further union, a deeper communion |
[12:38.869] | Through the dark cold and the empty desolation, |
[12:42.103] | The wave cry, the wind cry, the vast waters |
[12:47.614] | Of the petrel and the porpoise. |
[12:50.015] | In my end is my beginning. |
[00:00.000] | zuò qǔ : Eliot |
[00:02.375] | East Coker |
[00:04.983] | In my beginning is my end. |
[00:08.237] | In succession, houses rise and fall, crumble, are extended, |
[00:12.425] | Are removed, destroyed, restored, or in their place |
[00:16.692] | Is an open field, or a factory, or a bypass. |
[00:20.047] | Old stone to new building, old timber to new fires, |
[00:24.405] | Old fires to ashes, and ashes to the earth |
[00:28.640] | Which is already flesh, fur and faeces, |
[00:32.779] | Bone of man and beast, cornstalk and leaf. |
[00:36.080] | Houses live and die: there is a time for building |
[00:41.094] | And a time for living and for generation |
[00:43.562] | And a time for the wind to break the loosened pane |
[00:47.187] | And to shake the wainscot where the fieldmouse trots |
[00:50.952] | And to shake the tattered arras woven with a silent motto. |
[00:56.732] | In my beginning is my end. |
[01:00.581] | Now the light falls |
[01:02.141] | Across the open field, leaving the deep lane |
[01:04.936] | Shuttered with branches, dark in the afternoon, |
[01:08.157] | Where you lean against a bank while a van passes, |
[01:11.350] | And the deep lane insists on the direction |
[01:14.156] | Into the village, in the electric heat |
[01:17.041] | Hypnotised. |
[01:18.928] | In a warm haze the sultry light |
[01:21.399] | Is absorbed, not refracted, by grey stone. |
[01:25.194] | The dahlias sleep in the empty silence. |
[01:28.400] | Wait for the early owl. |
[01:32.612] | In that open field |
[01:34.778] | If you do not come too close, |
[01:36.429] | If you do not come too close, |
[01:38.199] | On a summer midnight, |
[01:39.859] | you can hear the music of the weak pipe and the little drum |
[01:43.111] | And see them dancing around the bonfire |
[01:45.339] | The association of man and woman |
[01:48.361] | In daunsinge, signifying matrimonie |
[01:51.554] | A dignified and commodiois sacrament. |
[01:54.229] | Two and two, necessarye coniunction, |
[01:57.494] | Holding eche other by the hand or the arm |
[02:00.072] | Whiche betokeneth concorde. |
[02:02.054] | Round and round the fire |
[02:04.607] | Leaping through the flames, or joined in circles, |
[02:07.231] | Rustically solemn or in rustic laughter |
[02:10.084] | Lifting heavy feet in clumsy shoes, |
[02:13.241] | Earth feet, loam feet, lifted in country mirth |
[02:17.346] | Mirth of those long since under earth |
[02:20.209] | Nourishing the corn. |
[02:22.132] | Keeping time, |
[02:24.116] | Keeping the rhythm in their dancing |
[02:26.241] | As in their living in the living seasons |
[02:28.847] | The time of the seasons and the constellations |
[02:32.040] | The time of milking and the time of harvest |
[02:34.744] | The time of the coupling of man and woman |
[02:37.453] | And that of beasts. |
[02:39.963] | Feet rising and falling. |
[02:42.521] | Eating and drinking. |
[02:43.980] | Dung and death. |
[02:48.307] | Dawn points, and another day |
[02:51.811] | Prepares for heat and silence. |
[02:54.573] | Out at sea the dawn wind |
[02:57.592] | Wrinkles and slides. |
[03:00.409] | I am here, or there, or elsewhere. |
[03:04.200] | In my beginning. |
[03:06.812] | What is the late November doing with the disturbance of the spring |
[03:15.802] | And creatures of the summer heat, |
[03:17.600] | And snowdrops writhing under feet |
[03:19.908] | And hollyhocks that aim too high |
[03:21.803] | Red into grey and tumble down |
[03:24.134] | Late roses filled with early snow? |
[03:27.691] | Thunder rolled by the rolling stars |
[03:30.111] | Simulates triumphal cars |
[03:32.253] | Deployed in constellated wars |
[03:34.401] | Scorpion fights against the Sun |
[03:36.899] | Until the Sun and Moon go down |
[03:38.589] | Comets weep and Leonids fly |
[03:41.030] | Hunt the heavens and the plains |
[03:43.136] | Whirled in a vortex that shall bring |
[03:45.434] | The world to that destructive fire |
[03:47.728] | Which burns before the icecap reigns. |
[03:51.848] | That was a way of putting it not very satisfactory: |
[03:55.118] | A periphrastic study in a wornout poetical fashion, |
[03:59.668] | Leaving one still with the intolerable wrestle |
[04:01.937] | With words and meanings. |
[04:03.745] | The poetry does not matter. |
[04:05.510] | It was not to start again what one had expected. |
[04:08.735] | What was to be the value of the long looked forward to, |
[04:12.386] | Long hoped for calm, the autumnal serenity |
[04:16.060] | And the wisdom of age? |
[04:17.730] | Had they deceived us |
[04:19.849] | Or deceived themselves, the quietvoiced elders, |
[04:22.851] | Bequeathing us merely a receipt for deceit? |
[04:26.352] | The serenity only a deliberate hebetude, |
[04:29.715] | The wisdom only the knowledge of dead secrets |
[04:32.871] | Useless in the darkness into which they peered |
[04:35.246] | Or from which they turned their eyes. |
[04:38.371] | There is, it seems to us, |
[04:40.542] | At best, only a limited value |
[04:42.467] | In the knowledge derived from experience. |
[04:44.356] | The knowledge imposes a pattern, and falsifies, |
[04:48.240] | For the pattern is new in every moment |
[04:51.040] | And every moment is a new and shocking valuation of all we have been. |
[04:55.948] | We are only undeceived |
[04:57.908] | Of that which, deceiving, could no longer harm. |
[05:01.400] | In the middle, not only in the middle of the way |
[05:04.348] | But all the way, in a dark wood, in a bramble, |
[05:07.232] | On the edge of a grimpen, where is no secure foothold, |
[05:11.327] | And menaced by monsters, fancy lights, |
[05:13.820] | Risking enchantment. |
[05:15.582] | Do not let me hear |
[05:17.949] | Of the wisdom of old men, but rather of their folly, |
[05:21.325] | Their fear of fear and frenzy, their fear of possession, |
[05:26.416] | Of belonging to another, or to others, or to God. |
[05:31.070] | The only wisdom we can hope to acquire |
[05:34.257] | Is the wisdom of humility: humility is endless. |
[05:38.883] | The houses are all gone under the sea. |
[05:43.558] | The dancers are all gone under the hill. |
[05:47.182] | O dark dark dark. |
[05:54.390] | They all go into the dark, |
[05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
[06:00.268] | The captains, merchant bankers, eminent men of letters, |
[06:03.930] | The generous patrons of art, the statesmen and the rulers, |
[06:07.236] | Distinguished civil servants, chairmen of many committees, |
[06:10.165] | Industrial lords and petty contractors, |
[06:12.996] | All go into the dark, |
[06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
[06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
[06:23.134] | And cold the sense and lost the motive of action. |
[06:27.508] | And we all go with them, into the silent funeral, |
[06:31.554] | Nobody' s funeral, for there is no one to bury. |
[06:35.198] | I said to my soul, be still, and let the dark come upon you |
[06:41.649] | Which shall be the darkness of God. |
[06:43.727] | As, in a theatre, |
[06:45.647] | The lights are extinguished, for the scene to be changed |
[06:47.730] | With a hollow rumble of wings, |
[06:49.603] | With a movement of darkness on darkness, |
[06:52.752] | And we know that the hills and the trees, the distant panorama |
[06:57.213] | And the bold imposing facade are all being rolled away |
[07:00.765] | Or as, when an underground train, |
[07:03.756] | In the tube, |
[07:04.945] | Stops too long between stations |
[07:07.447] | And the conversation rises and slowly fades into silence |
[07:11.429] | And you see behind every face the mental emptiness deepen |
[07:15.662] | Leaving only the growing terror of nothing to think about |
[07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing |
[07:25.417] | I said to my soul, be still, |
[07:29.026] | And wait without hope |
[07:31.634] | For hope would be hope for the wrong thing |
[07:34.444] | Wait without love, |
[07:36.727] | For love would be love of the wrong thing |
[07:39.496] | There is yet faith |
[07:41.505] | But the faith and the love and the hope are all in the waiting. |
[07:46.388] | Wait without thought, for you are not ready for thought: |
[07:50.677] | So the darkness shall be the light, |
[07:53.208] | And the stillness the dancing. |
[07:56.002] | Whisper of running streams, and winter lightning. |
[08:00.207] | The wild thyme unseen and the wild strawberry, |
[08:03.665] | The laughter in the garden, echoed ecstasy |
[08:06.945] | Not lost, but requiring, pointing to the agony |
[08:11.857] | Of death and birth. |
[08:14.572] | You say I am repeating |
[08:17.105] | Something I have said before. |
[08:18.604] | I shall say it again. |
[08:20.352] | Shall I say it again? |
[08:23.184] | In order to arrive there, |
[08:25.905] | To arrive where you are, to get from where you are not, |
[08:29.592] | You must go by a way wherein there is no ecstasy. |
[08:33.555] | In order to arrive at what you do not know |
[08:37.047] | You must go by a way which is the way of ignorance. |
[08:40.936] | In order to possess what you do not possess |
[08:44.196] | You must go by the way of dispossession. |
[08:47.200] | In order to arrive at what you are not |
[08:49.618] | You must go through the way in which you are not. |
[08:53.510] | And what you do not know is the only thing you know |
[08:57.422] | And what you own is what you do not own |
[09:00.868] | And where you are is where you are not. |
[09:04.602] | The wounded surgeon plies the steel |
[09:12.388] | That questions the distempered part |
[09:14.447] | Beneath the bleeding hands we feel |
[09:17.133] | The sharp compassion of the healer' s art |
[09:19.449] | Resolving the enigma of the fever chart. |
[09:22.259] | Our only health is the disease |
[09:25.070] | If we obey the dying nurse |
[09:27.141] | Whose constant care is not to please |
[09:29.969] | But to remind of our, and Adam' s curse, |
[09:33.325] | And that, to be restored, our sickness must grow worse. |
[09:37.105] | The whole earth is our hospital |
[09:40.634] | Endowed by the ruined millionaire, |
[09:43.032] | Wherein, if we do well, we shall |
[09:45.919] | Die of the absolute paternal care |
[09:48.541] | That will not leave us, but prevents us everywhere. |
[09:52.358] | The chill ascends from feet to knees, |
[09:55.852] | The fever sings in mental wires. |
[09:58.825] | If to be warmed, then I must freeze |
[10:02.011] | And quake in frigid purgatorial fires |
[10:04.563] | Of which the flame is roses, and the smoke is briars. |
[10:09.920] | The dripping blood our only drink, |
[10:13.310] | The bloody flesh our only food: |
[10:16.473] | In spite of which we like to think |
[10:19.059] | That we are sound, substantial flesh and blood |
[10:21.901] | Again, in spite of that, we call this Friday good. |
[10:28.478] | So here I am, in the middle way, having had twenty years |
[10:38.762] | Twenty years largely wasted, the years of l' entre deux guerres |
[10:44.008] | Trying to use words, |
[10:45.638] | And every attempt is a wholly new start, |
[10:48.386] | And a different kind of failure |
[10:51.153] | Because one has only learnt to get the better of words |
[10:53.669] | For the thing one no longer has to say, |
[10:56.094] | Or the way in which one is no longer disposed to say it. |
[10:59.697] | And so each venture is a new beginning, |
[11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
[11:07.572] | In the general mess of imprecision of feeling, |
[11:10.739] | Undisciplined squads of emotion. |
[11:13.560] | And what there is to conquer |
[11:15.761] | By strength and submission, has already been discovered |
[11:19.201] | Once or twice, or several times, |
[11:21.541] | By men whom one cannot hope to emulate |
[11:24.683] | But there is no competition |
[11:26.283] | There is only the fight to recover what has been lost |
[11:30.320] | And found and lost again and again: and now, under conditions |
[11:35.886] | That seem unpropitious. |
[11:37.862] | But perhaps neither gain nor loss. |
[11:41.165] | For us, there is only the trying. |
[11:44.210] | The rest is not our business. |
[11:47.653] | Home is where one starts from. |
[11:50.917] | As we grow older |
[11:52.997] | The world becomes stranger, |
[11:54.778] | The pattern more complicated of dead and living. |
[11:57.512] | Not the intense moment isolated, |
[12:00.211] | With no before and after, |
[12:01.945] | But a lifetime burning in every moment |
[12:04.936] | And not the lifetime of one man only |
[12:07.281] | But of old stones that cannot be deciphered. |
[12:10.323] | There is a time for the evening under starlight, |
[12:14.213] | A time for the evening under lamplight |
[12:16.686] | The evening with the photograph album |
[12:18.950] | Love is most nearly itself |
[12:22.038] | When here and now cease to matter. |
[12:24.227] | Old men ought to be explorers |
[12:27.041] | Here or there does not matter |
[12:30.465] | We must be still and still moving |
[12:33.511] | Into another intensity |
[12:35.091] | For a further union, a deeper communion |
[12:38.869] | Through the dark cold and the empty desolation, |
[12:42.103] | The wave cry, the wind cry, the vast waters |
[12:47.614] | Of the petrel and the porpoise. |
[12:50.015] | In my end is my beginning. |